Love Audio Week: Accidental Flowers

“A fascinating and imaginative vision of the future, built on the foundations of our current climate crisis. You get to follow the overall story from multiple view points which allows multiple other issues to be delicately explored through a variety of characters.

A really pleasant surprise from a book I hadn’t heard of! I would recommend it to anyone wanting an interesting, entertaining and thought provoking read.” Audible Review

Our #LoveAudio post today is an extract from the audiobook of Accidental Flowers, a novel in short stories by Lily Peters.

This title was another multi-voiced audiobook. The clip above is narrated by Beth Frieden and we also got to work with several other fantastic voice actors and narrators, including Tigger Blaize. Tigger said:

I loved playing Robin [in Accidental Flowers]! With each role like this, we get closer to having a trans cannon of stories and characters. It’s a brilliant book with a real mix of voices.”

#LoveAudio is the Publisher’s Association annual week-long digital celebration of audiobooks is designed to showcase the accessibility, innovation, and creativity of the format. Follow the hashtag on twitter.

Love Audio Week: 100neHundred

One of the most interesting things about publishing our titles as audio books is when we are working with anthologies and collections that need a multi-voice approach. This creates the challenge of finding authentic, representative voices for each story or poem within the collection – without having to recruit a cast of thousands! 

Today for #LoveAudio week we are sharing an audio excerpt from one of the most multifariously voiced books we have ever published: 100neHundred by Laura Besley is a collection of 100 stories, each of exactly 100 words. We’re delighted to share two stories from this brilliant book, one read by Cornelia Colman and one by Shubhita Chaturvedi:

The book gives the reader the feeling of voyeurism as if we are taking a glimpse behind the curtain of lives unraveling, of decisions being made behind closed doors, of peeking at the most intimate of moments. It’s melancholic, heartrending, hard hitting and joyous all in one!” Ross Jeffrey

#LoveAudio is the Publisher’s Association annual week-long digital celebration of audiobooks is designed to showcase the accessibility, innovation, and creativity of the format. Follow the hashtag on twitter.

Love Audio Week: Incorcisms

For #LoveAudio week today we have an unsettling tale by short story writer David Hartley, read brilliantly by Margaret Ashley.

Margaret is an actress and multi-nominated voice actor – she is currently nominated for the Best Radio Drama Performance in the 2021 OneVoice Awards – and we are delighted to have had the opportunity to work with her on several of our recent audio books.

This is ‘Mothering’, from Incorcisms:

 

 

”David Hartley’s tiny fictions are elusive and teasing and true. They’re like the fading echoes of dreams you struggle to remember when you wake up in the morning – the bits that you know didn’t quite make sense, and made you feel strange and a little unnerved, but you knew were important, so important, if only you could hold on to them forever.” – Robert Shearman

#LoveAudio is the Publisher’s Association annual week-long digital celebration of audiobooks is designed to showcase the accessibility, innovation, and creativity of the format. Follow the hashtag on twitter.

Love Audio Week: Strange Waters

This week is #LoveAudio week, an annual celebration of audiobooks. As audio is still quite new to us, this is the first year we’ve joined in with the campaign. To celebrate, we are excited to share excerpts from several marvellous Arachne Press audiobooks, almost all of which are 2021 releases, created thanks to a grant from Arts Council England and in partnership with Listening Books.

To kick off, here is the opening story from Jackie Taylor’s upcoming Strange Waters, a collection of short stories set in Cornwall, that take in modern life, ancient mythology and our future in the face of coastal erosion.

This is fresh from the edit so has never been heard before!

 

 

We are delighted to have actress Sophie Aldred narrating Strange Waters. Sophie has had plenty of practice with her Cornish accent, as she also narrated Clare Owen’s Cornish Gothic YA, Zed and the Cormorants, for us earlier this year. You can hear a first chapter extract of this audiobook here.

If you enjoyed this extract, then please join us, Jackie Taylor, Sophie Aldred and other guests on the evening of Thursday 29 July, for an online launch with readings from Strange Waters. Tickets are free, or £10 (+ a small postage fee) to include a copy of the book, and you can register here: https://www.eventbrite.co.uk/e/book-launch-strange-waters-by-jackie-taylor-tickets-161905442537

#LoveAudio is the Publisher’s Association annual week-long digital celebration of audiobooks is designed to showcase the accessibility, innovation, and creativity of the format. Follow the hashtag on twitter.

 

Submission call for UK Deaf Short Story Writers and Poets for ‘Movement’ anthology

BSL version of this page signed for us by Marcel Hirshman of WealdBSL

DEADLINE EXTENDED TO FRIDAY 23RD APRIL 23:59

Arachne Press is planning an anthology of fiction and poetry by Deaf and hard-of-hearing writers, which will be produced as a printed book, an eBook and a series of videos. The eBook will contain links to the videos, which will also be on the Arachne Website, and probably YouTube.

Our editors are Lisa Kelly (co-editor of Magma 69, The Deaf Issue; co-Chair of Magma Poetry, first collection A Map Towards Fluency published by Carcanet) and Sophie Stone (RADA trained Actor, Writer: Paine’s Plough, The Bunker, BBC Radio 3 and Co-founder of DH Ensemble theatre Co)

We have chosen the theme of movement, to fit with our overarching theme for this year and next, of ‘maps and mapping.’

You can interpret this however you want,  and we’ve been thinking about movement as communication and connection, mobility, and stillness, being moved emotionally, movement within and after Lockdown, freedom of movement, and being part of a political movement – so we are open to all your ideas… Except! NO Erotica, horror, gratuitous violence, sexism, racism, or homophobia.

We actively encourage submissions from underrepresented voices, including ethnically diverse writers, LGBTQ writers, writers with experience of multiple socio-economic deprivation and women writers.

You can apply in written English, or by video in BSL, SSE or whatever UK based form of sign you wish; or in writing and sign. We will pay royalties, and there will also be paid work translating/performing the BSL output from this project.

We will be translating everything that arrives signed into English, and we will also be translating everything that arrives written, into BSL. We will discuss with you in detail so that we get these translations right.

If your work is chosen and you want to do the signed version yourself, it will depend on the state of lockdown, and on your own technical skills with a camera; we will do our best, but we don’t want to put anyone at risk. If you don’t want to sign your own work, or it isn’t possible due to lockdown etc,  we will use a signing Deaf actor/translator.

For the submission just use a phone to video yourself and send us a file no bigger than 400mb. If your file is larger, let us know and we will arrange an alternative method.

You can send us one story of up to 2000 words/15 minutes of signing, and up to 3 poems around 650 words/5 minutes each which total up to 2000 words/15 minutes of signing, or 1 poem and 1 story.

We would prefer that the work be unpublished, but if you have published something that is a perfect fit, we will consider it, provided you hold the copyright.

Publication planned for November 2021

All submissions via https://arachnepress.submittable.com/submit, where you can also find submission calls for Global Majority writers,  should that apply to you.

Arachneversary Departures and the Story Sessions

Editor Cherry Potts talks about Departures, an anthology of short fiction and poetry, and the events that inspired it – The Story Sessions, the live literature event that ran for three years. Complete with archive footage from the story sessions, and video from the launch of the book.

This book is available from our Webshop,

and you can get a discount throughout August if you add the code ARACHNEVERSARY at the checkout.

ARACHNEVERSARY Dusk

Cherry Potts talks (to Ness Owen, briefly) about the most ambitious Solstice Shorts Festival ever – Dusk – A Wave of Words Across the UK travelling at the Speed of Dark as dusk fell, to twelve sites from Ellon in Aberdeenshire, to Redruth in Cornwall on the shortest day of the year.

You can buy the book from our webshop

use code ARACHNEVERSARY to claim a diiscount in August only.

Check out our series bulk buy offers

The Spider has landed

box of spiders

Traditional box of books image: No Spider Harmed in the Making of this Book has arrived.

We did think about delaying this book, what with the Covid situation, but thanks to the power of multiple authors, (Anthologies are so handy that way) we were able to garner enough pre-orders to pay up front for the printing, thus minimising the risk of the books sitting sadly at the distributor with nowhere to sell them.  And I have to say TJ International have done a brilliant job, and Karen Boissonneault-Gauthier‘s cover looks BEAUTIFUL.

It’s Independant Bookshop Week, this week by the way, and lots of bookshops have just reopened, in a careful socially distanced way, so you could order a copy through your local indie, or you can order from us.

There will be an online launch on 8th of August, when we will be celebrating our Eighth Anniversary. (Technically a few days before, but all those eights lined up and called to me.)

Bookshops, place your order with NBNI or via Inpress.

Those of you who have already ordered – there are a LOT of you, and we are prioritising the overseas orders to ensure everyone gets their books before publication day – and when I say ‘we’, I mean me and the cat, who lovely though he is, doesn’t help much in the way of posting stuff, and is more interested in sitting in the boxes when they are emptied, so please be patient, I know it’s exciting, I’m excited, but I can only get so many parcels to the post office at a time.