Arachne Press is hoping to publish an anthology of Deaf fiction and poetry in Autumn 2021. We will pay royalties.
Deadline for expression of interest from deaf writers/editors extended.Writers keep telling us about yourselves until Jan 31st 2021. Editors: CV please by 3rd January 2021
Lisa Kelly (co-editor of Magma 69, The Deaf Issue; co-Chair of Magma Poetry, first collection A Map Towards Fluency published by Carcanet) will be one of the editors, and we are looking for another Deaf editor who is fluent in BSL, ideally someone who writes fiction rather than poetry.
We are putting together an application for funding, so that the whole book can be produced as BSL videos as well – this means we need translators and interpreters and video editors… quite a lot of people! But we are starting with YOU the writers.
At the moment all we want is an expression of interest – an email with your name and contact details, any writing credits or performance of your own work. If you have an idea for a theme for the anthology please make suggestions.
Submissions of work will be accepted in English or BSL, from UK writers only, from February 2021 once we know we have the funding. Please don’t send anything now.
We had quite a few of the stories and poems from No Spider Harmed... translated into BSL, but not all of them were ready for the launch. This one is Margaret Compton‘s magnificent inversion of the Arachne myth, Spidergirl. Translated by Marcel Hirshman.
We are currently crowdfunding for this year’s Solstice Shorts Festival, Tymes Goe By Turnes, and if we raise enough it means we can do this with at least some of the stories and poems chosen for performance and inclusion in the anthology. If you’d like to back the crowdfund, Margaret has a story in that one too! At the minute we are at only 11% of out target, and 11 days to go… so we could use your help.
I meant to post this last night, when the video was released on YouTube and Facebook, but I went to sleep for an hour and dreamt I had done it… the best laid plans and all that!
Silas Hawkins is an old Christmas ham with wide experience of voiceover, audiobooks, film and stage. Favorite credits include : all the voices for animated children’s series Summerton Mill, broadcast on CBeebies, Bob the talking cyberdog in Scottish Manga animation Rogue Farm, quadrilingual character voices for the computer game Haven – Call of the King and, most recently, a juicy role in a forthcoming audio Dr. Who for Big Finish Productions – a particular thrill given the family Dr. Who connection ( father, Peter Hawkins, provided the very first Dalek voices.)
Silas has been a reader for Liars’ League ( showcase for unpublished short fiction) since its inception some 10 years ago and many of his previous renditions can be heard in its online archive e.g. ( favourite ) My Last Friday Night John Race. This years stage credits have included the monologues Cornet Solo by Ben Francis and I’ll be along D’reckly by Mark Lindow, featuring, respectively, a doleful, Welsh ice-cream-van-man and a bereft Cornish grandad.
Neil Bell studied drama at Oldham College and has played character roles in such TV series as Buried, Shameless, Murphy’s Law, Ideal, City Lights, The BillCoronation Street, and Casualty, and the films 24 Hour Party People (2002) and Dead Man’s Shoes (2004). He had a regular role in Downton Abbey, and more recently in Peaky Blinders.
Susie Hennesy is an actor and writer, who was awarded a doctorate from Loughborough University’s School of the Arts, English and Drama in 2015. Susie has performed in a variety of genres and guises, and roles, to date, have included Sarah, in Harold Pinter’s The Lover; Grusha in The Caucasian Chalk Circle; Masha in Three Sisters; Ma Ubu in Ubu Roi; Lydia in The Rivals; Miss Bell in Fame; and Suzannah in Hair. Susie has recently had her first audio play, To Be There, produced, and is collaborating on a screenplay, Finding Angels, which will be filmed in the New Year.
Marian Cox coaches students in preparation for LAMDA examinations. She is an Associate Member of the Association of LAMDA Teachers (AALT) and of the Society of Teachers of Speech and Drama (ASTSD). Marian performs with the all-female Rose Company, bringing dramatic texts from the past to contemporary life’.
Marian will be reading stories and poems for Dusk at Lancaster.
Jay Bradley is an actor and writer, who is a member of both Nottingham Writers’ Studio, and The Actors’ Workshop. Jay’s acting credits include Cinesias in Lysistrata; Gary in Catharsis; Dr Denman in The Last Stockade; John Allen in Redemption; Tony in Letting Go; and, most recently, Anthony Bon Coup in a regional tour of Murder at the Masquerade Ball. Jay is currently in the process of filming two original screenplays, Little Mouse and Finding Angels, which he wrote this year.