In the final instalment of our video interviews with poet A.J Akoto, A.J tells us more about the animal symbolism which appears in Unmothered, her powerful debut collection – out now!
In Conversation with A.J Akoto: The Creature Poems
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Category Archives: Arachne Press
In Conversation with A.J Akoto: Editing
Unmothered by A.J Akoto publishes this Thursday 13 July! Ahead of release, Cherry Potts spoke to A.J about the editing process. Watch the video below for a behind-the-scenes look at what it took to complete this intimate, unflinching and powerful work.
Join us at Housmans Bookshop tonight for an in-person celebration of Unmothered, or register for the online launch on Thursday: https://www.eventbrite.co.uk/e/636463558637
In Conversation with A.J Akoto: Myth (2)
To celebrate forthcoming publication of Unmothered by A.J Akoto, we caught up with A.J to talk about every aspect of her debut collection, from the inspiration behind it, to her use of myth, and the complexities and challenges of writing about your own life.
A.J delves deeper into the mythological influences of Unmothered in today’s video, examining the layers of classical, societal and familial myth that the collection draws upon.
What myths, then,
am I making?
Pre-order your copy of Unmothered now or book to join us at an event:
- 11/07/2023: Poetry Book launch at Housmans Bookshop, Caledonian Road, London
- 13/07/2023: Online book launch
In Conversation with A.J Akoto: Impact
To celebrate forthcoming publication of Unmothered by A.J Akoto, we caught up with A.J to talk about every aspect of her debut collection, from the inspiration behind it, to her use of myth, and the complexities and challenges of writing about your own life.
“I don’t think it’s speaking to anything that’s destructive to the self, or to the reader, to consider the things that are in these poems”.
In this video, A.J speaks about the process of creating Unmothered, and the impact of its cover and content, with editor and Arachne Director, Cherry Potts.In this video, A.J speaks about the process of creating Unmothered, and the impact of its cover and content, with editor and Arachne Director, Cherry Potts.
See the full cover for Unmothered below, and find out more about artist Kevin Threlfall on Instagram.
Pre-order your copy of Unmothered now or book to join us at an event:
- 11/07/2023: Poetry Book launch at Housmans Bookshop, Caledonian Road, London
- 13/07/2023: Online book launch
In Conversation with A.J Akoto: Getting Personal
To celebrate forthcoming publication of Unmothered by A.J Akoto, we caught up with A.J to talk about every aspect of her debut collection, from the inspiration behind it, to her use of myth, and the complexities and challenges of writing about your own life.
A.J and Cherry Potts talk about the intimacy of Unmothered, the vulnerability of writers who draw on autobiography, and the differences between poetry and prose when writing about your own experiences.
Pre-order your copy of Unmothered now or book to join us at an event:
- 11/07/2023: Poetry Book launch at Housmans Bookshop, Caledonian Road, London
- 13/07/2023: Online book launch
In Conversation with A.J Akoto: Myth
To celebrate forthcoming publication of Unmothered by A.J Akoto, we caught up with A.J to talk about every aspect of her debut collection, from the inspiration behind it, to her use of myth, and the complexities and challenges of writing about your own life.
Here A.J tells us more about the mythological inspiration behind Unmothered, including the fierce women from myth who appear in the collection as icons of unapologetic female agency and justified anger.
Gorgon
Certain things should be approached
side-on, with a darting gaze,
as you look at a bright goddess
from the corner of your eye.
My mother is a figure ablaze
at the edge of sight; I cannot bear her
head on. I need a sickled blade.
I need a shield, mirror-bright.
Pre-order your copy of Unmothered now or book to join us at an event:
In Conversation with A.J Akoto: Creatrix
To celebrate forthcoming publication of Unmothered by A.J Akoto, we caught up with A.J to talk about every aspect of her debut collection, from the inspiration behind it, to her use of myth, and the complexities and challenges of writing about your own life.
In this week’s video, A.J reads ‘Creatrix’, the opening poem from Unmothered, and speaks to Cherry Potts about the significance with which we imbue motherhood, and how our mothers shape us.
Creatrix
Mothers, first creators,
try to shape us in their own image,
or what they wish they were.
Feel the dip
of finger marks, moulding
muscle and bone like clay.
Our bodies belong not to us
but to the women who
grew us
fed us
know us
enough to end us with a word.
What terror and awe.
And after all, aren’t men
afraid of God?
Pre-order your copy of Unmothered now or book to join us at an event:
In Conversation with A.J Akoto: Inspiration
To celebrate forthcoming publication of Unmothered by A.J Akoto, we caught up with A.J to talk about every aspect of her debut collection, from the inspiration behind it, to her use of myth, and the complexities and challenges of writing about your own life.
We’ll be releasing chunks of this conversation every Monday lunchtime for the next few weeks. First up, A.J speaks to Cherry Potts about the initial inspiration for Unmothered, and how it was born from a need to speak into the silence that surrounds difficult mother-daughter relationships.
Publishing on 13th July, Unmothered is an intimate and unflinching collection that tracks the complex bind of mother-daughter relationships. Through separations and attempts to mend, longing and the fluidity of myth/story-telling in defining histories and identities, she collapses the elision between womanhood and mother/daughterhood.
“Every word in this stunning debut collection deserves its place on the page. Akoto skilfully stitches fragments of love, along with forgiveness, compassion, and insight, into the fabric of her life.” Louisa Adoja Parker
Pre-order your copy of Unmothered now or book to join us at an event:
Independent Bookshop Week 2023
We’re really pleased to be joining forces with Brixton bookshop, Round Table Books, for a week of events in celebration of Independent Bookshop Week 2023, and of the brilliant community of independent publishers, booksellers, readers and writers in South London.
Independent Bookshop Week, which takes places from 17 – 24th June, is a Bookseller’s Association campaign, designed to celebrate and promote indy bookshops and all they do to keep the UK book trade diverse, eclectic and engaged with local communities.
We love getting know our local independent bookshops (as well as those further afield!) so we’re delighted to be hosting four events at Round Table Books during Independent Bookshop Week, showcasing recent and forthcoming Arachne Press titles. All the events are free to attend:
Sunday 18th June, 6.30pm: Writers from Arachne Press anthology, Where We Find Ourselves: Poems and Stories of Maps and Mapping from UK writers of the global majority. Nikita Chadha, Farhana Khalique, Lesley Kerr, Emily Abdeni-Holman, L Kiew and Mallika Kahn will read their own and one others’ work from the anthology, discussing what inspired their own piece and why they chose the other to share. Book now.
Monday 19th June, 6.30pm: Writing LGBTQ+ Joy with poet Jeremy Dixon. Ahead of the submission deadline for Arachne Press’ LGBTQ+ poetry anthology, Joy//Us, (October 11th) join poet and co-editor Jeremy Dixon for a workshop on writing queer joy. Suitable for all levels of poetry experience, this is an opportunity to explore the theme of queer joy, and perhaps produce a poem to submit for the anthology. Jeremy Dixon’s latest collection, A Voice Coming From Thenwon the Wales Book of the Year English language poetry category in 2022. Pre-booking essential, book now.
Tuesday 20th June, 6.30pm: Poetry reading with AJ Akoto. Debut poet AJ Akoto gives a pre-publication reading from her forthcoming poetry collection UnMothered (13 July 2023), followed by a Q and A session with Round Table Books Co-Director, Meera Ghanshamdas. Inspired by a desire to break the silence surrounding difficulties in mother-daughter relationships, UnMothered uses storytelling and myth to capture the complexity, and contradictions, that define the mother-daughter bond. Book now.
Thursday 22nd June, 8pm: poet Rhiya Pau reads from her award-winning debut collection, Routes. Exploring the routes taken by Rhiya Pau’s parents and grandparents across multiple countries to arrive in the UK, Routes lays bare the conflicts of identity that arise from being a member of the East African-Indian diaspora. Book now.
Free tickets to all the events can be reserved on Eventbrite and books will be available to buy, and get signed, at Round Table Books.
Meera Ghanshamdas of Round Table Books said:
‘We are delighted to be partnering with Arachne Press for Independent bookshop week, not only are they really local to us, but we are on very much the same page (pun deliberate) on the importance of inclusive publishing. Arachne’s focus on LGBTQ+ and disabled writers, as well as their championing of Global Majority writers, sits really well with the aims and ethos of our organisation. I’m really looking forward to meeting all the authors who will be reading or running workshops with us.’
We are really looking forward to being involved in #IndieBookshopWeek and hope to see you at one of the above events. And remember, a bookshop is for life not just Independent Bookshop Week!
Crab Pots and Coffee: Writing The Arctic Diaries
As publication of The Arctic Diaries approaches, we spoke to poet Melissa Davies to ask about the inspiration for her debut collection and her experiences on Sørvær – a tiny island in a remote Norwegian archipelago.
Here we are, The Arctic Dairies is about to go out into the world and what am I feeling?
In this moment, I find myself thinking often about the people living on Fleinvær. The handful of residents, the weekenders and friends I’ve spent another winter with. I picture them reading it and try to imagine what they will feel. After all, every poem sits in their landscape, not mine.
Listen to Melissa Davies read ‘Bird Wife’, on location in Norway
The Arctic Diaries truly started in the spring of 2017 with a Facebook post asking ‘Do you want to live and work in the Arctic?’ to which I replied yes! Months later a Skype call with the jazz musician who founded an artist retreat on Sørvær (one island in the archipelago of Fleinvær) and in November 2018 I was on a plane to the north of Norway to run The Arctic Hideaway for two months….which turned into six. My husband and I landed in the middle of an arctic storm to quickly learn the way of life here: weather rules winter and it is futile to resist that fact.
Sørvær is one of two year-round inhabited islands in the archipelago and during that first winter we spent many of the cold afternoons of polar night with the only other couple overwintering there. It was over kaffe, lefse and boknafisk (semi-dried cod) that I heard the tales that eventually became The Arctic Diaries. The book really began to form when I realised that many of these stories—eroded through family retelling—would disappear with the passing of the people we came to call friends. Not just traditional or folk tales but vocabulary unique to the landscape, ways of living and happenings that continue to tell us how it is to be here.
However, I don’t see The Arctic Diaries as an archive. The characters I’ve written are fictional, they are not two dimensional drawings of the people I met, I could never do them justice. Instead, I hope that readers will take from each poem what they need, along with a raised awareness or reminder of what we are losing as industrial fishing and fish farming continue to devour Norway’s coastline.
Having said that, the book is also a diary of my first winter on Fleinvær. An exploration of being ‘other’ and the personal demons I was facing at the time so I kept the diary title, structure and dates.
As someone from rural Cumbria, it was interesting to see so many of the difficulties facing Fleinvær and wider Nordland county reflected in the issues facing my own home. I write about the coastal Arctic because it’s the landscape that speaks to me but many of the poems sing a mourning song familiar to the fells too. So as you dive into sea orms, crab pots and eider nests please remember, The Arctic Diaries is only the first chapter in a project that has more to give, especially as art cements a place in the forward momentum of climate activism and Europe swirls with questions of borders and migration.
