Cherry Potts is a publisher/editor. fiction writer and teacher, event organiser, photographer, book designer, NLP master practitioner, life coach and trainer. She sings for fun.
Through Arachne Press she publishes fiction and non fiction and runs spoken word events and cross-arts workshops for writers at interesting venues. Always interested in new opportunites to perform, write or explore writing.
We’ve counted the votes, disqualified the people voting for their own work (tsk, tsk, did you think we wouldn’t check??) and can now announce that (subject to contract) the folowing poems and stories that will join this year’s winners, in the Solstice Shorts 2022 ‘best of’ ebook Hiatus, are:
After Before by Mandy Macdonald After Sun, Before the Stars by Jane Aldous Against Daylight Saving by Gabriel Noel (This year’s competition winner) At the Hotel de la Lune by Sarah James Beach Clean by Ness Owen Fire at Midday by Susan Cartwright-Smith Fisherman’s Daughter by Claire Booker In Between Dog by Pippa Gladhill Jackdaw by Elaine Hughes Mock Posh & Tatters by Moira Quinn Pause by Karen Pierce (This year’s competition winner) Rewilding by Jackie Taylor Sir Thomas Wyatt’s Catby Elinor Brooks Stone Baby by Sarah Evans The Surgeon’s Mate by Maria Kyle Volunteer by Jane McLaughlin Wednesday Afternoon by David Mathews What He Doesn’t Know by Frances Gapper Yes, Twilight by Math Jones
Where there was a dead heat (which happened several times) I’ve included both. We’ll announce the winner of the prize draw shortly – going to experiment with the cat doing the draw…
We’ve teamed up with Lewisham Libraries to run a couple of In Person workshops for writers as part of our 10th Anniversary celebrations. Both are linked to upcoming anthologies, and we are hoping that participants will be inspired to submit (deadline 31st December 2022).
Saturday 12 Nov 3-4.3pm Catford Library 23-24 Winslade Way, Catford Centre, SE6 4JU Off the beaten track with Cherry Potts
In preparation for an anthology of poems and short fiction Byways – which will be published in Spring 2024, Arachne Press editor Cherry Potts is running a writing workshop for anyone who is interested in the ideas behind the book.
A byway is a right of way that you can’t take a vehicle on – so think alleys, snickets, ginnels, bridlepaths, greenways, the highwater line on a beach, mountain passes, desire paths, tow paths… shortcuts or the scenic route, the path to somewhere else, the familiar and the uncertain.
Are there local paths you always take, or avoid? Come and write with us, and perhaps start something that could end up published! We’ll bring examples and writing prompts, you bring pen/paper or laptop, and… maybe a map? free tickets
In preparation for an anthology of poems and short fiction inspired by the menopause, which will be published in October 2023, Arachne Press owner Cherry Potts and co-editor Catherine Pestano are running a writing workshop for anyone who would like to get involved. Our anthology call out is aimed firmly at older women, lesbians and women from the global majority. Our theme is the menopause, and we are looking for stories, flash and poems that go waaay beyond the empty nest and feelings of sexual redundancy, so come along and explore. We will provide playful writing prompts, examples and discussion including some useful facts about the menopause, you provide the imagination. Bring pen/paper or laptop. Free Tickets
Catherine Pestano is a menopause activist, social worker and community musician based in Croydon, South London and offers services through her community interest company Creative Croydon. Key areas of interest include and the use of music and arts for wellbeing & social justice, Mental health and LGBTQ support. She is lead adviser for the national Song Therapy training and is a long-term member of the natural voice network.
Cherry Potts is a writer and creative writing tutor who runs and edits for Arachne Press.
We are celebrating our 10th anniversary by exploring our back catalogue and inviting you to do likewise with special offers on books celebrating their anniversaries in each month.
So for November we have a voucher, ARA10NOV, to get 50% off the following books – all anthologies this month, as we often do a book to coincide with Short Story week in November.
An Outbreak of Peace
What Meets the Eye
Liberty Tales2015 marked the 800th anniversary of Magna Carta and Arachne Press celebrated with an evening of stories, poetry and song on the subject of Liberty. The call out continued until the end of the year, and here are the collected and eclectic responses.
Outbreak of Peace Stories and Poems in Response to the End of WWINovember 2018 marked the centenary of the end of World War I. After all the commemorative works of art over the previous four years, we felt it was important to reflect on what comes after – an outbreak of peace, and what that meant to the combatants and those left at home. This wide-ranging collection brings together stories and poems from many countries, on both sides of the 1914-18 conflict, finding their inspiration in many wars and their endings; together with stories and poems which are not about war at all, which is as it should be.
StationsAlready reduced to £5 so with this offer a teeny £2.50! Twenty-four new short stories in homage to the East and South London section of the Overground Line: a story for every station from New Cross, Crystal Palace and West Croydon at the Southern extremes of the line, all the way to Highbury & Islington.
What Meets the Eye Poems, short fiction and scripts from UK Deaf, deaf and Hard of Hearing writers. on the theme of movement.
Departures: from The Story Sessions Stories and poems of leaving and going adrift, being left behind, taking wrong turns, stepping out of the everyday and making splendid leaps into the dark.The Story Sessions ran for four years in south London. Our monthly themed events took a lead from folkclubs, we had headliners, support acts and floor spots – Flash from the Floor, audience participation written in the interval.
The Story Sessions was an invigorating, sweet experiment, and we are proud to have created a permanent record – new stories from some of The Story Sessions stalwarts and discoveries.
All you need to do is use the code ARA10NOV at the check out when you buy any or all of these books – you can only use the code once, so we encourage you to buy in bulk!
In the 1980s, faced with a rebellious body, I stole my mother’s tarot deck and asked it about my health prognosis. Three times in a row, the outcome card was the tower, which is the second-worst card in the deck. Throughout my 20s and from then on I struggled with disability. On 16 March 2020 I contracted Covid, and I’ve had daily symptoms since then.
Twice I nearly died. I couldn’t breathe. Just standing up left me doubled over, gasping for air. I’m an expert patient and there are 6 doctors in my family, and I am no medical layperson, and I thought, at best, I had a 50/50 chance of getting through April 2020 and 2021.
I chose to write, obsessively. That and bloody-mindedness got me through. Somehow. The result is this book. I don’t really remember last April, except that I wrote over 55 poems. If I were a pop psychoanalyst I’d say that hovering on the threshold of death rendered me liminal, and made mythic themes easier to access. But I’m not.
These poems are based on the 22 major arcana in the tarot deck, an extra or trump suit, which starts with the fool: number zero, generally portrayed as carefree, their possessions in a small bag, stepping off a cliff. They journey through the themes of the other 21 arcana. The magician, trump 1, is the occult guide, wielding four elements. In French the magician is called the juggler, Le Bateleur—I took that word and wrote about a bateleur eagle, a bird of prey that constantly adjusts its wings in flight, like a juggler.
Arcanum 2 is the high priestess. She’s on the cover of the book, twinned on a playing card with the teenager. The high priestess symbolises, among other things, maidenhood. She progresses to the empress, full womanhood or motherhood. Some decks change the hermit to the crone, the third moon phase, post-menopausal, of women. The crone shows up in this book as the lamplighter, and also as a really quite delightful, feminist snake. The high priestess has long been the card used to stand in for me in tarot readings, too. (As a teen, readers used the empress. I grew into the priestess. Yes, this is the wrong way around.)
Other poems are taken more literally from tarot pictures. Strength is often portrayed as a woman besting a lion—and I used lion as metaphor in “There May Have Been Lions” and “Life in Captivity”. “The Girl in the Raven Mask”, a Petrarchan sonnet which was published in Acumen, is ekphrasis on the temperance trump in the Hush tarot. “Broken Tower” was also inspired by that deck.
Still other poems riff on the meaning of the cards. There are three poems about hope, which is what the star connotes. Two of the hope poems were written for Turtle Mountain Animal Rescue, the only animal shelter in a 2000 square mile area so far north in North Dakota it’s nearly Canada. There is a semi-feral dog at the shelter named Hope, who runs wild in the summer, but always returns when faced with bitter northern winters. She simultaneously herself and a metaphor in “Hope”.
I’m at my best as a poet when I’m storytelling, as in “Why Snakes are Always Female” and “A Little Space” or, more mischievously, in “Devilskin”. Modern tarot decks, whether they’re standard Rider-Waite-Smith decks; something themed, like the dragon tarot; or based on pop culture, like the Disney villains tarot, are tools to tell stories, whether personal or universal. Many of these poems, like “Hagged”, which is about my Long Covid, and “Dr. Wick”, about the struggle to get a diagnosis for my disability, are very personal for me. Of course, a deck of 78 playing cards isn’t responsible for anything in my life, apart from this book and a few medieval card games I play, but, still, the odds of the same card in the same spot three times in a row is pretty slender…
and Anna Fodorova’s In the Bloodat the Czech Embassy on Tuesday, with Jude Cook chairing and Lisa Rose reading the excerpts, but it is actual publication day TODAY – Congratulations both!
Thanks to Phoebe and team at the Oxford Poetry Library.
Thanks to Jude and Lisa, and the Janas at BCSA, the Czech Centre and Czech Embassy for hosting, and Lutyens and Rubinstein bookshop for handling the sales, and to Erik Weisenpacher for video and photo and audio recordings; it was a novel experience to just turn up, introduce and sit in the audience!
Anna & Jude swapping books copyright Erik Weisenpacher
copyright Erik Weisenpacher
copyright Erik Weisenpacher
copyright Erik Weisenpacher
copyright Jana Nahodilova
If you missed either or both, do not despair, as there is a joint launch 6.30 next Tuesday, 1st November, at Keats house, with readings by Carrie Cohen. You can get your free tickets from Eventbrite – there will be cake and soft drinks
Here’s a couple of photos and recordings to give a flavour of the evening.
Oxford Poetry Library Launch
Jennifer A McGowan
How to be a Tarot Card (or a Teenager)
Jennifer is launching again in London on 1st November at Keats House with Anna Fodorova, our other October author, with her novel, In the Blood. Free, cake, soft drink etc as usual! Get your tickets
And will be taking part in an online event with our friends In Words on 29th November. To register for this one you need to contact irena(at)in-words(dot)co(dot)uk and she will send you the link in good time.
We are delighted to let you know that we have a grant confirmed from Arts Council England, which will allow us to hold our 10th Anniversary online festival, of workshops and readings, and an exhibition of cover art at Stephen Lawrence Gallery in Greenwich, both in January 2023, and to publish the following poetry titles:
All kinds of loveliness and laughter experienced so far on the A Voice Coming From Then Tour. Here’s a quick snapshot from Brecon Carmarthen and Cardiff
Join Jeremy next Thursday 5.45 at Cardiff Library for more…
[There’s an annoying flicker on the Brecon video, I’ve cleaned it up as best I can, and set that part to B&W as it’s less trying, but it’s the sound that’s the joy in this so… you could always shut your eyes…]
Thanks to our lovely audiences, and our hosts, The Hours, Brecon; Waterstones, Carmarthen; and Waterstones, Cardiff.