Alison Absolute sent us lots of Haiku… Almost the Complete Works of Shakespeare: we couldn’t use them all, these are just some – a page got dropped somewhere so there are fewer than we intended – read by Katy Darby, Carrie Cohen & Saul Reichlin
Saul Reichlin reads Pat Tompkins‘ acrostic, What’s in a Name? Listen carefully, in true Elizabethan cryptic style, there’s a message buried in the first letters of each line
there are lots more videos to come, keep an eye out!
It cannot have escaped the notice of most people that it is 400 years since Shakespeare shuffled off this mortal coil. There’s been a lot of celebrating, and not to be outdone, we are joining in, not on his birthday, not on his death day, but at Midsummer. You know how we like a solstice.
The nice people at Lewisham Libraries are hosting us for an event on Tuesday 21st June at 7:30 on the front lawn of Manor House Library Old Road, SE13 5SY (with performances on the front steps) or inside in the Baring room if the weather is unseasonable. Please phone the library on 0208 314 7794 to book a place, and to book a seat for those who genuinely need one. You are encouraged to bring a picnic blanket to spread on the lawn. (If it rains we will be inside)
Shakespeare’s great skill was in telling an old story in a new way, so we are shamelessly tearing a leaf from his folio. We have poetry, story, and song, based on Shakespeare’s own work, the characters he invented, and his life.
Songs from Raise the Roof and from Rachel Bellman and Elizabeth Charlesworth performed by Rosalyn Miller, Toby Hine and Mark Wainwright.
For the sketch and where the author can’t make it, we have actors: Big thanks to Katy Darby, Carrie Cohen,Saul Reichlin,Cliff Chapman and Mike Eden
Discover what’s in a name, what you get when (almost) the complete works of Mr Shakespeare are reduced to Haiku, five of Shakespeare’s women get their own poem, as does his mother, Juliet’s neighbour makes a complaint, one of Shakespeare’s sonnets gets turned on its head, the Illyria of Twelfth Night resurfaces in a story of modern-day refugees and find out where (and from whom) young Will stole his best lines. Oh and what Rosalind and Orlando’s wooing sounds like set to music.