In Conversation with A.J Akoto: The Creature Poems

In the final instalment of our video interviews with poet A.J Akoto, A.J tells us more about the animal symbolism which appears in Unmothered, her powerful debut collection – out now! 

In Conversation with A.J Akoto: Poems about the Body

Have you got a copy of Unmothered? Some of the poems in the collection consider  the body, and particularly a woman’s relationship to her physicality. Poet A.J Akoto spoke to us about why she wanted to explore the shrinking that women so often go through:

Delicacy

You do not have to be a delicacy.
You do not have to be tasty.
You do not have to submit
your body into feminine frailty.
You do not have to ruin your digestion
in an attempt to be digestible.

Your mind can be full
of ice-white rage;
you do not have to be kind.
You do not have to yield
to the pressure to forgive.
Forgiveness does not make you good
and goodness does not require it.

You do not have to exhibit grace,
not in anything.
You do not have to make yourself
a morsel,
not for anyone.

Buy Unmothered direct from Arachne Press

or come to the next event: Thursday 20th July 7.30 at Afrori Books in Brighton. Tickets via Afrori

In Conversation with A.J Akoto: Editing

Unmothered by A.J Akoto publishes this Thursday 13 July! Ahead of release, Cherry Potts spoke to A.J about the editing process. Watch the video below for a behind-the-scenes look at what it took to complete this intimate, unflinching and powerful work.

Join us at Housmans Bookshop tonight for an in-person celebration of Unmothered, or register for the online launch on Thursday: https://www.eventbrite.co.uk/e/636463558637

In Conversation with A.J Akoto: Myth (2)

To celebrate forthcoming publication of Unmothered by A.J Akoto, we caught up with A.J to talk about every aspect of her debut collection, from the inspiration behind it, to her use of myth, and the complexities and challenges of writing about your own life.

A.J delves deeper into the mythological influences of Unmothered in today’s video, examining the layers of classical, societal and familial myth that the collection draws upon.

What myths, then,
am I making?

Pre-order your copy of Unmothered now or book to join us at an event:

In Conversation with A.J Akoto: Impact

To celebrate forthcoming publication of Unmothered by A.J Akoto, we caught up with A.J to talk about every aspect of her debut collection, from the inspiration behind it, to her use of myth, and the complexities and challenges of writing about your own life.

“I don’t think it’s speaking to anything that’s destructive to the self, or to the reader, to consider the things that are in these poems”.

In this video, A.J speaks about the process of creating Unmothered, and the impact of its cover and content, with editor and Arachne Director, Cherry Potts.In this video, A.J speaks about the process of creating Unmothered, and the impact of its cover and content, with editor and Arachne Director, Cherry Potts.

See the full cover for Unmothered below, and find out more about artist Kevin Threlfall on Instagram.

Pre-order your copy of Unmothered now or book to join us at an event:

 

Literary Events: a guest blog from Michelle Shine

Michelle Shine, author of Skin Deep (Lovers’ Lies) puts her reader’s hat on and goes to other people’s readings and discussions …

meeting authors and eating cake at an Arachne event

meeting authors and eating cake at an Arachne event

Literature is the only art form where fans can regularly get up close and personal with someone who has delighted and entertained them. For the audience this is an incredible privilege with a financial cost of only a few pounds and very often just the price of getting to the venue. However, as the question and answer session gets underway, it can put the author in a vulnerable situation. I remember going to see Sarah Waters in conversation with Russell Celwyn-Jones at Birkbeck University. It was a huge auditorium. I would guess, perhaps five, six hundred people turned up. Things seemed to be going swimmingly until the microphone was taken to a lady at the back of the audience who said that she wanted to congratulate Sarah on a sex scene she’d written where one of the characters says to the other, ‘you’re so wet.’ Not a literary moment that Ms Water’s wanted to be reminded of as you could see by the reddening of her face, but nonetheless one that the woman found memorable, and wanted to share. Such is the arena that a writer enters into when they sign themselves up for such an event.

And sign themselves up they do. Everyone from Martin Amis to Caitlin Moran; lit-fests are not elitist affairs. They embrace writers of all genres. Personally, I am completely hooked. I love going along to these happenings whether they take place in the cool atmosphere of a tent in Charleston in Sussex that was once the home of artists Vanessa Bell and Duncan Grant of the Bloomsbury Group, or at a school hall in Hampstead, London, or even a small local bookshop. The prospect of listening to an admired writer talking about their writing never fails to attract me. Memories of Andrew Miller languishing in the fruits of his own imagination whilst ruminating about the green suit bought and worn by Jean Baptiste-Baratte, his protagonist in the award-winning novel Pure was, in my view, not only memorable but also alluring. Or listening to Kate Atkinson who after an admission of aspiring to be a ‘romantic novelist’ answers a question that goes someway towards disputing this fact by plucking out a humorous line that could have been from a page in of one of her own novels. ‘Oh, but I am a romantic novelist!’ she said.

And in this way it appears to me that novelists are very special people. Brave characters who embrace humility, who take little conscious credit for their creations and when talking about the process of writing say things like, ‘I don’t know what I’m doing, or where things are going to go next. It’s all such a surprise,’ Kate Atkinson. Or ‘It’s like organised dreaming,’ Andrew Miller. As if writing is not something they actively do but something that happens to them.

Book signings at these events are de rigeur, so not only does a member of the audience come away with the feeling that they’ve just met an interesting and unpretentious new celebrated friend, but they also get the chance to own a handwritten dedication to them personally inside the front cover of one of the author’s bestselling works.

How can you compare this intimate experience with watching a favourite musician in miniscule dimension on the stage at Wembley as they shout across the vast auditorium, ‘Hello London,’ or the fleeting moment when a movie star wafts past you on the red carpet outside Leicester Square, or even the complete absence of an artist’s presence when viewing an exhibition of their work at a major gallery? You can’t. In my experience, being in the presence of a writer who is open and generous with their time has never been a let down and is a much more fulfilling experience, something that should be taken full advantage of whilst the tradition still exists, a real opportunity.

Which books have you read recently? Whose imagination has turned you on? If the work is recently published, the chances are the author will be coming to a venue near you in the not too distant future. It’s definitely worth checking out.

© Michelle Shine/ Arachne Press 2013