Discovering ourselves in soil and sky on National Poetry Day

It’s National Poetry Day and the theme this year is The Environment. To celebrate, we asked poet Claire Booker about her relationship with the natural world, and the way she represents it in her new collection, A Pocketful of Chalk:

I can’t remember a time when I wasn’t in awe of the natural world: its endlessly creative
hutzpah; the refreshing disinterest it has in our little human concerns.

A Pocketful of Chalk came together from what I could see was a build-up of poems
connected to natural phenomena. By nature I also include the dream world, which arises
from our inner natures. Dreams are forces inside us which we ignore at our peril, just
like the forces outside us.

Five years ago I moved to the village of Rottingdean just outside Brighton in East
Sussex. I’d spent three decades living and working in south London, which is
particularly blessed with woodland and open spaces. Urban nature is a force for change,
because it offers millions of people a relationship with the wild which they wouldn’t
otherwise have. By virtue of its fragile hold within the city, urban nature is also a potent
symbol of what we’re losing.


Moving to a rural, farming area, placed me right in the middle of wildness (it can get
pretty wooly up there on the Downs if a storm’s coming!). But even this wildness is
under threat. During this year’s drought, the wheat fields were scorched, newly planted
woodland saplings dropped their leaves, there were tiny, misshapen black berries. Then
the rains came in biblical proportions, and top soil was lost.

As humans, we’re in a unique position. We’re part of nature, but also the enemy outside
its gates.

So what, as a poet, can I do about this? Very little, in reality, but even that little is worth
going for. Poetry can take you to the heart-beat of emotion. It can remind people of
what they’ve lost, or fear losing, or want to fight for. Above all, poetry offers quiet
contemplation, an enrichment of understanding – questions that could do with answers,
answers that need questioning.

The environment is us, it’s our relationship with each other, made manifest. We live in a
rushed, frenetic, some might say, frantic world. Poetry can help us draw breath, stop,
consider, appreciate. I find that by simply walking along the sea front, or up on the
Downs, the world starts to unravel a little. I get to see the same places over and over
again. But of course, they’ve never the same place more than once. And when I feel a
poem start to pupate, I pick up my pen. Learning about the planet, is learning about
myself.

So in A Pocketful of Chalk, there are poems about evening shadows on the Downs, and
how we can be stretched by light. There’s a poem about drought and how the loss of
plants is like losing children. There’s a young child who is impatient with her little
radish patch, but then flings herself onto the soil to listen to the seedlings grow. There
are poems that are fantastical, apocalyptic, about a drowned world, and others that look
at rain as a flow of emotions. Some of the poems are persona poems where I imagine
what it’s like to be a wild creature. I find it fascinating to try and enter a world without human parameters. After all, the best poetry leaves ego behind, and that’s always worth
striving for.

At times, in the face of the night sky, or mesmerised by a murmuration of starlings,
even the idea of writing can seems absurd. The very first poem in the collection,
ironically, is about just that. When you’ve seen the “the impossible exactness” of a
Marbled White butterfly, words can seem a pointless add-on. As Ted Hughes wrote in
Poetry in the Making: “It is not enough to say the crow flies purposefully, or heavily, or
rowingly, or whatever. There are no words to capture the infinite depth of crowiness in
the crow’s flight.”

So that’s the challenge. To be part of nature, yet at the same time its observer and
protector. Poems live as much between the lines as in them – surely an ideal medium for
expressing such a paradox?

Not crows, but herons… watch Claire Booker reading Grey Heron at the launch of A Pocketful of Chalk:


#NationalPoetryDay is the annual mass celebration on the first Thursday of October that encourages everyone to make, experience and share poetry with family and friends. www.nationalpoetryday.co.uk

National Poetry Day: special Announcements – planned books

Hello poetry lovers.

To celebrate National Poetry Day we have a special offer, some events and an announcement or three.

For today only our anthology of long narrative poems  The Other Side of Sleep is on offer at £5 (reduced from £9.99) if bought direct from us online

If you are at Free Verse Poetry Book Fair on Saturday at Conway Hall come and say hello – we have a stall, and are reading at 4.30 in the Garden Cafe on Red Lion Square (Lisa Kelly, Math Jones, Sarah James and Jeremy Dixon)

or the BBC’s Strong Language Festival in Hull (drop by the pop up poetry bookshop today through to Sunday)

You can get a copy of TOSOS for £5 if bought with another Arachne Press Poetry Book at either event.

Looking forward, we have been inviting people whose work we have published in anthologies like TOSOS, to send us their collections.

Quite a few people have, and at the moment we have agreement, in principle, to publish the following

2018

Kate Foley A Gift of Rivers (definite, April)

 

Cathy Bryant The Colour of Not Knowing

2019

Math Jones

The Knotsman

Jeremy Dixon In Retail

We are still toying with the idea of what I think of as a ‘short fat anthology’ – maximum of 5 poets, multiple poems from each – this is aimed at emerging poet who haven’t got enough work for a collection yet – so exciting new voices on the cusp of greatness!

 

National Poetry Day

As it is National Poetry Day I thought it a good moment to give a round-up of all things poetical on the Arachne front: so first up some EVENTS:

Kate Foley reads the long narrative poem The Don’t Touch Garden from her about-to-be-published book of that title with integral music from Sylvia Fairley and Valerie Shelley.
9th October 7.30pm
Woodbridge Library
New Street, Woodbridge, Suffolk IP12 1DT
Tickets £3 (including a glass of wine) Available at the library counter

Buy The Don’t Touch Garden Now

Tuesday 13th October 6.30pm-ish Kate is being interviewed on Resonance FM’s Out in South London Programme, and will be available on podcast subsequently.

Resonance FM

Wednesday 14th October 7pm, Kate Foley will be reading alongside Gerry Potter at Incite poetry, showcasing her more identity orientated poems.
We’ll be there to cheer her on and sell copies of The Don’t Touch Garden and The Other Side of Sleep so if a signed copy appeals, you know where to come…
Free!
The Phoenix Artist Club
1 Phoenix Street (Beneath the Phoenix theatre on Charing Cross Road)
London
WC2H 8BU
(nearest functioning tube Leicester Square or Covent Garden)

Incite Poetry

Some News:

What have our POETS been up to?

Part of the ethos of Arachne Press is to celebrate our authors and poets even when they do something with a different publisher.
So here’s a quick round-up of what they’ve been doing (that we know about, anyway).

Cathy Bryant has just launched her first historical mystery novel Pride & Regicide, a Mary Bennett novel (yes, that Mary Bennett)
Geraldine Green has been combining being writer in residence at Brantwood in Cumbria with a poetry tour of America.
j.lewis has had literally dozens of poems published since his early outing with us with Grass was Taller in The Other Side of Sleep.
Jennifer A McGowan had some good news – but can’t say what until mid-October. Hmm… intriguing.
Kate Foley was runner-up in the Proms poetry competition and had her poem read by the marvellous Carolyn Pickles on Radio 3. The link here is good for a week or so still I think.
Adrienne Silcock‘s poetry pamphlet “Taking Responsibility for the Moon” was published October 2014 and she has been reading from it hither and thither as well as “Rhythms” from The Other side of Sleep. She has just started tutoring creative writing for York University Centre for Lifelong Learning, on a part-time basis,and has instigated a small informal poetry group in Whitby.

Sarah Lawson has translated an exceptionally interesting book The Strength to Say No (La force de dire non) written by Rekha Kalindi with the help of French journalist Mouhssine Ennaimi. Rekha is a  Bengali girl who refused to get married at the age of 11.  . Peter Owen published Sarah’s translation from French in June here, and now it has come out in India with Penguin Viking,

A chance to join in…

Call out still live for Longest Night for the next couple of weeks – poems or short stories for performance on the winter solstice, ( a mini Solstice Shorts event) and maybe an anthology.

Deadline: 21st October 2015 23:59.

And continued call out for the Liberty Tales anthology, on the subject of liberty and or the Magna Carta.

Deadline: 21st December 2015 23:59.

Entry open now via our Submittable Account Sharpen you quills.

We have lift off

The Other Side of Sleep is well and truly launched – Oxford on Tuesday, London yesterday, and Brighton tonight. I’ll keep it brief got to get packed up – come to Bom-Bane’s Cafe George Street Brighton (not Hove, actually, in this case) tonight  8pm (IT’s NATIONAL POETRY DAY) for poems by Elinor Brooks, Jill Sharp, j.lewis, Andrew McCallum, and Sam Small read by Elinor, Jonathan Rice and Kevin Cherry. Plus music from Jane Bom-Bane.

In the meantime compare and contrast two readings of Orion by Simon Brod, the first half from last night at Lauderdale House, the second from Tuesday at Albion Beatnik. We had a great time at both and look forward to a tremendous evening in Brighton.