Getting by in Tligolian: an interview with Roppotucha Greenberg

Today we are celebrating publication of Getting by in Tligolian – a clever and beguiling novel in flash about life, love, language and time, by Roppotucha Greenberg. Laura Besley, flash fiction writer and author of 100neHundred, caught up with Roppotucha to ask about her writing process:

Roppotucha Greenberg and Laura Besley

Laura: Firstly, congratulations on the publication of Getting by in Tligolian – it’s a fantastic novella! Often, while I’m reading – whether it be a novel, novella or one of the various forms of short fiction – I find myself wondering what sparked the story. Was there a moment or a character or an image or something entirely different that led you to write Getting by in Tligolian?

Roppotucha: Thank you so much. Yes, it was the image of that city: those huge glass enclosures, the traffic, and the narrow streets with tired looking shops, and the river. The giant as well. His presence was almost instantly apparent in my imagination.

Laura: There are various strands to this novella, one of which use ‘language’. In the story, ‘Appendix’, the main character states: ‘I tried to learn Tligolian so many times and forgot it just as many.’ Did you purposefully use language, or the lack of language, to disorientate her and set her up as ‘an outsider’?

Roppotucha: I think she would be an outsider regardless of the language. Apart from the physical fact of immigration, her chronic naiveté both protects her and isolates her from the world. Through learning Tligolian, which is not necessary for communication in Tligol, she attempts to ground herself in the world. Language learning makes things seem simple, especially in the beginning when one talks of girls eating apples and your mother being a teacher and things like that. Of course, this does not work, because language turns into layers of forgetting, while its difficult tenses wrap around her and make her confusion grow.

Laura: The main character describes Tligol, the fictional city in which the novella is set, as ‘so beautiful, I convinced myself that I was in charge of the perfect expression of its beauty.’ Do you feel the city functions as a character within the novella and if so, how did you go about conjuring that feeling?

Roppotucha: Thank you for citing this line. In a way Jenny spends the whole book chasing the city, trying to express its beauty, learn its language, find its giant, take the trains to all its time layers. The city is a character. Like other places in real life, it is alive and wonderful, but it also evades easy capture. One comes near, but only just near enough, and being in the midst of the thing you want to capture complicates matters.

Laura: Another aspect of the novella is ‘time’. Did you layer in that complexity through multiple versions and/or edits, or was that aspect of the novella clear in your mind from the outset?

Roppotucha: That was something that became apparent very soon, in one of the early drafts. Time- travelling trains are an inherent part of the city. Though other aspects of the city became apparent earlier – the way its spaces are not quite stable, for example, or the way living people get recorded as ‘reflections’.

Laura: All of the chapters are short, some only a few lines. Was this a conscious choice? What is the effect of this on the reader? And what benefits do you feel you gain as a writer by learning to write/writing concisely?

Roppotucha: Yes, this was a conscious choice, but it was motivated by the needs of the story. I think novella in flash is a genre that works well for fragmented narratives and stories that work with negative space – in the sense that narrative gaps are part of the story. Without giving away too much, I feel that the form of the text works well with its ending…

Getting by in Tligolian by Roppotucha Greenberg is out today! Read the first chapter now and buy a copy from our webshop.

Roppotucha Greenberg has lived in Russia, Israel and now Ireland; she speaks three languages fluently and has tried to learn six more. She has previously published a flash and micro-fiction collection Zglevians on the Move (TwistiT Press, 2019) and three silly-but-wise doodle books for humans, Creatures Give Advice (2019) , Creatures Give Advice Again and it’s warmer now (2019) and Creatures Set Forth (2020) and Cooking with Humans (2022). Arachne Press has published Roppotucha’s stories in Solstice Shorts Festival anthologies Noon, and Time and Tide.

Laura Besley is the author of 100neHundred and The Almost Mothers. She has been widely published in online journals, print journals and anthologies, including Best Small Fictions (2021). Her work has been nominated for the Pushcart Prize, twice nominated for Best Micro Fiction and she has been listed by TSS Publishing as one of the top 50 British and Irish Flash Fiction writers. She is an editor with Flash Fiction Magazine and a Creative Writing MA student at the University of Leicester. Having lived in the Netherlands, Germany and Hong Kong, she now lives in land-locked central England and misses the sea.

100neHundred is available from our webshop in paperback and audiobook. Listen to a story below.

 

Understanding the past – Holocaust Memorial Day and In the Blood

Today is Holocaust Memorial Day, when we remember the six million Jewish men, women and children murdered in the Second World War, and all victims of persecution and genocide around the world.

Author Anna Fodorova grew up in a family where everyone except her parents had been killed in the Holocaust.  Both in her career as a therapist, and as an author, Anna explores the notion and experience of being a Second Generation Holocaust Survivor. To mark Holocaust Memorial Day, and to remember all the lost families, Anna has shared this blog post with us.

In 1968 I was a student at the Prague College of Applied Arts. Being a Jew in post-war Czechoslovakia seemed then like a dangerous secret, but it was an exciting time – there was hope that the reform of the totalitarian regimes in Eastern Europe was possible, and it was the first year that we were allowed to travel and work in the West. When a fellow student showed me the Butlin’s holiday camp brochure picturing a palm tree against the sea, I imagined myself as a barmaid somewhere in the Bognor Riviera and, though I didn’t speak a word of English, I felt I had what it took: I was young, had long hair, wore a miniskirt and intended to purchase some stick-on eyelashes as soon as I got paid.

On arrival in Bognor Regis, the first thing I noticed was that Butlin’s was surrounded by a tall barbed-wire fence and powerful searchlights. I was issued with a uniform and a card with a mugshot of me holding a number that I had to show every time I left or entered the perimeters of the camp. I slept on a bunk bed, and at night I watched the security guards walk around with their scary dogs.

Bizarre though my experience in Butlin’s was, I remained blind to its obvious echoes. I left Butlin’s hoping to hitch-hike around England but then the Russians invaded my country, and I became an emigrant.

Years later, when I started to train as a psychotherapist I gathered the courage to talk about what it felt like to be born into a family where everyone except my parents had been killed in the Shoa. Around the same time I came across the term ‘Second Generation Holocaust Survivors’. When I mentioned it to my mother she looked at me surprised: What second generation? You were born after it was all over, nothing happened to you.

I became puzzled by that nothing. The nothing that we carry inside us, and that formed us in our childhood. I attended conferences about the transgenerational transmission of trauma where, to my amazement I met people who, though coming from different countries and circumstances, had similar experiences of silence, denial and guilt. I published a paper about it in Psychodynamic Practice journal called Mourning by proxy: Notes on a conference, empty graves and silence. The same journal also printed another paper of mine called Lost and Found: The fear and thrill of loss. As a part of my research I visited the London Transport Lost property office and, seeing piles of toys, shoes, suitcases, push chairs (what happened to the child?) and other personal belongings who lost their owners, my internal associations were no longer a mystery to me.

I realized that the loss of someone or something and the search for them was going to be a theme that stayed with me. Another theme I wanted to explore was heritage, both psychological, and the one we carry in our genes.

My new novel, In the Blood, explores the impact of history on the personal lives of three generations – a mother, a daughter and a grandmother. My main protagonist, Agata, is the only child of Czech/Jewish parents. She grew up in Prague, believing that all her relatives perished in the Holocaust. Now living in London with her English husband and their daughter, Agata discovers astonishing news: not everyone died.

Like Agata, I too believed that my mother was the only member of her family to survive the war. When, to my incredulity, I found out that it wasn’t quite so, I tried to understand why this was kept a secret. What was there to hide?

Eventually I realised what that secret was: it was trauma, but in my novel Agata sets out to discover ‘the truth’.

Through her subsequent search for her surviving relatives, she meets a young man, the grandson of a Nazi who is writing a thesis about the transmission of trauma to the descendants of the perpetrators as well as the victims. They form an odd relationship. Soon Agata’s pursuit turns into an all-consuming obsession that alienates everyone around her. Yet for Agata, despite her quest risking the tearing apart of not only the family she already has, but her very own identity, finding out what happened in the past seems vital, the past that we all need to understand, whether that is to come to terms with the transmission of trauma, or as in Agata’s case, to put names and dates and faces to all the lost families, and to discover the not so lost.

To find out more about Holocaust Memorial Day you can visit www.hmd.org.uk. At 4pm today people across the UK will take part in a national moment for HMD by lighting candles and putting them in their windows to remember those who were murdered, and to stand against prejudice and hatred. You can take part as an individual and share a photo of your candle on social media using #LighttheDarkness.

You can read a first chapter extract of In the Blood in this blog post from earlier in the year.

Happy Publication day Anna and Jennifer!

We’ve got a bit ahead of ourselves with launches this month, launching Jennifer A McGowan’s How to be a Tarot Card (or a Teenager) at Oxford Poetry Library last week,

and Anna Fodorova’s In the Blood at the Czech Embassy on Tuesday, with Jude Cook chairing and Lisa Rose reading the excerpts, but it is actual publication day TODAY – Congratulations both!

Thanks to Phoebe and team at the Oxford Poetry Library.

Thanks to Jude and Lisa, and the Janas at BCSA, the Czech Centre and Czech Embassy for hosting, and Lutyens and Rubinstein bookshop for handling the sales, and to Erik Weisenpacher for video and photo and audio recordings; it was a novel experience to just turn up, introduce and sit in the audience!

If you missed either or both, do not despair, as there is a joint launch 6.30 next Tuesday, 1st November, at Keats house, with readings by Carrie Cohen. You can get your free tickets from Eventbrite – there will be cake and soft drinks

 

October/November New Books: Launches and events

We have a little flurry of books arriving in October and November, and some events to launch them, mostly in person! We’d love you to join us.

20/10/2022 7pm Launching How to be a Tarot Card (or a Teenager) by Jennifer A McGowan at The Oxford Poetry Library on 20th October 7pm.[eventbrite for free tickets]

25/10/2022  7pm Launch of In the Blood  in discussion with writer and literary critic Jude Cook, with readings by actor Lisa Rose at the Embassy of the Czech Republic. Hosted by British Czech and Slovak Association, the Czech Embassy, the Czech Centre London and Lutyens & Rubinstein bookshop. [tickets £10]
01/11/2022 6.30pm a joint event at Keats House for How to be a Tarot Card (or a Teenager) and In the Blood with readings from actor Carrie Cohen free tickets
24/11/2022 6.30pm at Keats House Launch for Routes by Rhiya Pau.
29/11/2022 7.30pm In Words are helping us celebrate our 10th Anniversary and the launch of Routes by Rhiya Pau, with an online showcase of 4 of our recent poetry books: Routes, How to be a Tarot Card (or a Teenager), A Pocketful of Chalk and Paper Crusade. This will be on Zoom. To access, contact In Words.

Reviewers! Bookshops! Advance Reader Copies coming your way

Reviewers and Bookshops… we will be in touch shortly to offer you one or more of the following Advance reader copies. If you know you are not on our list and are interested, give us a shout. These are like gold dust, so first come first served!

How to be a Tarot Card, (or a Teenager) by Jennifer A McGowan, cover by Tom Charlesworth. (Poetry inspired by tarot and personal history)

In the Blood by Anna Fodorova, cover by Phil Barnett. (Novel: families, secrets, Holocaust survivors, Czech revolution)

Routes by Rhiya Pau, cover by Suman Gujral (Poetry: Families, Partition, Ugandan Asians)

 

 

 

Zed and the Cormorants: listen-along audiobook challenge

Here it is! Our first ever listen-along audiobook challenge.

Starting on Sunday 24 October, we invited YA readers to listen to a section of the Zed and the Cormorants audiobook, every day for a week. Each day we release exclusive Zed-inspired creative activities – from word searches to author videos, book club questions to crafts.

Bookmark this blog post and follow @ArachnePress on social media for extra content too.

Day 1 – Sun 24 Oct: Listen to Chapters 1 – 4 (inclusive) of Zed and the Cormorants, then:

Day 2 – Mon 25 Oct: Listen to Chapters 5 – 11 (inclusive) of Zed and the Cormorants. While you are listening, pay particular attention to the descriptions of the cormorants.

“Zed watched it untuck its neck and raise itself up through an ‘S’ bend to form one almost straight line from yellow beak to glossy black tail. Then, with a little shudder, its wings unfolded and started to pulse: huge black wings with three layers of feathers, the bottom ones spreading out like a fan. And it was off too, raising itself vertically before flattening out and beating its way across the river. One long black wing angled down to the water, where with every stroke it seemed to brush its grainy reflection.”

“Its body was so sleek it looked like it had been painted in jet black oil, with a sheen of metallic purple or green, depending on the way the light fell when it twisted his head. Its eye was definitely green though, a shiny emerald bead.”

After listening:

Day 3 – Tues 26 Oct: Listen to Chapters 12 – 16 (inclusive) of Zed and the Cormorants, then: 

  • Try baking a recipe from the book! Bread, buns, cakes and scones abound in Zed and the Cormorants as Zed’s dad tries to establish his own bakery. Here are some simple recipes to recreate similar treats to those mentioned in the book:

Cornish Saffron Buns

Easy Tomato and Olive Twists

Not-quite-Cornish Apple Cake

  • Pay attention to the conversations between Zed and Tamsin in these chapters of the book – particularly noticing how their dialogue is evolving from when they first met. Can you recall what you spoke about when you first met your best friend? Try and remember, or imagine, what the conversation might have been like and write a short dialogue scene.

Day 4 – Weds 27 Oct: Listen to Chapters 17 – 22 (inclusive) of Zed and the Cormorants, then: 

  • Read a blog post by author, Clare Owen about Writing Fear in Zed and the Cormorants
  • Log on to Twitter this afternoon and take a look at our book club questions. Discuss them with your friends or family, think about the questions yourself or join in with the conversation by tweeting us your thoughts!

Day 5 – Thurs 28 Oct: Listen to Chapters 23 – 28 (inclusive) of Zed and the Cormorants, then:

Day 6 – Fri 29 Oct: Listen to Chapters 29 – 34 (inclusive) of Zed and the Cormorants, then:

  • Find a jam jar and some craft supplies to make a decorative chalice like the one Amy and Zed take down to the boathouse, or colour and decorate the jar on our drawing challenge worksheet. Visit our Instagram page to see a chalice we made earlier!Decorative Chalice

Day 7 – Sat 30 Oct: Listen to the final Chapters of Zed and the Cormorants, then:

You can download or purchase the Zed and the Cormorants audiobook from audible.

See the full schedule of listen-along activities here.

And now for some GOOD News

We could all do with some cheer in the bleak days of January, especially this year, so courtesy of Arts Council England, we are here to do just that.

We are the proud and happy recipients of a £45,000 grant from Arts Council England

This will pay for our next ten books, and (drum roll) audio books! Which means we can smack Covid on the nose by providing another way to enjoy our books without leaving home, and provide some work to actors who aren’t allowed into a theatre just now. I’m anticipating it will also be huge fun. Putting the plans together now with our audiobook partner Listening Books

Thanks to everyone who gave us their thoughts on whether this was the right way to go. It’s one of the fastest growing sectors in literature, but it’s tough to get right, and harder still to market, so the funding will also pay for …

A part-time marketing person, and a (separate) part-time admin person for a few months, so that I can concentrate on finding and supporting new writers and guest editors. We will be advertising these posts very soon. They will be remote working, so if you think that could be you, start polishing your CV, but don’t send anything until you see the advertisment please!

The Books

The books that are being supported by the ACE grant are:

This Poem Here – Poetry collection by Rob Walton (Just the audio book, as we’ve already done the rest)

Zed and the Cormorants -YA Novel by Clare Owen, illustrated by Sally Atkins. We are talking to Sophie Aldred about reading the audio book)

100neHundred -100 x 100 word stories by Laura Besley

Incorcisms -short, strange tales by David Hartley

Accidental Flowers -Novel in short stories by Lily Peters

Strange Waters -Short Story Collection by Jackie Taylor

Jackie

A Voice Coming from Then – Poetry collection (illustrated with collages) by Jeremy Dixon

An Anthology of poems and short fiction from UK based Deaf writers (no title yet) edited by Lisa Kelly and A N Other

Lisa

An Anthology of poems and short stories from UK based Black, Asian and Minority Ethnic Writers (no title yet) edited by Laila Sumpton and Sandra A. Agard

Solstice Shorts 2021 Anthology (provisional theme: time is running out but we’ll come up with a better title!)

Arachneversary – The Dowry Blade – Cherry Potts

Author Cherry Potts talks about and reads from her lesbian fantasy epic, The Dowry Blade.

You can buy the book from our Webshop

Throughout August, this book is discounted with code ARACHNEVERSARY.

 

ARACHNEVERSARY – Alex Smith – Devilskein and Dearlove

Editor Cherry Potts talks about Devilskein and Dearlove a young adult novel by Alex Smith, which was nominated for the Carnegie Medal on 2015. Includes Q&A with the author, animated trailer by Nick Page and a couple of readings by actors Greg Page and Peter Noble.

You can buy Devilskein and Dearlove from our Webshop. Use the discount code ARACHNEVERSARY at the checkout throughout August.

National Coming Out Day 2019

11th November is National Coming Out Day. We like to tie in our LGBT titles to this day when we can. (Or history month in February!)

Yesterday we published Let Out the Djinn, by Jane Aldous, and tomorrow we are launching this delightful debut collection of poems in Edinburgh.

Not in Edinburgh? buy a copy here!

 

Three years ago we published Outcome by Tom Dingley to coincide with Coming Out Day, and we have now permanently reducing the price of this book of 80 photographic portraits buy your copy here for £15

Other LGBT poetry titles:

In Retail front cover copy In Retail, poems from Jeremy Dixon (just going into a second print)

9781909208537 A Gift of Rivers, Kate Foley

dont touch garden books The Don’t Touch Garden, Kate Foley

foraging-front-cover-copy Foraging, Joy Howard

Bryant, Cathy, Erratics, front cover Erratics, Cathy Bryant

LGBT Fiction

The Dowry Blade FRONT Cover final The Dowry Blade, Cherry Potts

CPotts_MosaicofAir front Mosaic of Air, Cherry Potts