Love Audio Week: This Poem Here

To conclude our #LoveAudio blog series, here is an extract from the remarkable poetry collection, This Poem Here by Rob Walton.

Arachne Press Director, Cherry Potts, recently said of This Poem Here: “At the start of lockdown, Rob Walton was responding to the anxieties and absurdities of the Corona Virus crisis by writing poetry. He published a lot of these poems on social media, as real-time responses to the latest news. Watching and enjoying them from afar, I approached Rob to publish them as a book. We were in conversation about this project when Rob’s dad sadly died from Covid. The poems in the collection then took a radical turn, delving into rage, sorrow and grief. I can’t imagine a more appropriate collection to have published in this ‘you-couldn’t-make-it-up’ era.”

Full of tears, laughter, biting political satire and Geordie grammar, these are poems that are meant to be read aloud. Here is ‘And in Lockdown’:

You can also watch Rob Walton reading some of the collection in the video from the online launch of This Poem Here: https://youtu.be/sNijjLH4zB0  (be warned, he made many of us cry!).

#LoveAudio is the Publisher’s Association annual week-long digital celebration of audiobooks is designed to showcase the accessibility, innovation, and creativity of the format. Follow the hashtag on twitter.

Love Audio Week: Inclusive Publishing

What are you reading this weekend? Or should we say, listening to?

For our Saturday #LoveAudio post, here’s a recent article by Arachne Press Director, Cherry Potts: ‘Published, accessible, authentic: how audiobooks can be inclusive’, as well as a bonus excerpt from our very first audiobook – The Don’t Touch Garden by Kate Foley. Kate read the audiobook herself (beautifully) when we first experimented with audio production.

Read more about this process, and Arachne’s approach to audiobooks and inclusive publishing, in Cherry’s article:

https://www.bookbrunch.co.uk/page/free-article/inclusive-publishing-and-audiobooks/

#LoveAudio is the Publisher’s Association annual week-long digital celebration of audiobooks is designed to showcase the accessibility, innovation, and creativity of the format. Follow the hashtag on twitter.

Behind the Scenes at Arachne Towers: Lockdown Audiobook Production


The Corona Virus crisis meant a moment for reflection, strategising and funding applications at Arachne Press. When we got Arts Council England funding for nine audiobooks, we had to approach the challenge of creating them remotely, while we couldn’t get into the studio due to lockdown. Continuing our #LoveAudio celebrations, here’s a behind the scenes look at how we approached this. Cherry Potts talks to poet Jeremy Dixon, audiobook narrator Nigel Pilkington and Jessica Stone, audiobook producer at Listening Books.

Cherry Potts, Director

Having worked with Listening Books in the studio, I thought I had a rough idea how difficult it would be to record remotely – I knew what was possible, and what wasn’t, I knew that the pickups that were dealt with in seconds in the studio would be more complicated to deal with. I knew background noise would be a problem, and that with our anthologies, we needed the actors to be recording to the same standards. So I thought I knew what we were getting in to.

Having to be a director at one remove, though, not being on the ‘set’ as it were, was a real challenge; every problem was magnified by the repetitions that were necessary – and all those actors with neighbours who decide now is the perfect time to drill into the party wall! Jessica and I really bonded over the problems, admitting to occasionally shrieking as some slip happened again and again. But also, I found myself laughing out loud listening to actors apologising for burps or shrieking in their own frustration at some word that would.not.come.out.right; or sighing happily at the perfect rendition of a particular phrase.

I have to be honest; I wouldn’t choose to do it like this. I now know not to rely on an audition recording, and to audition over Zoom. Compared to being in the studio, remote recording is time consuming and frustrating, but needs must in lockdown, and when it goes well, it is a joy.

The absolute best experience has been recording A Voice Coming From Then by Jeremy Dixon. Because of the sensitive material, I asked Jeremy who he wanted to read. We agreed that the reader must be a queer man, and of roughly the same age as Jeremy. Shared understanding of what it was like growing up ‘then’ was really important. I put a call out to actors I knew and to the narrators we were already working with as the people most likely to know someone; and Sophie Aldred, who has narrated two novels for us, immediately suggested Nigel Pilkington. Initially I had in my mind that we were trying to replicate Jeremy’s approach, if not actual voice, as a 15 year old and as an adult, but in the course of auditioning, with Jeremy listening in, we discovered that what was needed was a voice that was, in essence, the reader, reading for the first time – which gave a very necessary steer for what the listening experience would be – this is a book wreathed in content warnings, the tone had to be exactly right.

Nigel read some of the poems  for us on the spot, and it was an emphatic yes, and the resulting files sent off to Jessica for technical approval. Short delay while Jeremy reformatted his carefully laid out and largely unpunctuated poems, so that they could be read aloud without faltering.

Nigel asked if we wanted to listen in via zoom while he recorded. I hadn’t expected that, and it was brilliant, almost like being in the studio, immediate feedback, live performance, and very moving. We just had to remember to mute when we’d finished saying how wonderful every take was! We had, of course, chosen the hottest day of the year, and Nigel was expiring in his recording cupboard, but five hours later we had a complete book.

Jeremy Dixon, Author

My first full poetry collection A VOICE COMING FROM THEN (published by Arachne Press) starts with my teenage suicide attempt and expands to encompass themes of bullying, queerphobia, acceptance and support. In one of those unplanned cosmic coincidences that you just couldn’t make up, we actually recorded the audiobook on the 42nd anniversary of that suicide attempt. So, for me, lockdown recording was very emotional before we even started and then the beautiful and varied ways in which Nige was able to read my work only added to making this one of the most memorable events of my writing career.

Usually the author would not be present in the studio during recording but one of unexpected benefits of lockdown was that it enabled me to be involved via the wonders of Zoom. My editor Cherry was also there, and we could both give small directions in pacing, emphasis, and pronunciation although Nige didn’t really need very much of this, his readings were so fantastic that I kept thinking, ‘I would love this poem if somebody else had written it’. We recorded the audiobook on what was the hottest day of the year so far and so had many breaks for water and food etc, but I was still surprised that it took nearly five hours to record everything from introduction to poems to acknowledgements.

For a writer and poet, it was an invaluable insight into the processes involved in creating an audiobook and I feel very grateful that lockdown enabled me to be a part of it.

Nigel Pilkington, Actor

Being a voice actor during lockdown?  The myth of the Hydra springs to mind! – we’ve needed to grow many more heads for the many more hats that have rained down on us.  When you record a book in an external studio, your entire focus can be on your performance.  But when recording from home, you’re also tasked with the jobs of engineer, sound editor, and sometimes director, and it’s easy to let the performance be pushed to the back of the queue.

Not so when recording A Voice Coming From Then by Jeremy Dixon, published by Arachne Press, as we took our time, allowing Jeremy’s poignant and careful words to be intoned with sensitivity.  After each poem, I’d break to label the files, and this actually afforded me a natural gear change between pieces, so that each one could be approached on its merits, rather than rattling through the entire script in one pass.

So, as much as recording in lockdown has been vexing, it did actually work to our advantage in this case… and I managed NOT to lose my head…!

Jessica Stone, Producer

I have both sympathy and admiration for voice actors who’ve been forced to transition from professional studio to recording at home. Not everyone has access to quiet, non-reverberant spaces, and it can be a steep learning curve to work well with the technical equipment and recording software. This means that the raw recordings I receive from actors can vary significantly in how much interference they need from me! In this case, however, Nigel made my job as easy as it gets, with the happy result that I was free to enjoy Jeremy’s text and Nigel’s performance as I worked. I am especially fond of ‘I’m learning to shout “Oi!”’ 

#LoveAudio is the Publisher’s Association annual week-long digital celebration of audiobooks is designed to showcase the accessibility, innovation, and creativity of the format. Follow the hashtag on twitter.

A Voice Coming from Then will be published by Arachne Press in August 2021. It is available for pre-order now, from our webshop.

Love Audio Week: Accidental Flowers

“A fascinating and imaginative vision of the future, built on the foundations of our current climate crisis. You get to follow the overall story from multiple view points which allows multiple other issues to be delicately explored through a variety of characters.

A really pleasant surprise from a book I hadn’t heard of! I would recommend it to anyone wanting an interesting, entertaining and thought provoking read.” Audible Review

Our #LoveAudio post today is an extract from the audiobook of Accidental Flowers, a novel in short stories by Lily Peters.

This title was another multi-voiced audiobook. The clip above is narrated by Beth Frieden and we also got to work with several other fantastic voice actors and narrators, including Tigger Blaize. Tigger said:

I loved playing Robin [in Accidental Flowers]! With each role like this, we get closer to having a trans cannon of stories and characters. It’s a brilliant book with a real mix of voices.”

#LoveAudio is the Publisher’s Association annual week-long digital celebration of audiobooks is designed to showcase the accessibility, innovation, and creativity of the format. Follow the hashtag on twitter.

Love Audio Week: 100neHundred

One of the most interesting things about publishing our titles as audio books is when we are working with anthologies and collections that need a multi-voice approach. This creates the challenge of finding authentic, representative voices for each story or poem within the collection – without having to recruit a cast of thousands! 

Today for #LoveAudio week we are sharing an audio excerpt from one of the most multifariously voiced books we have ever published: 100neHundred by Laura Besley is a collection of 100 stories, each of exactly 100 words. We’re delighted to share two stories from this brilliant book, one read by Cornelia Colman and one by Shubhita Chaturvedi:

The book gives the reader the feeling of voyeurism as if we are taking a glimpse behind the curtain of lives unraveling, of decisions being made behind closed doors, of peeking at the most intimate of moments. It’s melancholic, heartrending, hard hitting and joyous all in one!” Ross Jeffrey

#LoveAudio is the Publisher’s Association annual week-long digital celebration of audiobooks is designed to showcase the accessibility, innovation, and creativity of the format. Follow the hashtag on twitter.

Love Audio Week: Incorcisms

For #LoveAudio week today we have an unsettling tale by short story writer David Hartley, read brilliantly by Margaret Ashley.

Margaret is an actress and multi-nominated voice actor – she is currently nominated for the Best Radio Drama Performance in the 2021 OneVoice Awards – and we are delighted to have had the opportunity to work with her on several of our recent audio books.

This is ‘Mothering’, from Incorcisms:

 

 

”David Hartley’s tiny fictions are elusive and teasing and true. They’re like the fading echoes of dreams you struggle to remember when you wake up in the morning – the bits that you know didn’t quite make sense, and made you feel strange and a little unnerved, but you knew were important, so important, if only you could hold on to them forever.” – Robert Shearman

#LoveAudio is the Publisher’s Association annual week-long digital celebration of audiobooks is designed to showcase the accessibility, innovation, and creativity of the format. Follow the hashtag on twitter.

Love Audio Week: Strange Waters

This week is #LoveAudio week, an annual celebration of audiobooks. As audio is still quite new to us, this is the first year we’ve joined in with the campaign. To celebrate, we are excited to share excerpts from several marvellous Arachne Press audiobooks, almost all of which are 2021 releases, created thanks to a grant from Arts Council England and in partnership with Listening Books.

To kick off, here is the opening story from Jackie Taylor’s upcoming Strange Waters, a collection of short stories set in Cornwall, that take in modern life, ancient mythology and our future in the face of coastal erosion.

This is fresh from the edit so has never been heard before!

 

 

We are delighted to have actress Sophie Aldred narrating Strange Waters. Sophie has had plenty of practice with her Cornish accent, as she also narrated Clare Owen’s Cornish Gothic YA, Zed and the Cormorants, for us earlier this year. You can hear a first chapter extract of this audiobook here.

If you enjoyed this extract, then please join us, Jackie Taylor, Sophie Aldred and other guests on the evening of Thursday 29 July, for an online launch with readings from Strange Waters. Tickets are free, or £10 (+ a small postage fee) to include a copy of the book, and you can register here: https://www.eventbrite.co.uk/e/book-launch-strange-waters-by-jackie-taylor-tickets-161905442537

#LoveAudio is the Publisher’s Association annual week-long digital celebration of audiobooks is designed to showcase the accessibility, innovation, and creativity of the format. Follow the hashtag on twitter.

 

100neHundred Blog Tour

With are delighted to launch the blog tour for 100neHundred by Laura Besley.

Out on 27 May, 100neHundred is a collection of 100 stories, each of 100 words. A man carries his girlfriend in the left-hand breast pocket of his shirt. During World War II, a young soldier searches the houses and barns of the families with whom he grew up. An astronaut wonders whether she can adapt to life back on earth. This is a moving, funny, powerful collection of microfiction.

Laura said “The more micro fiction I write, the more I love it: the challenge of piecing together what I want to convey in as few words as possible and the absolute joy when it works. I’m extremely excited about the launch of 100neHundred, hoping that people will enjoy reading my tiny tales as much as I enjoyed writing them.”

Follow the blog tour on the schedule above to read reviews of 100neHundred, plus guest posts from Laura Besley, an Author Q and A and some exclusive extracts of stories from the collection. 

Find all the content from the blog tour here too (updated daily):

  1. So much of life is packed into these stories, precious moments and sad ones, humour and grief, gorgeous nuggets of hope and stinging barbs of hurt.” Read Ellie Hawkes’ beautiful review of 100neHundred here.
  2. Read ‘Lowest Ebb’ – one of the stories from 100neHundred – in an exclusive feature on Idle Ink.
  3. One of the things I love most about short fiction is the invitation to experiment.” Read Laura Besley’s guest blog post for Popshot Magazine.
  4. “Laura has created beautiful snapshots, each one alive with precision and emotion. Each story excels in its originality, each one a complete tale, each carefully crafted without a word to spare.” Read an excellent review of 100neHundred – and an exclusive story extract- on Book Bound.
  5. Read @tillylovesbooks’ instagram review of 100neHundred
  6. “The main thing that went into 100neHundred was time.” Laura Besley talked to Elizabeth M. Castillo for an author Q and A.
  7. “…like savouring a perfect little tipple at the end of a stressful day.” Zoe’s Book Nook gives 100neHundred 5 stars.
  8. “With this collection I soon lost track of how many ‘wows’ I was uttering…” Laura Besley credits Morgen Bailey’s 100 word story competition with her interest in micro-fiction. Read Morgen’s review of 100neHundred here.
  9. “This collection of micro flash fiction is possibly the perfect read for the moment, as we all grapple with the changing pace of life.” For Book’s Sake reviewed 100neHundred on Instagram.

100neHundred Blog Tour Banner Image

Audio Book plans

We have taken a leap into the world of Audio Books, with nine books due for publication this year to be simultaneously released as Audio books.

Arachne Press Director, Cherry Potts, says “Thanks to a grant from Arts Council England, we are able to take a broad spread of books into the audio market – short stories, poetry, a dystopian novel and a YA novel, plus three anthologies.

“We are pleased to be partnering with Listening Books for the mastering and remote production, while our actors work from a variety of home studios, from the professional to the airing cupboard! Lockdown has meant we needed to make the most of every route to the reader, and audio books fit well with our commitment to accessibility, and working with Listening Books means we are also supporting a charity with similar aims. An added bonus with this venture is that we can support actors prevented from working on stage.”

Claire Bell, Deputy Membership and PR Manager, at Listening Books says

“I’m delighted we are working with Arachne to produce these titles. Having launched our new website this year, we know how important accessibility is and are very happy to be working with Arachne to provide their titles in the audio format. Having provided an audiobook service to children and adults since 1959, this partnership will not only support the charity through Listening Books Productions,  but will make a whole new range of titles available for the print impaired.

Cherry Potts added “We are auditioning actors now, and are thrilled to announce that our YA novel, Zed and the Cormorants by Clare Owen, will be narrated by Sophie Aldred (Dr Who, Dennis the Menace).”

https://www.listening-books.org.uk/

A quick question about audio books

We had a survey to help us decide where to focus our attention, and one of the questions was set up wrong! Thank you to everyone who struggled through and did their best to tell us what they meant, despite it. It was hard to get any real stats from so we are having another go, just with this one crucial question.

Please spare us a second or two to answer this question!

Your assistance is much appreciated! Please don’t tell us what you think we want to hear, it could lead to expensive mistakes.