London Love and Strangeness at Peckham Literary Festival

We had a capacity crowd at Review bookshop for our PLF event: here are some videos of the readings and an audio file of the Q&A.

lies special offerRhik Samadder reading David Bausor‘s O Happy Day: from London Lies, a tale of weddings, street parties and sausages.

Nicky Diss reading Rosalind StoppsHow to Survive the Olympics with a Broken Heart from Lovers’ Lies

and Peter Noble (who stepped in at the 11th hour for which we are VERY grateful) reading Alan Graham‘s Zwo from Weird Lies, a stroy of alienation and B-movies.

The Q&A features all the authors plus Cherry Potts and Katy Darby – editors of the anthologies, talking about writing for Liars’ League, having stories read aloud, arguing, editing, Liars’ League attempts to take over the world, and our massive ignorance on the short story scene in Canada!

Thanks to all our readers, authors, audience and especially Evie Wyld (who didn’t even get to hear the stories apart from the monster roars through the floor) and Review Bookshop for hosting.

Misty Moon Preview of Weird Lies – the video

We had a spectacular evening at Misty Moon last night. Thanks to Stuart for hosting,and to all our lovely readers for making the stories shine (and for bringing a Doctor Who element to the proceedings!)and the authors for writing such brilliant material in the first place … and the audience for showing up and buying books and laughing so much.

Stuart has asked us to make it a regular date – quarterly to start off with so the next one will be Sunday 29th September, just after we publish Weird Lies and Mosaic of Air.

If, having watched the videos, you want to help Arachne Press publish Weird Lies you can contribute to the funds by preordering or by contributing to our kickstarter campaign.

Sophie Aldred reads Content Management by Derek Ivan Webster (from Weird Lies)

Alistair Lock reads Zwo by Alan Graham (from Weird Lies)

Ray Newe reads ChronoCrisis 3000 by Andrew Lloyd-Jones (from Weird Lies)

Cliff Chapman reads A Time and Place Unknown by Jason Jackson (from Lovers’ Lies)

There’s no video of Cherry Potts reading The Bone Box, from Mosaic of Air because a button didn’t get pressed on the video (that’s the sort of thing that would happen in ChronoCrisis 3000).

© Arachne Press 2013

Sophie Aldred to read at Misty Moon Weird Lies Preview

In Ladywell, in Lewisham there is an old tavern… and behind that tavern is a coach house… and in that coach house is a gallery… with a bit of a fondness for horror movies, ghostly tales and the other things of weird ilk… so no surprise they are friends of Arachne Press, then.

Arachne Press will be reading one of the more bizarre stories from Lovers’ Lies and a couple of previews from Mosaic of Air and the very strange Weird Lies at Misty Moon Gallery, Ladywell Tavern SE13 7HS, on Sunday 9th June 6-9pm

We will be reading:

Content Management by Derek Ivan Webster (read by Sophie Aldred)

A Time and Place Unknown by Jason Jackson (read by Cliff Chapman)

ChronoCrisis 3000 by Andrew Lloyd-Jones (read by Ray Newe)

Zwo by Alan Graham (read byAlistair Lock)

The Bone Box  by Cherry Potts from her forthcoming collection Mosaic of Air (read by Cherry)

poster adapted from Kevin Threlfall’s design for the Weird Lies cover.

Liars’ League: Behind the Scenes, Part 3 – The Event Itself! A guest blog from Liam Hogan

Previously (i.e. Part 1 and Part 2) : five amazing stories on the theme of Man & Machine have been selected, polished, paired with our super-talented actors, and rehearsed. So all we need to do now is have them read aloud on stage to an adoring audience, right?
Well, as ever with Liars’ League there’s a little more going on behind the scenes than that! And with this wrap up piece, I also want to credit anyone I have neglected to mention so far. First up for that treatment, is Gaurav Sarin who does the art work for the League’s posters. You can see more of his work here.
After winding our respective ways home from the rehearsals, the actors take their much-scribbled-upon notes and practice their respective Indian/German/Afghan/Machine accents, or make sure they don’t trip up on that key section which happens to also fall on a page break. Katy Darby, founder and Liar Almighty, collects and collates the author and actor bios to create the highly desirable (they all go) event programmes, and updates the Facebook pages as well as ensuring the video and audio recording devices are ready to immortalise the event via Podcast and YouTube channels. Also available via the Liars’ website, of course!
Meanwhile, yours truly, host and backstage photographer for the event, dashed out Part 2 of the blog, before cobbling together his customarily whimsical introduction and a set of fiendishly geeky questions for the Infamous Liars League Book quiz! Ooh …
The doors of our lair beneath The Phoenix opened at 7pm, but the Liars Dissemble (geddit?) a little earlier than that. We have an event to put together, after all …

In addition to a little light room-rearrangement, (good as an actor’s warm up exercise) we run through the tops and tails of each story, to make sure the host isn’t completely discombobulated by the simple act of a handover, and we also take the time to feed the always-ravenous Book of Lies: stories go in, but have you ever seen them come out again? No, nor I!
Mind you, that’s not entirely true anymore, thanks to the endeavours of Arachne Press! Cherry and co have already put together two compilations of the best of Liars’ League stories, London Lies and Lovers Lies, and a third – Weird Lies – is on the way.
Even when the doors open, and while the eager audience amasses, the actors are forgoing the temptations put before them (payment for their services in booze – the event’s in a pub, after all) and instead diligently and soberly practice their lines. What LL does is “performed readings”; so the text is in front of the actors on our snazzy Perspex lectern, but even so, they’re all pros who know that holding their audience entranced often means holding their audience’s gaze, despite the bright lights and the occasional rattle of cutlery. (Food is available, and rather good …)

Sabina Cameron copyright Liam Hogan

With the room chock full, extending even to the distant far corners, the lights dim, the music quietens, and my big moment arrives – the chance to “Talk like a 1980s robot”. Obviously (thankfully?) this opportunity does not come up very often, and I wasn’t going to miss out … Then, with phones silenced, and audience wondering when I was going to let someone on who knows what they are doing, it was my sincere pleasure to introduce Sabina Cameron to the stage, to read the first story, Duct Tape, Masking Tape, Whatever by (Lovers’ Lies author) Darren Lee.
Now, if you’re reading this blog and you weren’t there, despite my strongly worded advice in Parts 1 and 2: to wit, to attend! – all is not lost, because most appropriately for a Man & Machine theme, Sabina was surrounded by a multitude of recording devices, and if you click the title above it’ll take you through to the Liars page where you can find Video, Audio, and also good ol’fashioned text! (Captured by the fine weave of the textaphone, lower left)

Adam Diggle copyright Liam Hogan

Following Darren’s quirky tale we had Adam Diggle, reading What I am Without by (Lovers’ Lies and Weird Lies author) Richard Smyth. Richard is usually a denizen of Leeds, and ran Liars’ League Leeds from there (easier than running either of the other two offshoots – Liars’ League NYC and Liars’ League Hong Kong from Leeds!) until, after about a year, the Liars’ magic rubbed off on him and he became the world famous author of Bum Fodder – An Absorbing History of Toilet Paper, appearing (aptly enough) on Loose Ends to discuss it with Clive Anderson. And now there’s no stopping him, though alas, this does mean Liars’ Leeds is taking a break.
Richard and his brother James, both of whom have had a multitude of stories performed at Liars’ League and both of whom appear in the pages of the aforementioned and forthcoming Arachne Press’s Liar Anthologies, were hiding out at the back of the room, too modest (or possibly, too late) to grab the front row limelight.

Peter Noble copyright Liam Hogan

Wrapping up the first half was Peter Noble, reading The Archive of Ivan Dragoyevich by (Weird Lies author) Alan Graham. As you can see, even the shadows were channelling the spirit, of the late, great, Ivan Dragoyevich! Or the Monster. Or both. Peter and Alan are League regulars so you can track down their previous stories/readings via Who are our Actors? and Who are our Writers?

You’re smart people – of course you are. Otherwise you wouldn’t be reading this… you KNOW how you get onto our “Who Are Our Audience?” page don’t you? Full disclosure forces me to admit we don’t currently have such a page. But we do have a photo …

Liars’ Audience copyright Liam Hogan

There they are! Don’t they look like they’re having a blast? Next time, it could be you! This is during the interval, of course, with the house lights up. Can’t see a soul out there during the intros/readings/book quiz. Fortunately we have very good echolocation…

Saul Reichin copyright Liam Hogan

Henrietta Clemett copyright Liam Hogan

And after the Infamous Liars’ League book quiz (example (trick) question: “What is the name of the time traveller in HG Wells’s The Time Machine?”) in which three brand spanking new books were given to three highly intelligent and attractive audience members, it was time for the second half, kicked off by Saul Reichlin reading The Car Mover by Rosanna Boscawen.
Rosanna is a new author to the Liars stable, which is humungous, and multinational, and quite simply amazing, as it only includes authors who have had a story read by the League. (Well, yes, I suppose I might be in there somewhere…)
Ending the evening on a predatory note, was Henrietta Clemett, dressed for the Afghan plains, reading The Love Song of the Predator Drone by Owen Booth. I might have mentioned accents previously; Henrietta’s included Ahmed the classical historian/goatherd and the embedded German war philosopher Sabine, a character with whom at least one audience member immediately fell in love …
And that, ladies and gentlemen, brought the evening, and brings this blog, to a rapid close. I won’t mention the hours spent, post-event, making sure the actors, authors, and hosts drank The Phoenix dry (or drier, at the very least) and all the other people who stuck around afterwards, to bask in the glow that comes from another successful event. Intrigued? Excited? Inspired? Visit the Liars’ League website, sign up for our Facebook page, follow the Liars, or tootle your email address over and we’ll do all the work, keeping you informed twice a month, just before each event, and just after the web is updated with all those glorious stories! (Another of Katy’s Herculean tasks …)

We’ll be back, sans blog, for Kings & Queens on the 11th June, and you writers out there, you have until 2nd June to get your 2000 word (or shorter!) stories in on Hope & Glory – July’s theme. Write for us. Read for us. Or sit back and let us read to you. And like the motto says, Everybody Wins!

Liars’ League: Behind The Scenes, Part 2 – The Rehearsals! A guest blog from Liam Hogan

A quick recap (or, heck, you could go read the whole of Part 1): from a field of 45 submissions five brilliant stories battled triumphantly through the Liars’ strenuous selection process, and with the help of a little light feedback (a nip there, a tuck there) are in fine fettle and ready to be paired with five wonderful actors from the Liars’ stable. Or is it an “unstable”? What IS the collective name for the over a hundred actors on the Liars’ books?

It is this wonderful resource that is the unique and enviable raison d’etre of Liars’ League; it was the happy marriage of a desire to see short stories read to their fullest impact, and Katy Darby and Tim Aldrich’s links to the acting fraternity, that lead to the foundation of the League, and is still the reason why it works so well. Great stories, read by pros. This is where the magic begins!

Katy does a call out to all of the actors; who’s available for both rehearsals and performance? (Pesky actors, sometimes they get like, y’know? paid work!) Who can do both a German and an Afghan accent? If it’s a first person story, who (as far as possible) embodies the narrator – the essence – of the piece? We are fortunate indeed that our actors cover a wide range of ages and types, of backgrounds and accents.

The nature of the event – performed readings – attracts talent from the worlds of voiceover (such as recent VOX 2013 Best Female Voiceover Artist winner Louisa Gummer) and audio books (such as Saul Reichlin, the voice of Steig Larsson’s novels on audio, who’s reading on Tuesday! TODAY), as well as more traditional acting forms, and we welcome them all! If you’re an actor interested in performing for the League, see So, you want to read, then, do you?

Once the actors have had a chance to read the stories, it’s time for the Man & Machine rehearsals!

WARNING: This is an artist’s impression. Actual rehearsals may not be quite as civilised…

So, on Sunday night, fighting grey skies and a Northern line reluctant to carry anyone anywhere, we descended upon the oft-used Kentish Town kitchen of the long-standing Liars’ patron mysteriously known only by a single initial – Q. We encourage and prefer it if the authors can turn up as well, but sometimes their input is limited to a few guideline comments, delivered from afar. (Or “Leeds” as it is sometimes known).

First up for the rehearsals was “The Love Song of the Predator Drone” by Owen Booth (here!), to be read by first time Liar actor Henrietta Clemett. Henrietta has been on the Liars’ books for a while – heads were scratched as to where and when she had her audition; we think it might have been at the Wheatsheaf (the previous Liars’ venue, before we outgrew it). She quickly found her feet and even Owen’s lengthy sentences were no match for her German and Afghan accents.

As she read, Katy and I chipped in directions and suggestions while Owen sat in the corner laughing at his own jokes … Some of the suggestions needed a small amendment to the text – a repeated word here, a need for a pause there, or in one case me getting entirely the wrong end of the stick (silly me), though others kindly agreed that perhaps I wouldn’t be the only one. Being read to is a very different beast to reading the story yourself, and you don’t have the chance (it would somewhat destroy the flow) to ask the actor to repeat a line you didn’t quite get. A quick on-the-fly edit by Owen later removed the possible obstacle, and on with the reading.

Different pieces pose different challenges to the actor-readers. The second rehearsal (What I Am Without by Richard Smyth (Not here!), read by Adam Diggle) raised a perennial difficulty; how the audience can distinguish between the various voices when there is only one reader. In this case made doubly complicated because the narrator was… well, no, I won’t spoil the surprise! Adam had read for the Liars’ at a related event, (Willesden Herald Short Story Prize) but this too would be his first Liars’ League event proper. Naturally, he aced it, but as mentioned in the selection process blog, it is in matters of voice that some good stories prove to be well-nigh unperformable. Occasionally – when the  story is strong enough – we cheat, and drag two actors up onto stage, but that really wouldn’t have helped in this case – you’ll see what I mean when you come watch the show TONIGHT – you ARE coming, aren’t you? Or, if you find this blog in some distant and hazy future, seek out Part 3 for links to the recordings.

The third rehearsal was “The Archive of Ivan Dragoyevich” by Alan Graham (here!), read by Peter Noble. Both Peter and Alan are Liars’ League regulars, and by some strange mind meld thingy, were in perfect synch as the story began.

Like a misaligned video/audio track though, some issues came up as the story proceeded, and as we sat trying to imagine ourselves into the deeper and darker scenarios that Alan had created, well, I for one was thankful for the creature comforts of a cup of tea and a Katy Darby baked cake …

The two remaining stories were rehearsed before and after the traditional Sunday session, (due to actor availability) so this was a short rehearsal for us – giving those who needed to brave bus replacement services a chance to do so with relative impunity. The only thing that remained, official business wise, was to decide the running order.

Those of you who have been to Liars’ nights before know we like to end on a high. usually with a comic story, but there is much more to it than this. With three stories in the first half and two in the second, we’re looking to give you an emotional and literary roller coaster. Our stories for this theme include horror and humour, dark and light, short and long, fantasy and gritty realism. After much debate, the running order will be:

Duct Tape, Masking Tape, Whatever by Darren Lee (Lovers’ Lies author), read by Sabina Cameron
What I am Without by Richard Smyth (Lovers’ Lies author), read by Adam Diggle
The Archive of Ivan Dragoyevich by Alan Graham (Weird Lies author), read by Peter Noble
The Car Mover by Rosanna Boscawen, read by Saul Reichlin
The Love Song of the Predator Drone by Owen Booth, read by Henrietta Clemett

Unless of course, it isn’t.

The next blog, Part 3, will detail the event itself, but really, the biggest favour you could possibly do yourself, is to turn up on Tuesday TODAY!!! at The Phoenix, Cavendish Square and watch it live!

© Liam Hogan 2013

Liars’ League: Behind The Scenes, Part 1. A Guest Blog by a London Liar

Hello and welcome back to Liars’ League! Oh, you’ve not been here before? Well, it’s simple enough. As the motto says, Liars’ League is where Writers Write, Actors Read, Audience Listens, Everybody Wins. Each month we select the very best stories submitted on a theme, match them up with our carefully-chosen stable of talented actors, and then read them aloud to you, the story-hungry audience, at a pub in central London. We’ve been doing it for six years, and we tell the “Lies” in London Lies and Lovers’ Lies – these being anthologies of stories previously read out at Liars’ League, and published by Arachne Press; hopefully there will be many more such collaborations to follow.

Let me introduce myself a little more fully. My name is Liam Hogan, and by sheer bloody-minded persistence, (I sent the Liars a story every month for about five years) I was inducted into the League as a Writer Liar six months ago. We also have Actor Liars, and Liars Almighty, (also known as “Katy”s), without whom none of this would be possible.

In a series of three blog posts, I’m going to give you an exclusive glimpse of what happens behind the scenes of our monthly event, from the “There can be only five! (or six)” story selection that is Part 1, through the tea and biscuit fuelled rehearsals process, and concluding with the event itself. This is a rare opportunity and privilege, as the Liars are naturally rather secretive creatures, and even I am not permitted to show you everything. The pit into which two deadlocked stories are cast to fight it out to the bitter death for instance, can only be alluded to in hushed tones and by secret signals …

This month’s Liars’ League, on the 14th May, is themed on Man & Machine. (Future themes are available on the Liars website) At the close of the deadline on 7th April we had 45 submissions. This number varies, some themes are more popular than others, but the trend is definitely upwards, which shows we are onto a good thing! One of the 45 – of course – was mine, (I am a Writer Liar, after all) but when the stories are sent on to the League members for selection, the names are removed so that no-one knows which story came from which author.

The basic method of voting is simple – each Liar selects their favourite five. Their favourite five, that aren’t written by them, alas … Then the total votes for each story are totted up, and through the miracle of the democratic process five winning stories – or sometimes six, if two are short – emerge.

And this is where having a League of comprised of Writer Liars and Actor Liars pays dividends, because when the votes are collated, the ones selected will not only be the best stories to read, but also (and for Liars’ League, more importantly), the best to perform. If you’re an author looking for advice on how to get the Liars to pick your work, remember that! Some very good stories don’t make it: either because they’re too difficult for a single actor to read (too many disparate voices perhaps) or simply because they’re not sufficiently on theme. Check out Niall Boyce’s advice, or browse and read the winning stories from past themes for a flavour of what we like.

Usually there will be one or two stories that have enough votes to secure their place outright, but there will also be a larger number on equal votes from which the other stories must be selected. Enter the pit of …

No, no, not quite yet. You see, while the Liars vote for their top five, they may also give as many “honourable mentions” as pleases them. These can and are used as deciding votes and will usually be enough to carry some stories through. But this is also a time for Liar Almighty discretion; some stories may perhaps be more suitable for another theme, or we might have two stories too similar to be included in the same bill of fare. While all stories are chosen on merit, we still have to have a balanced evening’s entertainment.

Only after these considerations is the pit employed. It’s an ugly spectacle, leaving a single victor, dripping black ichor and shredded sentences over the lifeless body of its adversary. Sometimes the victor will require patching up before it is fit for the event (in other words, we might send it back to the author for a light edit).

And then finally the deed is done.

White smoke emerges from the Liars’ lair, and we have five stories ready for the next gruelling stage – the rehearsals. The successful stories are reunited with their delighted authors and an announcement is made to the hushed, expectant crowds waiting patiently for news. Here then, are the winning stories for Man & Machine :

What I am Without by Richard Smyth (Arachne Press author – Lovers’ Lies and the forthcoming Weird Lies)
Duct Tape, Masking Tape, Whatever by Darren Lee (Arachne Press author – Lovers’ Lies)
The Love Song of the Predator Drone by Owen Booth
The Archive of Ivan Dragoyevich by Alan Graham (Arachne Press author – the forthcoming Weird Lies)
The Car Mover by Rosanna Boscawen

Only one other task remains, which is where my submission comes back into it. (You hadn’t forgotten I’d entered one, I hope?) All the stories that got at least one vote were thought by a highly qualified and extremely dedicated Liar to be a Top Five story, so even though it may not have made the final cut, it’s still a story we liked from an author we’d like to encourage. Stories with votes earn feedback from the Liars who voted for them, (which may seem odd, as we have to kind of work out why we think the other Liars did not vote for it, but at least we’re likely to say nice things!) and are passed back to the authors, including me.

The next blog, (Tentatively called “Part 2”…) will detail the black art of matching actor to story, and the tea and biscuit fuelled rehearsal process. Stay tuned.

And do please clear your calendars now, for the Event itself, Man & Machine, 14th May, The Phoenix, Cavendish Square , Doors at 7pm!