Joy//Us Meet the poets part 2 familiar faces

Part two of our meet the Joy//Us poets feature

Normally I wouldn’t be plugging the book-after-next so soon, but with the crowdfund going, I’m sharing info on there, and thought I’d share it here too!

(Without the crowdfund it will be difficult to market the book and that makes it harder to sell, and makes it harder to stay in business.)

These are the poets in Joy//Us who we have published before, although not necessarily poetry!

Alexander Williams is a jazz singer, and host of the popular Dial Up Open Mic Events. In addition to his regular open mics, he stages an LGBT+ History Month open mic every February, and a Black History Month open mic every October. He is author of Secular Verses, a collection of humanist poetry featured monthly in Humanistically Speaking magazine.

Cherry Potts is the Director of Arachne Press, for whom she is editor/co-editor of most of our anthologies, and runs the annual literature and music festival Solstice Shorts. She is the author of a Lesbian fantasy epic and two collections of short stories, and winner of the Quill LGBTQ+ Prose award 2023

Conway Emmett is a fat, queer, nonbinary, neurodivergent poet who was born and lives in South Wales. They worked in higher education for many years, and later as an independent consultant, researcher and writer. They recently came back to creative writing after a couple of decades away. They often use their writing as a way to understand themself, their experiences, and the social world.

Dean Atta is an award-winning Black British author and poet of Greek Cypriot and Jamaican heritage whose works have received praise from Bernardine Evaristo and Malorie Blackman. His novel in verse, The Black Flamingo, about a Black gay teen finding his voice through poetry and drag performance, won the Stonewall Book Award and was shortlisted for numerous further prestigious awards. His poetry collection, There is (still) love here, explores acceptance, queer joy and the power of unapologetically being yourself and fully embracing who you are.

Jane Aldous  is an Edinburgh based poet who returned to writing poetry later in life.  She has been commended in several competitions and her poems have been widely published in magazines and anthologies. She has had two collections published by Arachne Press, the second of which was a lesbian love story set in 1960s Edinburgh told in 70 poems. She is currently working on a third series of poems which tell a more contemporary and mysterious tale.

Jeremy Dixon is a poet and maker of Artist’s Books. He was born in Essex and moved to the Vale of Glamorgan as a teenager, living there for over 45 years. His poetry has appeared in Butcher’s Dog, Found Poetry Review, HIV Here & Now, Impossible Archetype, Lighthouse Journal, Anti-Heroin Chic, Roundyhouse and other print and online magazines. He has been published several times by Arachne Press, including his debut pamphlet IN RETAIL (2019) and in the recent bilingual Welsh/English anthology, A470: Poems for the Road/Cerddi’r Ffordd (2022). We published Jeremy’s first full collection, A Voice Coming From Then in August 2021 and it WON the poetry category for Wales Book of the Year English Language Poetry

JP Seabright (she/they) is a queer disabled writer living in London. They have four solo pamphlets published and two collaborations, encompassing poetry, prose and experimental work. They have been widely published and anthologised, and nominated for a Pushcart Prize, Best of the Net, and Forward Prize.

Kate Foley is a widely published, prize-winning poet who has read in many UK and European locations. She was president of the Suffolk Poetry Society until 2022.  Her first collection, Soft Engineering was short-listed for best first collection at Aldeburgh.  Her working life has ranged from delivering babies to conserving delicate archaeological material, and she also became Head of English Heritage’s scientific and technical research laboratories. Although she has always written poetry it wasn’t until Kate gave up the day job that she began to publish more widely.  She now lives with her wife, between Amsterdam and Suffolk, where she performs, writes, edits, leads workshops and whenever possible works with artists in other disciplines.

Once voted “most likely to start the revolution” Rick Dove is a progressive poet and activist from Southwest London. Arriving on the spoken word scene in 2015, Rick has performed across the UK and internationally, with performance credits including The Wandsworth Arts Fringe, the Edinburgh Fringe, Greenbelt Festival, and Shambala Festival.

Dubbed “one to watch” by TS Eliot Prize winner Roger Robinson, Rick has published two collections with Burning Eye Books, Tales From the Other Box (August 2020), and Supervillain Origin Story (Coming May 2023), and was crowned the Hammer & Tongue UK Poetry Slam Champion at the Royal Albert Hall in July 2021. Equally at home on a stage, a page, or on a march, Rick has a vision of a fairer world and he wants to take you with him.

 

Q&A from online launch of More Patina than Gleam & Saved to Cloud

Queer poet Jeremy Dixon quizzes fellow Arachne poets, Kate Foley and Jane Aldous for the online launch of their new poetry collections, Saved to Cloud, and More Patina Than Gleam, on process, inspiration, being ‘vintage lesbians’ and what their mothers would have thought.

 

Are you an LGBTQ+ poet? Inspired by our gang of queer poets?

We have a submission call for Joy//Us, our LGBTQ+ poetry of Queer Joy anthology right… here on Submittable

Older Women Writers – Arachne Press in the Guardian

You might have seen us in The Guardian online this weekend – in a piece about older women writers, the work that Arachne Press does to seek, support and promote older women’s voices, and the gradual sea change that we can see happening in the publishing industry as a whole. We were delighted with the article, but it is only the beginning of the conversation. Here Cherry Potts, owner and founder of Arachne Press, shares some more extensive thoughts about publishing talented, witty, clever and creative older women writers:

In the 10 years we have been publishing we have seen a noticeable shift in all kinds of diversity publishing with specialist publishers such as Incandescent, Jacaranda and Peepal Tree that I’ve not seen since the 80’s. We at Arachne are not specialist in our diversity aims, we are inclusive, and that includes older women. We have always actively sought, supported and promoted older women, and valued what they have to say. The existence of women’s writing networks and magazines like Mslexia (which has been there for 24 years) have made it easier for older women to find publishers like us. It started with independent presses, like us, who intentionally hold space for writers from underrepresented communities. We have always filled gaps we see missing in the commercial publishing industry; the ripple from that has been working through to the industry as a whole, it’s a steady improvement but there is plenty of room for more.

Author Jane Aldous © Jeremy Sutton-Hibbert/The Guardian

For many women it is impossible to focus on writing until later in life, women’s lives are trammelled with work and caring – children, if they have them, parents almost inevitably as they get older, it takes a strong woman to say no to looking after elderly parents – or a rich one – grandchildren… the list goes on;  and battering away at the glass ceiling (should we be so lucky as to not be working in some less inspiring job just to make enough to live on, as the gender pay gap still exists, with all that implies) there isn’t a lot of time for writing or pursuing a publishing deal. Sadly these responsibilities do still fall to women, and because they are usually earning less, they are less able to provide paid for alternatives, and are more likely the one in a heterosexual couple to give up work to care for whoever needs it.

Our open anthology calls consistently attract older women, but we’ve noticed an increase over the years, which led to the idea of our menopause anthology, collecting stories and poems from women in peri/post/menopause exploring the massive changes in their lives that occur as a result. (We will be announcing the contributors on 8th March, International Women’s Day.)

For women who were children during World War II, teenagers in the 50s, young wives or career women in the 60’s, feminists in the 70s, peace campaigners in the 80’s and so on (and some still campaigning!) there is so much they have to bring, and living in their women’s bodies, and coming to terms with all the changes that involves. They are looking back at those changes with the eye of experience and aren’t squeamish about talking about it, as many younger women might be.

Now feels like the right moment for taking all women writers seriously, refusing to conform to the traditional packaging of ‘women’s fiction’, and actively promoting radical, edgy writing – and forms of writing – from a demographic that has a tendency, in the face of the evidence, to be seen as a bit safe, perhaps even cosy.  Our older women writers are far from cosy, and they aren’t just old; they are lesbians, (Kate Foley & Jane Aldous) they are disabled (Kate Foley, Jane Aldous and Jennifer A McGowan), they started their lives in this country as refugees (Anna Fodorova) they live somewhere isolated (Clare Owen, Ness Owen, Jackie Taylor) and are (increasingly) from the global majority (Anita Goveas, Seni Seneviratne, Yvie Holder, Victoria Ekpo, Lesley Kerr, Lorraine Mighty). These are just the tip of the iceberg.

Author Anna Fodorova © Michael Ann Mullen / The Guardian

Often we are publishing women in their 60’s plus, who are still writing, or just beginning to write, or more specifically just beginning to publish, having written all their lives. These women are not coming straight into a publishing deal from an MA in creative writing, or off the back of a career writing in TV, or film, or radio,  or journalism where they have already have the right contacts to find a deal and get a raft of reviews (and more power to those who do). We are talking about the women who are onto their nth career (Kate Foley worked as a midwife, a cleaner, and an archaeological conservator before finally publishing (as I did, with Onlywomen Press), and won a prize with her first book. In fact I read Kate’s first collection in manuscript! When I started Arachne Press it was with the hope that I would publish writers like Kate, and hers was the first poetry collection we published. We have just published her eleventh collection, Saved to Cloud, having published two previously The Don’t Touch Garden and A Gift of Rivers. 

Saved to Cloud

The story here isn’t really that we publish older women (why wouldn’t we?) but that they come to us. It isn’t about debuts, many of the poets (particularly) whom we publish are award winning writers with several collections to their names. But they still send work for our open call anthologies, and that makes space for the debut writers to be published alongside them, and for us to make discoveries.

It’s about women writing quirky, difficult, often angry poetry and short fiction.

It’s about the writers choosing to send us their work because they recognise that we will find a way to overcome the difficulties they face with time and mobility and geographic isolation and anxiety – or whatever it is that gets in their way. We have worked hard at creating a community for our writers, putting them in touch with each other, inviting them on writing weekends, asking them to be guest editors, running workshops, and enabling them to run workshops and panels to discuss what matters to them, work together, explore, make friends, raise their profile… and confidence, if they need it. We don’t start from the assumption that older women (or anyone, even debut authors) need support, but it’s there if it is.

We don’t just publish the anthology, if a writer engages with us, we take an interest in who they are and what they do – their multifaceted careers have found us translators and cover artists among our writers, and anyone who really impresses us gets ‘the email’ saying what else do you have?

We are proud to be one of the primary presses publishing older women and their incisive, imaginative and glorious stories.

Hiatus winners

We’ve counted the votes, disqualified the people voting for their own work (tsk, tsk, did you think we wouldn’t check??) and can now announce that (subject to contract) the folowing poems and stories that will join this year’s winners,  in the Solstice Shorts 2022 ‘best of’ ebook Hiatus, are:

After Before by Mandy Macdonald
After Sun, Before the Stars by Jane Aldous
Against Daylight Saving by Gabriel Noel (This year’s competition winner)
At the Hotel de la Lune by Sarah James
Beach Clean by Ness Owen
Fire at Midday by Susan Cartwright-Smith
Fisherman’s Daughter by Claire Booker
In Between Dog by Pippa Gladhill
Jackdaw by Elaine Hughes
Mock Posh & Tatters by Moira Quinn
Pause by Karen Pierce (This year’s competition winner)
Rewilding by Jackie Taylor
Sir Thomas Wyatt’s Catby Elinor Brooks
Stone Baby by Sarah Evans
The Surgeon’s Mate by Maria Kyle
Volunteer by Jane McLaughlin
Wednesday Afternoon by David Mathews
What He Doesn’t Know by Frances Gapper
Yes, Twilight by Math Jones

Where there was a dead heat (which happened several times) I’ve included both. We’ll announce the winner of the prize draw shortly – going to experiment with the cat doing the draw…

Announcement! 2023 Festival, Exhibition and Poetry Titles

We are delighted to let you know that we have a grant confirmed from Arts Council England, which will allow us to hold our 10th Anniversary online festival, of workshops and readings, and an exhibition of cover art at Stephen Lawrence Gallery in Greenwich, both in January 2023, and to publish the following poetry titles:

February: Saved to Cloud by Kate Foley
March: More Patina than Gleam by Jane Aldous
April: The Arctic Diaries by Melissa Davies
May: Unmothered by A.J. Akoto

We are thrilled, not to say relieved, to be able to continue publishing and to celebrate our 10th anniversary in style.

More information as details firm up!

70 poems for a 70th birthday

It is Arachne poet Jane Aldous’ birthday today. She is seventy, and to celebrate she has spent the last year writing 70 poems. We will be publishing these next year, on International Women’s Day, 8th March.

Jane Aldous

To get you in the mood here is Jane’s ‘birth announcement’ poem from her debut collection, Let Out the Djinn.

Telegram from Doris Court Nursing Home

Greetings!
Here she is your chick, your slick of blood, skin, bone.
Here they are, your ma and pa, they’re terrified,
she’s sore, he thinks he’s going to drop you.
Congratulations.
Love, Min and Avis.
Stop.

Happy Birthday, Jane!

Arachne Press at Gloucester Poetry Festival – 30th October

Following hot on the heels of National Poetry Day, Arachne Press is delighted to announce we will be at Gloucester Poetry Festival later this month with a number of the poets we have published over the last 9 years.  Join us for our showcase online to hear these poets read from their work, and a brief Q&A afterwards.  Readings from (in order of appearance):

Jennifer A McGowan

Jane Aldous

Rob Walton

Kate Foley

Math Jones

Ness Owen

Emma Lee

Jeremy Dixon

The event is free, but ticketed.  You can register here.  If you can only use a voice line to dial in, please see the Gloucester Poetry Festival page for this event (scroll to the bottom of the page), here.

to celebrate we have bundles of 3 books by the authors available until just after the event – take a look

Jane Aldous Tymes goe by Turnes

Jane Aldous introduces her poem Sirius which will be performed at Solstice Shorts Festival 2020, Tymes Goe By Turnes on 21st December, and published in the book of the same name, we are crowdfunding – only a few hours left!

Arachneversary video 6: Jane Aldous and Let Out the Djinn

Poet Jane Aldous and editor Cherry Potts discuss Jane’s poetry collection, Let Out the Djinn, editing, poetry and cats…

you can buy Let out the Djinn (on sale throughout August) from our Webshop.

Just put in ARACHNEVERSARY at checkout to get your discount.

 

Lockdown Interviews: No16 Jeremy Dixon, Interviewed by Jane Aldous

Jeremy Dixon (In Retail, The Other Side of Sleep, Liberty Tales, Dusk) interviewed by fellow poet Jane Aldous (Let Out the Djinn, Dusk, An Outbreak of Peace, Noon, Time and Tide)

Jane Aldous reading

Jane:     I’d love to know about your first piece of published writing?

Jeremy:              My first experience of poetry as an adult was from being involved in the Bristol poetry scene, which was extremely active in the 1990s. A friend secretly entered me for a weekly slam competition and then told me that as I was always talking about how I wanted to write poetry, I now had one whole week to compose and perform two poems. I made it through the first round of the competition and was awarded a Bristol Poetry Slam pen (which I still own, and I still know the compere who gave it to me). So leading on from that my earliest pieces of published writing are two (not those first two) poems included in the 270 page Bristol Poetry Slam Anthology, published by the Pimps of the Alphabet in 1998. One of the published poems was about bumping into a man in the park late at night and the other was about being called names because I was a Take That fan, so as you can see the path of my poetry was determined at a very early stage!

Jane:     What’s your favourite poem in IN RETAIL and why?

Jeremy:              I just want to say how grateful I am to Cherry for showing such faith in my work and for agreeing to publish my debut poetry collection IN RETAIL. It came out last year and my relationship to the published book is still evolving, once the poems become a physical object they seems to take on a life of their own. I see the book as a complete work in it’s own right and so every poem is contributing it’s part and needs to be there. However in the process of going out (or now, staying in) and reading the poems in public there are a few that have grown very dear to me due to the way they seem to bloom and change in front of an audience. A great example of this is 00/10 in which every couplet begins with the line; This is a customer announcement. When I read the poem I love the repetition that this line allows me, meaning I can change how I perform this set of words nine times in terms of timing and emphasis and voice. I have also realised that the poem and delivery prompts a much more humorous response from an audience than I ever imagined it contained when I was writing it down and then having it printed on the page. This poem has made me push my goals when reading and to see that there are many more possibilities open to me as a performer of my own work.

Jane:     Is the Coronavirus crisis having an impact on your writing?

Jeremy:              Initially when the lockdown began I found myself making lots of lists of things to do and then getting involved in lots of tidying up around the flat. I seemed to be able to do a task if it was physical, but doing anything that involved any kind of mental or creative concentration was impossible. I also found that I could only really do one thing a day and then I would be totally wiped out and have no energy. This started to change when I moved teaching my physical Yoga classes onto the online Zoom platform. The discipline of Yoga helped restore my energy levels and the classes gave me a tiny routine and structure to the week and slowly the desire and ability to write began to return. At first it was through revising and editing existing work but now I have actually begun some new poems. I am also attending a lot of Zoom poetry readings, lectures and workshops and again this has given support and an impetus to my creativity.

Jane:     What writing project would you like to fulfill long term?

Jeremy:              The long-term writing project I am working on at the moment is a much more personal project then IN RETAIL, but it actually has it’s beginning in one of the book’s poems, 00/13. This poem was the first time I had successfully (in my own terms) written about being bullied as a teenager and the process of writing it and then publishing the book has given me the confidence to develop this idea further. I am calling the current work-in-progress A VOICE COMING FROM HIM and it will deal with the long-lasting and ongoing effect on a gay person’s life of experiencing childhood homophobia, bullying and in my case, a teenage suicide attempt. Now that all sounds really heavy and depressing, and in some ways it has to be, but in my opinion the topics involved need to addressed and acknowledged. However I also want the book to be hopeful and optimistic and to reflect (as does IN RETAIL) my interests as a maker of artists’ books. So in that respect I’m looking to include Found poems, health records, photographs, statistics etc to give the book more a sense of a whole life or lives. Some of these new poems already been published and performed and have met with positive responses, so I feel I am on the right track with the project.

Jane:     What person or object would you most like to collaborate with creatively?

Jeremy:              What a very timely question! I have just sent out to a local festival a proposal for a collaborative event between myself and a friend who works at Cardiff University as a Senior Assurance Advisor. We have known each other since the mid-1980s and last year we each published our first books. Our collaboration would look at our experiences since then as a female BAME writer and as a male queer poet, from dealing with labels and categorisation, underrepresentation and how it can be addressed, to creating safe spaces through creative work and the unexpected outcomes that result from publication. We are still in the very early planning stages but are aiming to create a joint performance of both of our work, trying to include different types of media and to develop new collaborative writing especially for it.

You can buy IN RETAIL and all other books mentioned, from our Webshop

If you would prefer eBooks, all these books are available from your usual retailer. we recommend Hive for ePub.

You can see Jeremy perform poems from IN RETAIL here:

00/10

https://youtu.be/SzNgu1tskaE

 

00/13

https://youtu.be/BFjipnCmNdI 

Follow Jeremy on Twitter @HazardPressUK