To conclude our #LoveAudio blog series, here is an extract from the remarkable poetry collection, This Poem Hereby Rob Walton.
Arachne Press Director, Cherry Potts, recently said of This Poem Here: “At the start of lockdown, Rob Walton was responding to the anxieties and absurdities of the Corona Virus crisis by writing poetry. He published a lot of these poems on social media, as real-time responses to the latest news. Watching and enjoying them from afar, I approached Rob to publish them as a book. We were in conversation about this project when Rob’s dad sadly died from Covid. The poems in the collection then took a radical turn, delving into rage, sorrow and grief. I can’t imagine a more appropriate collection to have published in this ‘you-couldn’t-make-it-up’ era.”
Full of tears, laughter, biting political satire and Geordie grammar, these are poems that are meant to be read aloud. Here is ‘And in Lockdown’:
You can also watch Rob Walton reading some of the collection in the video from the online launch of This Poem Here: https://youtu.be/sNijjLH4zB0 (be warned, he made many of us cry!).
#LoveAudio is the Publisher’s Association annual week-long digital celebration of audiobooks is designed to showcase the accessibility, innovation, and creativity of the format.Follow the hashtag on twitter.
One of my favourite moments in the publishing process, arrival of the first batch of books.
These will be going out to the author, Rob Walton, reviewers, and people who place pre-orders with us. You can do that in our webshop. If you want to buy it elsewhere you’ll have to wait until the end of March.
We first spotted Rob’s lockdown poems on his social media, because we follow him as we publishing several of his stories, and a couple of poems, in earlier anthologies.
After reading the first few aloud to my wife, I thought, this has to be dealt with, and enquired over the number of extant poems and how the creative splurge was going, and made an offer. A doesn’t remember all our author’s names, so when I told her we were going to do the book and she said who? my response was ‘What did you do on your first day back , darling? /Lick Yusuf. (1st June) and she knew immediately.
Then Rob went quiet on me, and on social media, and a tentative email revealed a covid related bereavement, shielding and a blaze of more poetry.
The light-hearted, funny and furiously angry observations of how life is lived in the Covid world remain, alongside the personal grief at how lives are also lost.
This book is dedicated to Rob’s dad, Frank Walton, 1933-2020
WooA… a recent member of this writing group asked me how the name came about:
WooA = Writers of OUR age. Apparently, when founding members were on an MA together, amongst much younger writers, they found themselves saying this on a regular basis and it stuck, sometimes the ‘our’ is not emphasised, and we refer to ourselves like this with muted irony.
WooA is where the second Arachne Press title, Stations originated – we used to meet in the Broca cafe just opposite Brockley Station, (I wrote such a lot of food-themed stories then!)
The Overground runs at the bottom of my garden. Before there was the Overground, there was only Southern, but trains went to London Bridge, Victoria and Charing Cross. With the advent of the Overground, the Charing Cross trains were lost, and with them, the possibility of an easy last train home from many favourite central London venues. There was lamenting, there were protests, there was a coffin carried on the very last train. It was epic.
Then there was the disruption: the endless sleepless nights while the track was relaid and the station lengthened and the trees on either side of the cutting massacred. (More protests).
There were the huffy, what use is it? conversations on rush-hour platforms, the disbelieving sneer when told the value of my home would increase, followed by the overcrowding, the noise
…and then there was the eating of words.
Because the Overground is wonderful. It cut ten minutes off my journey to work, it halved the time to get to all sorts of North London places I had given up going to: the Kings Head, the Union Chapel and the Estorick Collection. It made getting to the Geffrye Museum simple. It expanded my horizons. (I’m missing my horizons at the moment!)
I ate my words.
Mentioning this in passing at WooA as we settled for a twenty minute writing exercise, Rosalind said: we should write about the Overground. So we did.
From that twenty minutes blossomed the idea for an entire book, with a story for every station on our section of the line: Highbury & Islington to New Cross, Crystal Palace and West Croydon. So: thank you, Overground, and thank you, WooA.
Over the years, Arachne has published quite a few, although not all, of the shifting membership of WooA. And I continue to go to as many meetings as I can. At the moment these are online, and more frequent than normal, for the comfort of talking – as much about not writing, at the moment, as anything anything else.
We have a few traditions, one of which is to hold a live lit event as part of Brockley Max, our local festival. Of course, that’s gone pfft, like a lot else, but a week ago(?) we got an email saying are you doing anything online that could be part of a virtual Brockley Max?
We weren’t – but – we don’t have a website/Facebook page, anything – well, we could – couldn’t we?
So we are.
At the time and on the date that we would have been doing this live at the Talbot, Arachne Press is hosting WooA (including Arachne Authors, Bartle Sawbridge, Cherry Potts, Joan Taylor-Rowan, Carolyn Robertson and Neil Lawrence; plus Ruth Bradshaw and Innes Stanley) for Open Mind – an evening of stories and poems.
So Friday 5th June at 7pm BST, join us on Facebook: Event / Actual video
or Youtube for Love, Loss, Lockdown, Protest, Playdates, Dancing and DINOSAURS.
*TRIGGER WARNING* reported violence between children about half way through (Neil Lawrence’s story).
Video will be available for a week thereafter on both platforms.