Joy//Us poets new to Arachne part 2

We’ve introduced you to the poets who have offered rewards, the poets we’ve published before and the debut poets, now the second half of the biggest group, experienced (indeed well-known!) poets who are new to publishing with us.

K. Angel (they/them) has been published with the Tin House Open Bar, PANK, the New Flash Fiction Review, and elsewhere. A two-time participant in the HBMG Foundation’s National Winter Playwrights Retreat and shortlisted for the Virago FURIES Competition, their projects straddle many forms and genres, with a persistent fixation on consent, desire, intentional community, and metamorphosis interruptus. They live in London, where they sometimes perform as the singing country drag king TrucK.

Lawrence Wilson’s fiction, poetry and essays have appeared in Albedo One, Cerasus, Agenda, Gramarye, One Hand Clapping, Best of British, The Darker Side of Love, on Salon.com and in other journals and collections. His collections, The April Poems, Another April, An Illustrated April, and Brick: Poems from the First Year of a Lockdown, are available on Amazon, as is his children’s novel, Mina, Etc. He is currently Facilitating Poet for the UK’s Rare Dementia Support Research Project.

Lydia Fulleylove has published three collections: Notes on Sea & Land, (HappenStance 2011) and Estuary, with artist Colin Riches, (Two Ravens 2014), Ampersand,  Valley Press 2022). Her poem Night Drive was shortlisted for the Forward Best Single Poem.  She has been published in a wide range of anthologies, magazines and other publications. She has worked extensively in community collaborative arts projects, including healthcare, prison and with young people.

Poet, editor and translator Maria Jastrzębska’s most recent collections are The True Story of Cowboy Hat and Ingénue (Cinnamon Press 2018) and Small Odysseys (Waterloo Press 2022). The Cedars of Walpole Park, her selected poems, were translated into Polish (Stowarzyszenie Żywych Poetów 2015). Filmpoems of her work can be found via www.snowqproject.com. 

Robert Hamberger has been shortlisted and highly commended for Forward prizes. His fourth collection Blue Wallpaper (Waterloo Press) was shortlisted for the 2020 Polari Prize. His prose memoir with poems A Length of Road: Finding myself in the footsteps of John Clare was published by John Murray in  2021.   

Sophia Blackwell is a performance poet with three published collections and the author of a novel. Her poetry has been anthologised by Bloodaxe, Nine Arches and The Emma Press among others.

Tom McLaughlin is a queer, Irish poet. He completed an MA in Creative Writing, with Distinction, at Royal Holloway and is now working on a practice-based PhD on queer domestic space at Surrey. His pamphlet Open Houses was published in 2021 by Marble Press. His poems have recently featured in publications such as Propel, Porridge, Alchemy Spoon and Channel, and he has work forthcoming in Broken Sleep’s anthology Masculinity.

Vron McIntyre (they/them) is a queer disabled non-binary poet, a longtime resident of Nottingham, and a member of the DIY Poets Collective. They perform frequently at online open mics, and run the Facebook group Poetry+ Events Online. Their work has been published by DIY Poets, Poetry and COVID, tattiezine, Impossible Archetype, and Wildfire Words, and in anthologies Geography is Irrelevant, The Spirit of Fire&Dust, and Dungheap Cockerel. Their debut poetry pamphlet Random Trail was published by Big White Shed in December 2021.

Zo Copeland (they/them) is a writer from South Devon. They are inspired by their lived experiences of queerness and disability, and by their magical experiences in nature. Zo writes to connect with people, evoke change, and challenge taboo subjects. When they are not writing, they’re usually found rummaging in compost or floating on water. Their work is published or forthcoming by Querencia Press, Vital Minutiae Quarterly, and Wishbone Words Magazine. You can find them on social media @zocowrites

You can support these poets by contributing to our kickstarter crowdfund which is raising funds for production and touring of Joy//Us

Joy//us poets new to Arachne Part 1

We’ve introduced you to the poets who have offered rewards, the poets we’ve published before and the debut poets, now the first half of the biggest group, experienced (indeed well-known!) poets who are new to publishing with us.

Annie Kerr is a working class lesbian writer with poetry published in journals and read live on BBC Radio 3 by Juliet Stevenson. She was selected for New Writing South’s Mentoring Programme for Working Class Writers, their Writer’s Place Poet’s Programme and selected for masterclasses with Mark Doty. She loves walking and sketching in wild places.

Aoife Mannix is the author of four collections of poetry, two pamphlets, four libretti and a novel. She has been poet in residence for the Royal Shakespeare Company and BBC Radio 4’s Saturday Live.  @aoifemannix

Desree is an award-winning spoken word artist, writer and facilitator based in London and Slough. Currently Artist in Residence for poetry collective EMPOWORD, Desree explores intersectionality, justice and social commentary.  Poet In Residence for Glastonbury Festival 2022, producer, and TEDx speaker, Desree has featured across the UK and internationally, including Sofar Sounds, Royal Albert Hall and Bowery Poetry – New York. Following the sell-out of her first self-published pamphlet I Find My Strength In Simple Things (2017), Burning Eye Books published the pamphlet in May 2021.

Elizabeth Chadwick Pywell was awarded the Northern Writers’ Debut Award for Poetry in 2022. Her latest pamphlet, ‘Breaking (Out),’ was published by Selcouth Station. She  has been published in journals including Fourteen Poems, New Welsh Review, Shearsman Magazine, Strix, The Interpreter’s House, Ink Sweat and Tears, Tears in the Fence, And Other Poems and The Alchemy Spoon, has longlisted for the Leeds Poetry Prize and Mslexia Women’s Poetry Competition, and shortlisted for the Ironbridge Festival Prize.

Elizabeth Gibson is a writer, performer, and workshop facilitator in Manchester. Elizabeth has been a recipient of the New North Poets Prize from The Poetry School and a Developing Your Creative Practice Grant from Arts Council England, and has been commissioned by Manchester Poetry Library, Manchester Literature Festival, Superbia at Manchester Pride, The Portico Library, Islington Mill, Oldham Coliseum, and Yorkshire Dance.

Garnett ‘Ratte’ Frost is a dyslexic transman with an English BA from Wirral. He is also an ink and wire artist, though not at the same time. He co-facilitates the Merseyside LGBTQI+ Creative Writing group held monthly at various locations across Liverpool. Published in Writing on the Wall’s (WOW) TranScripts, Moving Foreword, Write Minds and Surface/Below anthologies.

Helen Bowie (they/she) is a queer writer, charity worker and PhD student based in Glasgow. They have published two pamphlets, Exposition Ladies with Fly On The Wall Press, and WORD/PLAY with Beir Bua Press, and featured in anthologies and magazines including Re:Creation, Magma, Under the Radar and The Book of Bad Betties.

John McCullough lives in Hove. His book of poems, Reckless Paper Birds, was published with Penned in the Margins and won the 2020 Hawthornden Prize for Literature as well as being shortlisted for the Costa Poetry Award. His most recent collection, Panic Response, was a Book of the Year in The Telegraph and one of The Times’ Notable New Poetry Books of 2022. It includes the long poem ‘Flower of Sulphur’, shortlisted for the Forward Prize for Best Single Poem.

Joshua Jones (he/him) is a queer, autistic writer and artist from Llanelli, south Wales. He co-founded Dyddiau Du, a NeuroQueer art and literature space in Cardiff. His fiction and poetry have been published by Poetry Wales, Broken Sleep Books, Gutter and others. He is a Literature Wales Emerging Writer, 2023, and is currently working with the British Council to connect Welsh and Vietnamese queer writers. His debut, Local Fires, was published November 2023 by Parthian Books.

You can support these poets by contributing to our kickstarter crowdfund which is raising funds for production and touring of Joy//Us

Joy//Us Debut Poets

One of the remarkable things about poetry is that it has such a life off the page, and some of the poets we have included in Joy//Us have shared their work in ways other than in print, or have a creative life aside from poetry. For some this is their very first outing in public. There is always room for debut poets in our anthologies.

You can support these debut poets by contributing to our crowdfund which will pay for the production of Joy//Us and some of the launch and touring costs. Two thirds funded, Just a week left to raise the remaining £533…

Abhi_photo copyright_Behrin Ismailov

Abhi, originally from India and now a Londoner for a decade, celebrates his debut publication, ‘Bread the Love’. His poetry, often delving into dark themes and exploring intersections of sex, sexuality, politics, and queer trauma, takes an unusually joyous turn in this piece. He honed his craft at The Poetry School, London. Beyond poetry, Abhi also hosts a cooking class called ‘The Art of Indian Home Cooking’, through which he has shared the authenticity of his cuisine with thousands of global food enthusiasts over the past five years. So, it’s no surprise that his first published work is a love poem dedicated to bread.

P Burton-Morgan is a non-binary writer & director based in rural Somerset. In 2005 they founded Metta Theatre and have written/directed over 40 productions to date. They won the 2020 WGGB award for musical theatre book-writing on In The Willows. Their first verse play You Lay Your Hand Backwards on My Heart was shortlisted for the Bolton Octagon Prize in 2016 and later turned into an audio drama, and in 2022 they wrote a long form narrative poem to accompany Handel’s Messiah in the West End’s Drury Lane Theatre. This is their poetry publishing debut.

Joshua Linney is a MA graduate for creative writing at Sheffield Hallam, currently writing an lgbtq novel. He also write short stories, flash fictions and is a keen photographer and cacti grower. This is his first successful publication since completing his MA

Khakan Qureshi BEM is an award winning, pioneering LGBT+ South Asian Muslim Activist, He received a British Empire Medal in 2021, and a Points of Light Award. he was shortlisted for the European Diversity Award, National Diversity Award, British LGBT+ Award and Pink News Campaigner of The Year Award. Khakan was the first Gay Muslim to lead the Birmingham Pride parade in its 22-year history. He co-ordinated the first South Asian LGBTI+ conference in Birmingham, and the first LGBTIQ+ Intersectionality and Islam conference. This is his first poetry publication.

Laurie B. is a writer and translator based between London and Buenos Aires. He runs a multilingual poetry Instagram (@pont.neuf). He translates from French, Spanish and Russian. This is his first poetry publication

Mwelwa Chilekwa describes herself as the three B’s: Black, British, Bi. Born in Zambia, she has made Newcastle her home. Writing poetry has given her a sense of belonging and she is now a regular at Newcastle’s spoken word scenes, including performing at Northern stage and Lindisfarne Festival. Her art explores themes of cultural differences, prejudices, societal issues and her personal life more broadly. Despite featuring heavy topics, she still manages to find a place for light and levity in her work.

Tanya Erin Sheehan is originally from Dublin, currently living in London.

Joy//Us Meet the poets part 2 familiar faces

Part two of our meet the Joy//Us poets feature

Normally I wouldn’t be plugging the book-after-next so soon, but with the crowdfund going, I’m sharing info on there, and thought I’d share it here too!

(Without the crowdfund it will be difficult to market the book and that makes it harder to sell, and makes it harder to stay in business.)

These are the poets in Joy//Us who we have published before, although not necessarily poetry!

Alexander Williams is a jazz singer, and host of the popular Dial Up Open Mic Events. In addition to his regular open mics, he stages an LGBT+ History Month open mic every February, and a Black History Month open mic every October. He is author of Secular Verses, a collection of humanist poetry featured monthly in Humanistically Speaking magazine.

Cherry Potts is the Director of Arachne Press, for whom she is editor/co-editor of most of our anthologies, and runs the annual literature and music festival Solstice Shorts. She is the author of a Lesbian fantasy epic and two collections of short stories, and winner of the Quill LGBTQ+ Prose award 2023

Conway Emmett is a fat, queer, nonbinary, neurodivergent poet who was born and lives in South Wales. They worked in higher education for many years, and later as an independent consultant, researcher and writer. They recently came back to creative writing after a couple of decades away. They often use their writing as a way to understand themself, their experiences, and the social world.

Dean Atta is an award-winning Black British author and poet of Greek Cypriot and Jamaican heritage whose works have received praise from Bernardine Evaristo and Malorie Blackman. His novel in verse, The Black Flamingo, about a Black gay teen finding his voice through poetry and drag performance, won the Stonewall Book Award and was shortlisted for numerous further prestigious awards. His poetry collection, There is (still) love here, explores acceptance, queer joy and the power of unapologetically being yourself and fully embracing who you are.

Jane Aldous  is an Edinburgh based poet who returned to writing poetry later in life.  She has been commended in several competitions and her poems have been widely published in magazines and anthologies. She has had two collections published by Arachne Press, the second of which was a lesbian love story set in 1960s Edinburgh told in 70 poems. She is currently working on a third series of poems which tell a more contemporary and mysterious tale.

Jeremy Dixon is a poet and maker of Artist’s Books. He was born in Essex and moved to the Vale of Glamorgan as a teenager, living there for over 45 years. His poetry has appeared in Butcher’s Dog, Found Poetry Review, HIV Here & Now, Impossible Archetype, Lighthouse Journal, Anti-Heroin Chic, Roundyhouse and other print and online magazines. He has been published several times by Arachne Press, including his debut pamphlet IN RETAIL (2019) and in the recent bilingual Welsh/English anthology, A470: Poems for the Road/Cerddi’r Ffordd (2022). We published Jeremy’s first full collection, A Voice Coming From Then in August 2021 and it WON the poetry category for Wales Book of the Year English Language Poetry

JP Seabright (she/they) is a queer disabled writer living in London. They have four solo pamphlets published and two collaborations, encompassing poetry, prose and experimental work. They have been widely published and anthologised, and nominated for a Pushcart Prize, Best of the Net, and Forward Prize.

Kate Foley is a widely published, prize-winning poet who has read in many UK and European locations. She was president of the Suffolk Poetry Society until 2022.  Her first collection, Soft Engineering was short-listed for best first collection at Aldeburgh.  Her working life has ranged from delivering babies to conserving delicate archaeological material, and she also became Head of English Heritage’s scientific and technical research laboratories. Although she has always written poetry it wasn’t until Kate gave up the day job that she began to publish more widely.  She now lives with her wife, between Amsterdam and Suffolk, where she performs, writes, edits, leads workshops and whenever possible works with artists in other disciplines.

Once voted “most likely to start the revolution” Rick Dove is a progressive poet and activist from Southwest London. Arriving on the spoken word scene in 2015, Rick has performed across the UK and internationally, with performance credits including The Wandsworth Arts Fringe, the Edinburgh Fringe, Greenbelt Festival, and Shambala Festival.

Dubbed “one to watch” by TS Eliot Prize winner Roger Robinson, Rick has published two collections with Burning Eye Books, Tales From the Other Box (August 2020), and Supervillain Origin Story (Coming May 2023), and was crowned the Hammer & Tongue UK Poetry Slam Champion at the Royal Albert Hall in July 2021. Equally at home on a stage, a page, or on a march, Rick has a vision of a fairer world and he wants to take you with him.

 

Joy//Us poets part 1

Normally I wouldn’t be plugging the book after next so soon, but with the crowdfund going, I’m sharing info on there, and thought I’d share it here too!

You might like to meet some of the poets, and I’ll start with those who have contributed a reward for the crowdfund. I will introduce more poets around another theme as we go along.

first up: Becky Brookfield, Joy Howard, K Angel, P Burton-Morgan, Rab Green and Steph Morris

Becky Brookfield is a Northern poet who writes about class, gender and nature. Recently she has been writing and teaching in Cairo. In 2018 she published ‘All the Heavens are ours’ in October 2018 Patchwork Magazine – Mental Health Edition. She has been a featured poet at a variety of performance events in Merseyside. She has been a contributor for the People and Dancefloors Project both as a poet and on one of their podcasts as a reviewer in 2020 and 2021.

Becky is offering a hand-illustrated copy of her poem Moon, or a personalised recording. here’s a taster:

I want the moon in my sky to wane over my lips…

Joy Howard has been writing poetry for over 40 years. It was coming out as lesbian that set the ball rolling. Her collection Exit Moonshine charts the ups and downs of what followed. She has run Grey Hen Press since 2008, publishing themed anthologies (23 so far) showcasing older women’s poetry.

Her own poems have appeared in several poetry journals, been widely anthologised and can be seen online at www.poetrypf.co.uk .  She has three collections: Exit Moonshine (Grey Hen Press 2009), Refurbishment (Ward Wood Publications 2011) and Foraging (Arachne Press 2016) and we have published her in several previous anthologies.

Joy is offering a copy of her poetry collection that explores coming out in the 80’s Exit Moonshine.

Joy’s poem in Joy//Us is Don’t

don’t
tease you    no   okay
don’t make you laugh   I’ll try…

K. Angel (they/them) has been published with the Tin House Open Bar, PANK, the New Flash Fiction Review, and elsewhere. A two-time participant in the HBMG Foundation’s National Winter Playwrights Retreat and shortlisted for the Virago FURIES Competition, their projects straddle many forms and genres, with a persistent fixation on consent, desire, intentional community, and metamorphosis interruptus. They live in London, where they sometimes perform as the singing country drag king TrucK.

K is offering a fiction manuscript review

their poem in Joy//us is Flint Knapping is Queer Now

These days I carry a rock in my pocket
that I found with you that day we walked 
from Margate all the way around that hump 
of worn coastline that former island
those beaches and cliffs…

P Burton-Morgan is a non-binary writer & director based in rural Somerset. In 2005 they founded Metta Theatre and have written/directed over 40 productions to date. They won the 2020 WGGB award for musical theatre book-writing on In The Willows. Their first verse play You Lay Your Hand Backwards on My Heart was shortlisted for the Bolton Octagon Prize in 2016 and later turned into an audio drama, and in 2022 they wrote a long form narrative poem to accompany Handel’s Messiah in the West End’s Drury Lane Theatre. This is their poetry publishing debut.

P is offering a personalised poem

their poem in Joy//Us is When I am Twelve a New Girl Joins Our School

tall girl
    with caramel hair
will you be my friend?

Rab Green is a Scottish writer and artist based in London. He can be found at rabgreen.co.uk

Rab is offering a play script review.

Rab’s poem in Joy//Us is Probably Won’t Be a Church Service

I thought
about what I’d leave behind when I die, what would be said at my funeral, 
my accomplishments all summed up: …

Steph Morris‘ poems have been published in his pamphlet Please don’t trample us; we are trying to grow! (Fair Acre Press) and in Rialto, Ambit, Ink Sweat & Tears, Under the Radar, Finished Creatures, The North, and in various anthologies and gardens. He was longlisted for the 2021 UK National Poetry Competition. His poetry translations have appeared in MPT and on no-mans-land.org and he translated Ilse Aichinger’s collection Squandered Advice (Seagull). In 2021 he was awarded an Arts Council England grant to develop his visual poetry, seen in Beir Bua Journal, Streetcake, Mercurius, and on various walls. He is an RLF fellow at Greenwich University.

Steph is offering riso prints and stencil prints of concrete poems.

Steph’s poem in Joy//Us is Legacy

Early days, and I found we were sitting out
on the street in the sun with a coffee,
holding hands, my love in pyjamas still,
alongside marigolds in pots…

I’d like to thank all these poets for their support for the crowdfund, and everyone who has backed us so far.

More poets and poems later in the week!

Getting by in Tligolian: an interview with Roppotucha Greenberg

Today we are celebrating publication of Getting by in Tligolian – a clever and beguiling novel in flash about life, love, language and time, by Roppotucha Greenberg. Laura Besley, flash fiction writer and author of 100neHundred, caught up with Roppotucha to ask about her writing process:

Roppotucha Greenberg and Laura Besley

Laura: Firstly, congratulations on the publication of Getting by in Tligolian – it’s a fantastic novella! Often, while I’m reading – whether it be a novel, novella or one of the various forms of short fiction – I find myself wondering what sparked the story. Was there a moment or a character or an image or something entirely different that led you to write Getting by in Tligolian?

Roppotucha: Thank you so much. Yes, it was the image of that city: those huge glass enclosures, the traffic, and the narrow streets with tired looking shops, and the river. The giant as well. His presence was almost instantly apparent in my imagination.

Laura: There are various strands to this novella, one of which use ‘language’. In the story, ‘Appendix’, the main character states: ‘I tried to learn Tligolian so many times and forgot it just as many.’ Did you purposefully use language, or the lack of language, to disorientate her and set her up as ‘an outsider’?

Roppotucha: I think she would be an outsider regardless of the language. Apart from the physical fact of immigration, her chronic naiveté both protects her and isolates her from the world. Through learning Tligolian, which is not necessary for communication in Tligol, she attempts to ground herself in the world. Language learning makes things seem simple, especially in the beginning when one talks of girls eating apples and your mother being a teacher and things like that. Of course, this does not work, because language turns into layers of forgetting, while its difficult tenses wrap around her and make her confusion grow.

Laura: The main character describes Tligol, the fictional city in which the novella is set, as ‘so beautiful, I convinced myself that I was in charge of the perfect expression of its beauty.’ Do you feel the city functions as a character within the novella and if so, how did you go about conjuring that feeling?

Roppotucha: Thank you for citing this line. In a way Jenny spends the whole book chasing the city, trying to express its beauty, learn its language, find its giant, take the trains to all its time layers. The city is a character. Like other places in real life, it is alive and wonderful, but it also evades easy capture. One comes near, but only just near enough, and being in the midst of the thing you want to capture complicates matters.

Laura: Another aspect of the novella is ‘time’. Did you layer in that complexity through multiple versions and/or edits, or was that aspect of the novella clear in your mind from the outset?

Roppotucha: That was something that became apparent very soon, in one of the early drafts. Time- travelling trains are an inherent part of the city. Though other aspects of the city became apparent earlier – the way its spaces are not quite stable, for example, or the way living people get recorded as ‘reflections’.

Laura: All of the chapters are short, some only a few lines. Was this a conscious choice? What is the effect of this on the reader? And what benefits do you feel you gain as a writer by learning to write/writing concisely?

Roppotucha: Yes, this was a conscious choice, but it was motivated by the needs of the story. I think novella in flash is a genre that works well for fragmented narratives and stories that work with negative space – in the sense that narrative gaps are part of the story. Without giving away too much, I feel that the form of the text works well with its ending…

Getting by in Tligolian by Roppotucha Greenberg is out today! Read the first chapter now and buy a copy from our webshop.

Roppotucha Greenberg has lived in Russia, Israel and now Ireland; she speaks three languages fluently and has tried to learn six more. She has previously published a flash and micro-fiction collection Zglevians on the Move (TwistiT Press, 2019) and three silly-but-wise doodle books for humans, Creatures Give Advice (2019) , Creatures Give Advice Again and it’s warmer now (2019) and Creatures Set Forth (2020) and Cooking with Humans (2022). Arachne Press has published Roppotucha’s stories in Solstice Shorts Festival anthologies Noon, and Time and Tide.

Laura Besley is the author of 100neHundred and The Almost Mothers. She has been widely published in online journals, print journals and anthologies, including Best Small Fictions (2021). Her work has been nominated for the Pushcart Prize, twice nominated for Best Micro Fiction and she has been listed by TSS Publishing as one of the top 50 British and Irish Flash Fiction writers. She is an editor with Flash Fiction Magazine and a Creative Writing MA student at the University of Leicester. Having lived in the Netherlands, Germany and Hong Kong, she now lives in land-locked central England and misses the sea.

100neHundred is available from our webshop in paperback and audiobook. Listen to a story below.

 

Embracing the Fire: a guest blog from Marina Sánchez, contributor to Menopause the Anthology

Marina SanchezIt’s been a while since, my face and neck going an incandescent shade of crimson, I felt the need to strip down to my cotton lacy vest (mmm, yes, natural fibres) in the middle of a supermarket, whatever the season, and press my body as much as I could against the fridge sections of dairy, milk and meat. As a veggie that was awkward, but cooling down was essential. Once the wild fires had passed, I’d cover up again until the next time….

 

I naively started off thinking it would be a ‘mini pause’. My health was good, and I’d tried to take care of myself all my life.
Ah, surprise!

I remember the stats that one out of four women experiences nothing (like a friend who couldn’t understand what all the fuss was about), two have a range of average symptoms and one has extreme symptoms.
I soon found myself in the ranks of the latter.

The menopause is undoubtedly an intensely individual experience that should be honoured and supported whatever the woman’s choices are to best manage this transition.
Me, I went with it and read Dr Christiane Northrup’s work and Lesley Kenton’s – anything I could find about what was happening and how to manage it. I also learnt what herbal remedies my ancestors used, and took them.
I felt I was shedding the accumulated weight of years of worries, expectations and conditioning.
I danced 5 Rhythms weekly with devotion and exercised as often as I could, my body enjoyed it, why not?
I kept writing, even though I was a full-time carer of a very special daughter with complex needs, herself going through adolescence. Why does nature do that: two women going through profound changes in the same household?
And one of the poems I wrote then waited until Cherry gave it a home in the wonderful Menopause anthology.

I am proud to be included alongside the work of so many women’s voices, whose experiences enrich the overdue conversation we need to have about the menopause.
We need to go beyond the narrative of becoming invisible – unless a woman wishes that for herself, then I respect her choice.
But there are as many ways of stepping into our non-reproductive years as each woman is unique.
Let’s question the medicalised narrative of women’s health at every stage.
Let’s share our experiences and break the taboo, the silence, the shame.
Let’s support those women who are approaching the threshold to feel more confident stepping into this rich territory, which is an integral part of being a woman, as it has been for as long as we have been on earth.
Let’s relegate the questionable and freely spouted narrative of this youth-obsessed Western culture of older women being sad and past it.

Whatever your unique life experiences, if you are willing to share, we are all the richer for learning about them, as we understand more about ourselves and each other.
If not, I totally respect your need for privacy.

I say these are traditionally our wisdom years and we need to reclaim them.
I say for some women, our best years are yet to come.
If you are approaching this powerful time, I am welcoming you in.
If you have already experienced it, I honour you.

Marina Sánchez has a poem Wild Fires in Menopause: the Anthology

We have events on 6/10/23 1pm Online, 14/10/23 5.30pm Brixton Village Studios, 18/10/23 7pm online, 25/10/23 7.30pm Juno Books Sheffield, and more to come… ALL DETAILS

Marina is an award-winning poet and translator, widely published in literary journals. She is of Indigenous Mexican & Spanish origins, living in London. Her poems have been placed in national and international competitions and then anthologised. Her first pamphlet Dragon Child (Acumen, 2014), was Book of the Month in the poetry kit website. Her poems have been included in Un Nuevo Sol, the first UK Latinx anthology (flipped eye, 2019). Her second pamphlet Mexica Mix was one of the winners of the 2020 Verve competition.

The Change – Representation Matters

Author Ginger Strivelli tells us about what motivated her to write her story, The Change, for Menopause: the Anthology.

As a writer, I have always tried to show marginalised groups in my stories. I have often included characters of various colours, sizes, ages, and abilities. I have always been ‘plus sized’ and dislike the lack of flattering representation of larger women in advertising media and entertainment industry media. I think, as they say, that representation matters.

As the mother of six grown children, three of whom are autistic, I’ve often worked autistic charters into my writing. Having become physically disabled with limited mobility myself recently, I’ve also included wheelchair users and others with physical limitations in several stories. I like to show all these diverse characters in positive and accurate ways.

I have found my stories about able-bodied young men are accepted and published at greater percentages than my stories with a female lead character. My stories featuring characters who are disabled seem to bring about an even lower acceptance rate.

Though not a minority nor a disability, older women are nonetheless rarely focused on in any forms of media. It is, alas, similar to how underrepresented disabled characters and characters of colour are in movies, television, advertisements, and books. I write many stories where the lead role is that of an older woman being as amazing as we older women often are.

I was thrilled to have the chance to write a story focused on a menopausal aged woman in my favourite Science Fiction genre, where sadly, women of my age are even more left out than they are in other genres.

I was so pleased with how the story turned out. I was aiming to cover the subject with humour and accurate information on menopause and the changes it brings about in women’s bodies and in their lives. I hope it not only entertains the readers but educates them on what to look forward to when they go through the change…or when the women they love go through it. I used that ‘look forward to’ phrase there on purpose, as way too many fear and mourn the changes we go through in menopause, rather than celebrating our new cronehood stage of life and all the magical, helpful, and creative energy that it brings to us, and through us, to those around us.

I am thrilled that my story, The Change, is included in the upcoming Menopause: The Anthology.

Ginger Strivelli

Ginger Strivelli is an artist and writer from North Carolina. She has written for Marion Zimmer Bradley’s Fantasy Magazine, Circle Magazine, Third Flatiron, Autism Parenting Magazine, Silver Blade, Cabinet of Heed Literary Journal, The New Accelerator, various other magazines and several anthologies. She loves to travel the world and make arts and crafts. She considers herself a storyteller entertaining and educating through her writing.

We have events on 6/10/23 1pm Online, 14/10/23 5.30pm Brixton Village Studios, 18/10/23 7pm online, 25/10/23 7.30pm Juno Books Sheffield, and more to come… ALL DETAILS

In Conversation with A.J Akoto: The Creature Poems

In the final instalment of our video interviews with poet A.J Akoto, A.J tells us more about the animal symbolism which appears in Unmothered, her powerful debut collection – out now! 

In Conversation with A.J Akoto: Poems about the Body

Have you got a copy of Unmothered? Some of the poems in the collection consider  the body, and particularly a woman’s relationship to her physicality. Poet A.J Akoto spoke to us about why she wanted to explore the shrinking that women so often go through:

Delicacy

You do not have to be a delicacy.
You do not have to be tasty.
You do not have to submit
your body into feminine frailty.
You do not have to ruin your digestion
in an attempt to be digestible.

Your mind can be full
of ice-white rage;
you do not have to be kind.
You do not have to yield
to the pressure to forgive.
Forgiveness does not make you good
and goodness does not require it.

You do not have to exhibit grace,
not in anything.
You do not have to make yourself
a morsel,
not for anyone.

Buy Unmothered direct from Arachne Press

or come to the next event: Thursday 20th July 7.30 at Afrori Books in Brighton. Tickets via Afrori