Getting by in Tligolian: an interview with Roppotucha Greenberg

Today we are celebrating publication of Getting by in Tligolian – a clever and beguiling novel in flash about life, love, language and time, by Roppotucha Greenberg. Laura Besley, flash fiction writer and author of 100neHundred, caught up with Roppotucha to ask about her writing process:

Roppotucha Greenberg and Laura Besley

Laura: Firstly, congratulations on the publication of Getting by in Tligolian – it’s a fantastic novella! Often, while I’m reading – whether it be a novel, novella or one of the various forms of short fiction – I find myself wondering what sparked the story. Was there a moment or a character or an image or something entirely different that led you to write Getting by in Tligolian?

Roppotucha: Thank you so much. Yes, it was the image of that city: those huge glass enclosures, the traffic, and the narrow streets with tired looking shops, and the river. The giant as well. His presence was almost instantly apparent in my imagination.

Laura: There are various strands to this novella, one of which use ‘language’. In the story, ‘Appendix’, the main character states: ‘I tried to learn Tligolian so many times and forgot it just as many.’ Did you purposefully use language, or the lack of language, to disorientate her and set her up as ‘an outsider’?

Roppotucha: I think she would be an outsider regardless of the language. Apart from the physical fact of immigration, her chronic naiveté both protects her and isolates her from the world. Through learning Tligolian, which is not necessary for communication in Tligol, she attempts to ground herself in the world. Language learning makes things seem simple, especially in the beginning when one talks of girls eating apples and your mother being a teacher and things like that. Of course, this does not work, because language turns into layers of forgetting, while its difficult tenses wrap around her and make her confusion grow.

Laura: The main character describes Tligol, the fictional city in which the novella is set, as ‘so beautiful, I convinced myself that I was in charge of the perfect expression of its beauty.’ Do you feel the city functions as a character within the novella and if so, how did you go about conjuring that feeling?

Roppotucha: Thank you for citing this line. In a way Jenny spends the whole book chasing the city, trying to express its beauty, learn its language, find its giant, take the trains to all its time layers. The city is a character. Like other places in real life, it is alive and wonderful, but it also evades easy capture. One comes near, but only just near enough, and being in the midst of the thing you want to capture complicates matters.

Laura: Another aspect of the novella is ‘time’. Did you layer in that complexity through multiple versions and/or edits, or was that aspect of the novella clear in your mind from the outset?

Roppotucha: That was something that became apparent very soon, in one of the early drafts. Time- travelling trains are an inherent part of the city. Though other aspects of the city became apparent earlier – the way its spaces are not quite stable, for example, or the way living people get recorded as ‘reflections’.

Laura: All of the chapters are short, some only a few lines. Was this a conscious choice? What is the effect of this on the reader? And what benefits do you feel you gain as a writer by learning to write/writing concisely?

Roppotucha: Yes, this was a conscious choice, but it was motivated by the needs of the story. I think novella in flash is a genre that works well for fragmented narratives and stories that work with negative space – in the sense that narrative gaps are part of the story. Without giving away too much, I feel that the form of the text works well with its ending…

Getting by in Tligolian by Roppotucha Greenberg is out today! Read the first chapter now and buy a copy from our webshop.

Roppotucha Greenberg has lived in Russia, Israel and now Ireland; she speaks three languages fluently and has tried to learn six more. She has previously published a flash and micro-fiction collection Zglevians on the Move (TwistiT Press, 2019) and three silly-but-wise doodle books for humans, Creatures Give Advice (2019) , Creatures Give Advice Again and it’s warmer now (2019) and Creatures Set Forth (2020) and Cooking with Humans (2022). Arachne Press has published Roppotucha’s stories in Solstice Shorts Festival anthologies Noon, and Time and Tide.

Laura Besley is the author of 100neHundred and The Almost Mothers. She has been widely published in online journals, print journals and anthologies, including Best Small Fictions (2021). Her work has been nominated for the Pushcart Prize, twice nominated for Best Micro Fiction and she has been listed by TSS Publishing as one of the top 50 British and Irish Flash Fiction writers. She is an editor with Flash Fiction Magazine and a Creative Writing MA student at the University of Leicester. Having lived in the Netherlands, Germany and Hong Kong, she now lives in land-locked central England and misses the sea.

100neHundred is available from our webshop in paperback and audiobook. Listen to a story below.

 

Love Audio Week: Incorcisms

For #LoveAudio week today we have an unsettling tale by short story writer David Hartley, read brilliantly by Margaret Ashley.

Margaret is an actress and multi-nominated voice actor – she is currently nominated for the Best Radio Drama Performance in the 2021 OneVoice Awards – and we are delighted to have had the opportunity to work with her on several of our recent audio books.

This is ‘Mothering’, from Incorcisms:

 

 

”David Hartley’s tiny fictions are elusive and teasing and true. They’re like the fading echoes of dreams you struggle to remember when you wake up in the morning – the bits that you know didn’t quite make sense, and made you feel strange and a little unnerved, but you knew were important, so important, if only you could hold on to them forever.” – Robert Shearman

#LoveAudio is the Publisher’s Association annual week-long digital celebration of audiobooks is designed to showcase the accessibility, innovation, and creativity of the format. Follow the hashtag on twitter.

Hither Green Festival video 6 Quarantine

As part of our Hither Green Festival event, Women & SF/F, Katy Darby reads from Quarantine which is in our forthcoming anthology Five by Five (July).

After this the video conked out, so you missed out on We/She by J. A. Hopper and The Real McCoy by Cherry Potts, both coming up in the anthology We/She (August).

Hither Green Festival video 3 Katy Darby & Cherry Potts on writing SF/F

Apparently we both know if what we are writing is SciFi, but Fantasy is trickier to pin down.

Find out how you know that what your writing is fantasy… chasing ideas down rabbit holes with Cherry Potts & Katy Darby

Hither Green Festival Video 2 – The audience join in

More from our Women & SciFi/Fantasy evening for Hither Green Festival.

The audience put in their comments and recommendations. Call out for Naomi Novik and the Temeraire series

 

Hither Green Festival Video One – growing up reading SF and Fantasy…

Cherry Potts & Katy Darby Arachne Press authors and editors, talk about growing up reading SF & Fantasy, particularly by women, at Manor House Library for  Hither Green Festival

For the completists amongst you, here is the list Cherry forgot to bring with her of lots of  Sf/Fantasy books she loves, feel free to comment to add your own high points. There are loads more these were the ones that sprang readily to mind!

Growing up with SF/F – YA books and first reads…

Diana Wynne Jones The Spell Coat series
Susan Cooper The Dark is Rising
Sylvia Engdahl Heritage of a star
Jan Mark: Useful Idiots/ Riding Tycho/ The Ennead
Andre Norton Forerunner Foray, Plague Ship, Moon of Three Rings, The Beastmaster, Mark of the Cat, Witchworld series, Octagon Magic, Steel Magic etc
Tanith Lee The Dragon Hoard, Kill the Dead, Companions on the Road, Drinking Sapphire Wine
Ursula le Guin Earthsea series, Lathe of Heaven, Rocannon’s World, Left Hand of Darkness, The Dispossessed (actually pretty much anything by Ursula)
Helen Simpson Ingo series
Joy Chant Red Moon, Black Mountain
Pamela Sargeant Women of Wonder anthologies

Writers discovered in the 70s and 80’s

Margaret Atwood Handmaid’s Tale
Joanna Russ We Who are About to
Jaygee Carr Leviathan’s Deep, Navigator Syndrome
Joan D Vinge Snow Queen, Catspaw,
Jane Yolen Cards of Grief, Briar Rose, short stories,
Vonda McIntyre Fireflood and other stories, Dreamsnake
Elizabeth A Lynn The Woman who Loved the Moon
C J Cherryh Faded Sun, Brothers of Earth, Heavy Time, the Morgaine series
Marian Zimmer Bradley Sword & Sorceress anthologies
Anne McCaffery The ship who sang, Pern series, Decision at Doona
Megan Lindholm Wolf Brother, Harpy’s Flight
Suzy McKee Charnas Walk to the Ends of the World, Motherlines
Nicola Griffith Bending the Landscape (as editor), Hild, Ammonite, Slow RIver
R A MacAvoy Tea with the Black Dragon
Kate Wilhelm The Infinity Box, Where late the sweet birds sing,

Classics:

Charlotte Perkins Gilman Herland, The Yellow Wallpaper
James Tiptree, Jr Houston, Houston do you read? (short story) Her Smoke Went Up for Ever
Naomi Mitchison Memoirs of a Space Woman
Vera Chapman Three Damosels
Zenna Henderson The Anything Box

More recent:

Naomi Novik Temeraire series
Emily St John Mandel: Station Eleven
Aimee Bender The Colour Master (short stories)
Kate Atkinson Not the End of the World, Life After Life

Women writers of SF/Fantasy published by Arachne Press

Alex Smith Devilskein & Dearlove
Cherry Potts Mosaic of Air, The Dowry Blade
Ghillian Potts The Naming of Brook Storyteller series

Anthologies: (stories with SF/F flavour by women, there is SF/F by men, and stories with nothing to do with either SF or fantasy in most of them!)
Weird Lies (Alex Smith, Angela Trevithick, C T Kingston,Ellen O ‘Neill, Maria Kyle, Peng Shepherd, Rebecca J Payne) winner of Saboteur2014 best anthology award
Lovers’ Lies (Mi L Holliday, Michelle Shine)
We/She (J A Hopper, Joanne L M Williams, Jennifer Rickard, Elizabeth Hopkinson, Ilora Choudhury, Katy Darby)
Five by Five (Katy Darby, Helen Morris)
Solstice Shorts (Helen Morris, Imogen Robertson, Cindy George, Jayne Pickering)
Shortest Day, Longest Night (Polly Hall, Katy Darby,Pippa Gladhill, Karen Bovenmyer, Cherry Potts, Frances Gapper)
Dusk (Pippa Gladhill, Penny Pepper, Fiona Salter, Helen Slavin,Katy Lee)
Liberty Tales (Katy Darby, Cherry Potts, Sarah Evans)
Stations (Cherry Potts, Caroline Hardman)

Science Fiction and Fantasy for The Hither Green Festival

May 18th at 7pm
Manor House Library
34 Old Road
SE13 5SY
as part of the Hither Green Festival

FREE

Meet Arachne Press authors Cherry Potts and Katy Darby for a chat about Science Fiction and Fantasy written by women, and their own writing.

The evening will include readings and an opportunity to buy books and ask questions (PLEASE ask questions!), and Katy and Cherry will talk about their favourite women SF/F writers and what got them started on writing speculative fiction. Cherry will also talk about her mother, Ghillian Potts’ young adult fantasy series The Naming of Brook Storyteller the final book of which, Wolftalker is published in early June. we  have pre-publication copies, and will bring other books for you to buy. There may even be some giveaways.

Left of Earth, Right of Venus

Video

Today’s story from Longest Night is Left of Earth, Right of Venus written by Pauline Walker, read by Patsy Prince, accompanied by Ian Kennedy & Sarah Lloyd.

LonCon 3 – Cherry Potts on Panels

Thursday 14th to Monday 18th August, the 72nd World Science Fiction Convention – LonCon 3 at ExCel London Docklands.

Arachne Press founder and author Cherry Potts is on two panels,

Liechester Square: Getting London Wrong
Thursday 14th August 19:00 – 20:00, Capital Suite 9 (ExCeL)
If there’s one thing you can guarantee about the reaction to any piece of SF set in London, it’s that British fans will delight in nit-picking the details: you can’t get there on the Piccadilly Line! So who are the worst offenders? Whose commodified Londons do we forgive for the sake of other virtues in their writing? Do we complain as much about cultural errors as geographic ones, and if not, why not? And given London’s status as a global city, is it even fair to claim ownership of its literary representation?
Alison Scott (Moderator), Leah-Nani Alconcel, Cherry Potts, Mike Shevdon, Russell Smith

We Can Rebuild You
Sunday 17th August 10:00 – 11:00, London Suite 2 (ExCeL)
SF medicine regularly comes up with “cures” for disabled bodies — from Geordi LaForge’s visor to the transfer of Jake Sully’s consciousness in Avatar — but the implications of such interventions are not always thought through as fully as we might hope. How does a rhetoric of medical breakthroughs and scientific progress shape these stories, and shape SF’s representation of lived physical difference? In what ways can SF narratives address dis/ability without either minimising or exaggerating such difference?
Cherry Potts (Moderator), Neil Clarke, Tore Høie, Helen McCarthy, Marieke Nijkamp

Story Sessions – May 2014 – Technician’s Tales – Video

Here’s the video snippets for our May event, our first at new venue The Cafe of Good Hope.

The Technician’s Tales – Science Fiction, of all kinds and flavours.

Cliff ChapmanExtract-Terrestrials

Dan Carpenter – Old Sheets for Dirty Jobs (from new Boo Books anthology After the Fall)

Catherine SharpeAnother Lesbian Space Fantasy (read by Carrie Cohen)

Cherry PottsThe Dark is My Delight

And finally

Liam HoganCandle