Q&A from online launch of More Patina than Gleam & Saved to Cloud

Queer poet Jeremy Dixon quizzes fellow Arachne poets, Kate Foley and Jane Aldous for the online launch of their new poetry collections, Saved to Cloud, and More Patina Than Gleam, on process, inspiration, being ‘vintage lesbians’ and what their mothers would have thought.

 

Are you an LGBTQ+ poet? Inspired by our gang of queer poets?

We have a submission call for Joy//Us, our LGBTQ+ poetry of Queer Joy anthology right… here on Submittable

Saved to Cloud launch video part 2

I’ve been woefully slow to get the videos up for all the launches this year, but captioning takes an age, and there’s been a LOT happening, I still have miles of footage to work through!

So here, at last, is the second half of the videos for Kate Foley’s launch of Saved to Cloud at Keats House (to whom thanks, for their continued support)

A marvellous mix of observation of human frailty, and anger at what we are doing to the planet.

Thanks to Anne Stewart for taking over videoing when my phone decided to play up!

 

There is no Planet B

 

Tree Speak

 

Toolbox

 

Slow Water

 

Rosebay Willowherb

 

Lines

 

Limping

 

Learning a Language

 

Politics

 

Saved to Cloud launch video

I’ve been woefully slow to get the videos up for all the launches this year, but captioning takes an age, and there’s been a LOT happening, I still have miles of footage to work through!

So here, at last, is the first half of the videos for Kate Foley’s launch of Saved to Cloud at Keats House (to whom thanks, for their continued support)

A marvellous mix of observation of human frailty, and anger at what we are doing to the planet.

Thanks to Anne Stewart for taking over videoing when my phone decided to play up!

Education of the Heart

 

At Cafe Welling

 

Repeated Patterns

 

Our Old Lady

 

on being 80 plus

In the Cave at Niaux

 

Apocalypse

 

older women writers: Kate Foley

Continuing our series of commentary from older women writers, here is Kate Foley on the huge gap between first experience of making poetry poet and actually getting published 45 years later. Also, video interview from when we first published Kate, in October 2016, with her collection The Don’t Touch Garden (also available as an audio book)

The Don’t Touch Garden

Up on the wild and lonely moors/ a keen wind is blowing./ The heather and the yellow gorse/ are in profusion growing….’  I wrote, aged 11 in my first convent grammar school year. ‘That’s poetry’  said my lion-headed English teacher. So I knew that I was destined to become a poet. 

My second stroke of luck happened when I was 56 at a bookshop ‘do’ when I’d thrust a few poems on Lilian Mohin, publisher of Onlywomen press, who raised her eyebrows wearily. Next day the phone rang and a voice said ‘I want to do a book!’ Now nearly 30 years and 11 publications later I still don’t know where the difference between being a poet and making poetry lies. Is it because I’m a woman in a world largely occupied by men in the being a poet bit? Nah! True but too easy! Time left only to savour that moment when one word fits another creating a nest for the rare and magical egg of poetry.

Older Women Writers – Arachne Press in the Guardian

You might have seen us in The Guardian online this weekend – in a piece about older women writers, the work that Arachne Press does to seek, support and promote older women’s voices, and the gradual sea change that we can see happening in the publishing industry as a whole. We were delighted with the article, but it is only the beginning of the conversation. Here Cherry Potts, owner and founder of Arachne Press, shares some more extensive thoughts about publishing talented, witty, clever and creative older women writers:

In the 10 years we have been publishing we have seen a noticeable shift in all kinds of diversity publishing with specialist publishers such as Incandescent, Jacaranda and Peepal Tree that I’ve not seen since the 80’s. We at Arachne are not specialist in our diversity aims, we are inclusive, and that includes older women. We have always actively sought, supported and promoted older women, and valued what they have to say. The existence of women’s writing networks and magazines like Mslexia (which has been there for 24 years) have made it easier for older women to find publishers like us. It started with independent presses, like us, who intentionally hold space for writers from underrepresented communities. We have always filled gaps we see missing in the commercial publishing industry; the ripple from that has been working through to the industry as a whole, it’s a steady improvement but there is plenty of room for more.

Author Jane Aldous © Jeremy Sutton-Hibbert/The Guardian

For many women it is impossible to focus on writing until later in life, women’s lives are trammelled with work and caring – children, if they have them, parents almost inevitably as they get older, it takes a strong woman to say no to looking after elderly parents – or a rich one – grandchildren… the list goes on;  and battering away at the glass ceiling (should we be so lucky as to not be working in some less inspiring job just to make enough to live on, as the gender pay gap still exists, with all that implies) there isn’t a lot of time for writing or pursuing a publishing deal. Sadly these responsibilities do still fall to women, and because they are usually earning less, they are less able to provide paid for alternatives, and are more likely the one in a heterosexual couple to give up work to care for whoever needs it.

Our open anthology calls consistently attract older women, but we’ve noticed an increase over the years, which led to the idea of our menopause anthology, collecting stories and poems from women in peri/post/menopause exploring the massive changes in their lives that occur as a result. (We will be announcing the contributors on 8th March, International Women’s Day.)

For women who were children during World War II, teenagers in the 50s, young wives or career women in the 60’s, feminists in the 70s, peace campaigners in the 80’s and so on (and some still campaigning!) there is so much they have to bring, and living in their women’s bodies, and coming to terms with all the changes that involves. They are looking back at those changes with the eye of experience and aren’t squeamish about talking about it, as many younger women might be.

Now feels like the right moment for taking all women writers seriously, refusing to conform to the traditional packaging of ‘women’s fiction’, and actively promoting radical, edgy writing – and forms of writing – from a demographic that has a tendency, in the face of the evidence, to be seen as a bit safe, perhaps even cosy.  Our older women writers are far from cosy, and they aren’t just old; they are lesbians, (Kate Foley & Jane Aldous) they are disabled (Kate Foley, Jane Aldous and Jennifer A McGowan), they started their lives in this country as refugees (Anna Fodorova) they live somewhere isolated (Clare Owen, Ness Owen, Jackie Taylor) and are (increasingly) from the global majority (Anita Goveas, Seni Seneviratne, Yvie Holder, Victoria Ekpo, Lesley Kerr, Lorraine Mighty). These are just the tip of the iceberg.

Author Anna Fodorova © Michael Ann Mullen / The Guardian

Often we are publishing women in their 60’s plus, who are still writing, or just beginning to write, or more specifically just beginning to publish, having written all their lives. These women are not coming straight into a publishing deal from an MA in creative writing, or off the back of a career writing in TV, or film, or radio,  or journalism where they have already have the right contacts to find a deal and get a raft of reviews (and more power to those who do). We are talking about the women who are onto their nth career (Kate Foley worked as a midwife, a cleaner, and an archaeological conservator before finally publishing (as I did, with Onlywomen Press), and won a prize with her first book. In fact I read Kate’s first collection in manuscript! When I started Arachne Press it was with the hope that I would publish writers like Kate, and hers was the first poetry collection we published. We have just published her eleventh collection, Saved to Cloud, having published two previously The Don’t Touch Garden and A Gift of Rivers. 

Saved to Cloud

The story here isn’t really that we publish older women (why wouldn’t we?) but that they come to us. It isn’t about debuts, many of the poets (particularly) whom we publish are award winning writers with several collections to their names. But they still send work for our open call anthologies, and that makes space for the debut writers to be published alongside them, and for us to make discoveries.

It’s about women writing quirky, difficult, often angry poetry and short fiction.

It’s about the writers choosing to send us their work because they recognise that we will find a way to overcome the difficulties they face with time and mobility and geographic isolation and anxiety – or whatever it is that gets in their way. We have worked hard at creating a community for our writers, putting them in touch with each other, inviting them on writing weekends, asking them to be guest editors, running workshops, and enabling them to run workshops and panels to discuss what matters to them, work together, explore, make friends, raise their profile… and confidence, if they need it. We don’t start from the assumption that older women (or anyone, even debut authors) need support, but it’s there if it is.

We don’t just publish the anthology, if a writer engages with us, we take an interest in who they are and what they do – their multifaceted careers have found us translators and cover artists among our writers, and anyone who really impresses us gets ‘the email’ saying what else do you have?

We are proud to be one of the primary presses publishing older women and their incisive, imaginative and glorious stories.

Upcoming Real life book launches

Wednesday 22nd February 6.30pm, we are launching our first book of 2023, Saved to Cloud, by Kate Foley, at Keats House.

The algorithm
of my own life, faded
and spidery,
is written,
not keyed in.

Kate takes a slightly jaundiced but clear-eyed look at the state of the planet, and our over-reliance on technology as a lens to review her relationship with religion and memory.

Free Tickets

And for International Women’s Day on Wednesday 8th March at 4.30pm, we have a prepublication event for More Patina than Gleam by Jane Aldous at St Colomba’s-by-the-Castle Church Hall in Edinburgh.

In her 70th year, Jane decided to write a novella in seventy poems, exploring a fictionalised version of a life she almost lived.

This series of poems, based in post war Edinburgh, tell linked love stories, including the story of Linda, fleeing with her eleven-year-old daughter from England and an abusive relationship. In hiding as a lady’s companion in one of the city’s suburbs, mother and daughter settle into their new life in Elsie’s rackety house, and encounter a variety of characters who will change their lives forever.

Free Tickets

Both books are part of our continued program of publishing older women, and in this case, lesbians.

 

Announcement! 2023 Festival, Exhibition and Poetry Titles

We are delighted to let you know that we have a grant confirmed from Arts Council England, which will allow us to hold our 10th Anniversary online festival, of workshops and readings, and an exhibition of cover art at Stephen Lawrence Gallery in Greenwich, both in January 2023, and to publish the following poetry titles:

February: Saved to Cloud by Kate Foley
March: More Patina than Gleam by Jane Aldous
April: The Arctic Diaries by Melissa Davies
May: Unmothered by A.J. Akoto

We are thrilled, not to say relieved, to be able to continue publishing and to celebrate our 10th anniversary in style.

More information as details firm up!

Arachne Press at Gloucester Poetry Festival – 30th October

Following hot on the heels of National Poetry Day, Arachne Press is delighted to announce we will be at Gloucester Poetry Festival later this month with a number of the poets we have published over the last 9 years.  Join us for our showcase online to hear these poets read from their work, and a brief Q&A afterwards.  Readings from (in order of appearance):

Jennifer A McGowan

Jane Aldous

Rob Walton

Kate Foley

Math Jones

Ness Owen

Emma Lee

Jeremy Dixon

The event is free, but ticketed.  You can register here.  If you can only use a voice line to dial in, please see the Gloucester Poetry Festival page for this event (scroll to the bottom of the page), here.

to celebrate we have bundles of 3 books by the authors available until just after the event – take a look

Love Audio Week: Inclusive Publishing

What are you reading this weekend? Or should we say, listening to?

For our Saturday #LoveAudio post, here’s a recent article by Arachne Press Director, Cherry Potts: ‘Published, accessible, authentic: how audiobooks can be inclusive’, as well as a bonus excerpt from our very first audiobook – The Don’t Touch Garden by Kate Foley. Kate read the audiobook herself (beautifully) when we first experimented with audio production.

Read more about this process, and Arachne’s approach to audiobooks and inclusive publishing, in Cherry’s article:

https://www.bookbrunch.co.uk/page/free-article/inclusive-publishing-and-audiobooks/

#LoveAudio is the Publisher’s Association annual week-long digital celebration of audiobooks is designed to showcase the accessibility, innovation, and creativity of the format. Follow the hashtag on twitter.

Its the actual Eighth Anniversary PARTY (Book Launch) for No Spider Harmed in the Making of this Book (Part One)

It’s here – weeks of planning, recording, editing, uploading (and a bit of cursing) and finally we have an online book launch for No Spider Harmed in The Making of This Book.

(You may not be able to hear it but thousands of spiders are twanging their webs and stamping their feet in celebration.)

You can buy the book from our website, (or a bookshop, but we see more of the money if you buy direct, and if I’m feeling generous, you might get a random badge too)
We are also having a sale (this book not included) Add ARACHNEVERSARY at checkout to get your discount and check out the special offers button too.
If you want an ebook your usual supplier will have it, We recommend Hive for ePub.

The file for the launch ended up being so HUGE I had to split it, so there is a brief interval and the other half is at 9.02pm* BST. Just time for a comfort break or to refill your glass.

*on here it’s 2 minutes later than on YouTube to give the file a chance to go live for the premiere, they have this really annoying countdown!)

First half features

introduction by head Arachnid, Cherry Potts with BSL translation by Marcel Hirshman.

Kate FoleySpin
A. Katherine BlackEven People who’d been Accidentally Turned into Giant Murderous Mutant Spiders (extract)
Greg Page as Incy Wincy
Daniel Olivieri Revenge One JSTOR article at a time
Jackie TaylorGoodbye Spider
Carrie Cohen as Ms Muffet
KT WagnerAcross the Void
Marcel Hirshman performing Jennifer Rood‘s Spider Queen, in BSL
cover design Karen Boissonneault-Gauthier used repeatedly! Dancing spider gif created from photo by Martha Nance