Welsh writers A470 Bilingual Welsh-English Poetry Anthology Submission Call

Featured

We are looking for poems linked to The A470

Mae gwasg Arachne Press yn eich gwahodd i gynnig cerddi gwreiddiol sy’n gysylltiedig efo’r A470 ar gyfer blodeugerdd.

draft cover. Image by Sarah Hopkins

Arguably the most famous road in Wales, the A470 is 186 miles from shore to shore through the backbone of Wales, linking north to south. Peaceful and picturesque or slow and never-ending, what does the A470 mean to you? The road out of here, the road home, the beginnings of devolution? Glorious national parks, bypasses, being stuck behind a certain lorry firm or worse, a caravan, the road to the Royal Welsh? From the seashore to slates, from nuclear power stations and fighter plane flypasts to forests and mountains: Bwlch yr Oerddrws, Pen Y Fan. On the road or on a journey, there’s no need to take the A470 too literally.

Be ydi’r A470 i chi – siwrne dawel trwy harddwch Cymru neu daith araf a diddiwedd? Ai hon yw’r ffordd i adael, neu’r ffordd adref, neu ddechrau datganoli? Parciau Cenedlaethol, ffyrdd osgoi, llusgo mynd tu ôl i lori neu waeth fyth garafán, y ffordd i’r Sioe Frenhinol? Traethau, chwareli, pwerdai niwclear, awyrennau rhyfel, coedwigoedd, mynyddoedd, Bwlch yr Oerddrws, Pen y Fan? Taith ddiriaethol ar y tarmac neu daith o fath gwahanol? Does dim rhaid dehongli’r A470 yn llythrennol.

Arachne Press’ first foray into Welsh language poetry came from the publication of Ness Owen’s Mamiaith (Mother Tongue). We enjoyed the translation process both Welsh to English and English to Welsh and we’re back for more, with Ness and fellow editor Sian Northey, who helped with those translations, at the helm. (Sian takes credit for the brilliant A470 idea.) This is part of our plan for the next three years and we anticipate publication in March 2022. You may also be interested in our anthologies for BME writers and deaf writers.

Mentrodd Arachne Press, gwasg fechan yn Llundain, i fyd cyhoeddi barddoniaeth Gymraeg am y tro cyntaf trwy gyhoeddi Mamiaith gan Ness Owen. Fe wnaethom fwynhau’r broses o gyfieithu’r cerddi o Gymraeg i Saesneg ac o Saesneg i Gymraeg, felly dyma ni’n ôl yn awyddus i wneud mwy dan ofal Ness a’i chyd-olygydd Sian Northey (awgrym Sian oedd y teitl A470). Mae hyn yn rhan o’n cynllun ar gyfer y tair blynedd nesaf ac rydym yn rhagweld y byddwn yn cyhoeddi’r gyfrol yn Mawrth 2022. Byddwn hefyd yn cyhoeddi blodeugerddi eraill – cerddi Albanaidd, cerddi gan feirdd BAME a cherddi gan feirdd b/Byddar – gyda ‘Mapio’ yn thema gyffredinol i’r cyfan.

Sian Northey & Ness Owen

We want unpublished poems from Welsh poets wherever you are, and all other poets living in Wales. We are looking for the unanticipated: sensitive poems, or poems that challenge, in traditional forms and new forms. NO Erotica, horror, gratuitous violence, sexism, racism, or homophobia. We actively encourage submissions from underrepresented voices, including ethnically diverse poets, LGBTQ poets, poets with disabilities, poets with experience of multiple socio-economic deprivation and women poets.

Rydym yn edrych am gerddi sydd heb eu cyhoeddi eisoes, gan feirdd Cymraeg a Chymreig lle bynnag maent yn byw, a beirdd sydd yn byw yng Nghymru. Rydym yn edrych am wreiddioldeb: cerddi teimladwy, neu gerddi sy’n herio, cerddi caeth neu gerddi rhydd. NI fyddwn yn derbyn erotica, arswyd, trais dianghenraid, rhywiaeth, hiliaeth, na homoffobia. Rydym yn annog cyfraniadau gan leisiau sydd yn cael eu tangynrychioli, gan gynnwys beirdd o gefndiroedd ethnig amrywiol, beirdd LGBTQ, beirdd â phrofiad o amddifadedd economaidd-gymdeithasol, a menywod.

This will be a fully bilingual anthology, celebrating the magnificence of both languages, and the artistry of both poets and translators. Poems may be submitted in Welsh, English or in both languages. Poems that are submitted in one language only will be translated – either by the poet themselves or experienced translators, including our editor, Sian Northey.

Bydd hon yn flodeugerdd gyfan gwbl ddwyieithog, yn dathlu gwychder y ddwy iaith, ac yn dathlu doniau beirdd a chyfieithwyr. Gallwch gynnig cerddi yn Gymraeg, yn Saesneg, neu yn y ddwy iaith. Bydd cerddi sy’n cael eu derbyn mewn un iaith yn unig yn cael eu cyfieithu – gan y bardd ei hun neu gan gyfieithwyr profiadol gan gynnwys Sian Northey, un o’r golygyddion.

We aim to give Welsh and English equal weight and the translations will be laid out side by side. This does mean each poem, regardless of language, can only be 27 lines including title and spaces between stanzas. We have room for a maximum of 50 poems plus their translation.

Y nod yw trin y ddwy iaith yn gyfartal ac fe fydd y cyfieithiadau yn cael eu gosod ochr yn ochr â’r gwreiddiol. Golyga hyn na all yr un gerdd, na’i chyfieithiad, fod yn fwy na 27 llinell, gan gynnwys y teitl a’r bylchau rhwng penillion. Bydd lle yn y gyfrol ar gyfer uchafswm o 50 o gerddi a’u cyfieithiadau.

We will pay royalties. Tell us you are interested in either language or both.

Telir breindal i’r beirdd, ond mae’n annhebygol y bydd tâl o flaen llaw am y cerddi – bydd hynny’n dibynnu ar y nawdd a dderbynnir. Gadewch i ni wybod a oes genych ddiddordeb cyfrannu cerdd/cerddi trwy’r ddolen Gallwch gysylltu â ni yn Gymraeg neu Saesneg.

We much prefer work that is unpublished but if you have a published piece that is a perfect fit, we will consider it. Please submit 1-3 poems.Rydym yn ffafrio gwaith sydd heb ei gyhoeddi, ond os oes ganddoch gerdd wedi’i chyhoeddi sy’n ffitio’n berffaith rydym yn fodlon ei hystyried. Gallwch gynnig 1-3 cerdd.

Submit here deadline 6th April 2021

Tymes Goe by Turnes – Call Out for Solstice Shorts 2020

Before I ran Arachne Press, I did many things, including, for quite a while, a job I hated. While in that job, I had as my screensaver/lock/background the words

Tymes Goe By Turnes, and Chaunces Chang by Course

I felt better every time I saw them.

Looking back, it’s pretty obvious I should have left the job, rather than comfort myself with the fact that something else would cause a change.  It’s also pretty obvious I had depression, which is why I couldn’t make the change for myself, and partly why I hated the job, to be entirely fair to my then employer.

The lines are from Robert Southwell (c. 1561 – 21 February 1595), who had plenty to be worried and unhappy about. Look him up if you want to feel better about your current situation by comparison, if that’s not the sort of comfort that moves you, (me neither) read the poem, which is at the end of this post; it’ll work better, promise. (There is a bit of God in it, I don’t subscribe but RS did, and it doesn’t spoil the poem for me).

WHY am I sharing this poem with you?

Because I really should be planning this year’s Solstice Shorts Festival, but I don’t know if it will go ahead.

Because Covid-19 might still be preventing us (hope not, it is the end of December!). Because Arts Council is in emergency funding mode and may not want to know about funding it.

Because if either of these, where and how can we be true to the basic live-ness of Solstice Shorts?

Anyway, I am a planner by nature, so I will plan the bits I can, and wait to see what chances change by which courses.

We always have a time theme, so here it is.

WRITERS/MUSICIANS I keep seeing on Facer and Twitbook that in the absence of paid work, you are knuckling down to projects and upping your rejection rates, so here’s another one for you.

Write a story or poem or song that responds or reacts or is inspired by the poem Tymes goe by Turns, or some concept in it. (also open to musical settings of the actual poem – I think there is at least one already.

We want enormous change, finding balance, release… just leave God out of it, ok? Solstice Shorts has a pagan undertow because of the day we hold it, and personally I’m a heathen, so any overtly godly piece will be automatically excluded. (21st December, shortest day of the year, winter solstice.)

If the worst happens and we can’t hold the festival this year (though we are incredibly ingenious) we will just put it off to 2021, and have the book ready to launch at the festival. It’ll be fine. We’ll work it out, but please be prepared for the possibility of a twelve month delay.

https://arachnepress.submittable.com/submit

Deadline 21st June 2020.

Here’s the poem, and audio of the lovely Math Jones reading it for us as a special favour

The lopped tree in tyme may grow agayne;
Most naked plants renew both frute and floure;
The soriest wight may find release of payne,
The dryest soyle suck in some moystning shoure;
Tymes go by turnes and chaunces chang by course,
From foule to fayre, from better happ to worse.

The sea of Fortune doth not ever floe,
She drawes her favours to the lowest ebb;
Her tyde hath equall tymes to come and goe,
Her loom doth weave the fine and coarsest webb;
No joy so great but runneth to an ende,
No happ so harde but may in fine amende.

Not allwayes fall of leafe nor ever spring,
No endless night yet not eternall daye;
The saddest birdes a season find to singe,
The roughest storme a calm may soone alaye;
Thus with succeding turnes God tempereth all,
That man may hope to rise yet feare to fall.

A chaunce may wynne that by mischance was lost;
The nett that houldes no greate, takes little fish;
In some thinges all, in all thinges none are croste,
Fewe all they neede, but none have all they wishe;
Unmedled joyes here no man befall,
Who least hath some, who most hath never all.

Spider anthology for our 8th Anniversary

Caution, contains spiders.
August 2020 (eighth month) is Arachne Press’s eighth anniversary. We are preparing an eight-legged arachnid inspired anthology.
Stories and Poems featuring spiders.
I’m going to make it difficult for you – NO spiders to be killed (except possibly whilst heroically defending…) This is not a venue for spiderhaters to vent their angst.

very pretty spider in web

Meet Mildred, currently resident in the garden of Arachne Towers

Think Charlotte’s Web or Leese Webster for adults, Spider as hero, not spider as villan.
Length:
Stories: shorter the better, but for something exceptional we’d push the boat out. ABSOLUTE max @3-4000 words.
Poems: whatever works for you. Eight lines? Sixty four lines? Concrete poems? Invent a new arachnid form!
Experimental:
Yes, if you want to play around with the eight idea, we’re open to playing along, especially in poems.
Genres: Spider fantasy, spider whodunnit, spider romance, spiders in space (why not?) Open to most things with the exception of the following: Avoid twee, please. NO EROTICA. NO HORROR. NO GRATUITOUS VIOLENCE NO SEXISM, RACISM, HOMOPHOBIA… you know the drill. We mean it, so just don’t do it. We’ll put you on a list if you do, and send the spiders to get you.
Reprints: We much prefer original work, but will consider magazine reprints. If it’s in a book, then no, unless it’s out of print and you retain the copyright. So check first, and make it clear it is a reprint and where it was before, and when.
CLOSING DATE 23:59 8th January 2020.

submit

Inspired by Lady Hale – a Spider anthology for our eighth anniversary

Inspired by Lady Hale I’ve been buying spider brooches (and that T-shirt that’s also supporting Shelter), like a mad thing, and then I thought…

Next August (8th Month) is Arachne Press’s 8th anniversary. What about an eight-legged arachnid inspired anthology?

Get writing, I’ll put a proper call out later in the week but maybe 2000 words-ish, deadline January-ish.

I’m going to make it difficult for you – NO Horror, NO spiders to be killed.

Think Charlotte’s Web for adults, not Arachnophobia. Some sort of homeless connection too? More when I’ve had time to consider properly.

I’ve resisted the temptation to use a close-up photo of a spider here. Imagine one.

 

Time and Tide Solstice Shorts 2019 call out

Solstice Shorts Festival 2019

Now in its 6th Year, Solstice Shorts Festival is once again being held on 21st December – and this year it’s a weekend, so we’ll be looking to fill an entire day (or at least noon to dusk) with short stories, poems and song.

The Theme:
It’s always about time – in the past we’ve done, Longest Night, Shortest Day, Dusk, Noon and just ‘Time’; but this year we are looking back, and picking up on a suggestion from the feedback from the very first festival.

This year our theme is

TIME and TIDE

We are looking for organisers and venues in port cities and towns – either on coasts or on tidal rivers. We already have organisers in London,  Holyhead, Glasgow, Maryport, Hastings and Aberdeen and in a dart into the international market, Lisbon, Portugal – let’s see how far we can take the festival this year. [Don’t be shy – it doesn’t need to be a huge complicated thing – if the idea excites you, get in touch and we’ll talk you through it. Nor do you have to keep going all day!]

We are looking for stories poems (including poem films/ film poems) and songs of making a living on or beside the water, and making new lives over the water so a particular interest in immigration, emigration, diaspora. We would like everything to have an historical slant (though that can be fairly recent history). There is a risk that this could develop a decidedly male voice so we would also like to pick up on the use of Time and Tide [wait for no man] as the title of the Suffragette magazine in the UK, and want to see lots of strong female characters and voices. We also want to see lots of strong BAME characters and voices, so spread the word to your female and BAME writing friends.

Your story/poem/song will be performed live by an actor (or you) at the festival – possibly on multiple sites. We try to live stream to Facebook (technology permitting). Subsequent publication in the anthology with royalties paid (this may include the lyrics of songs if appropriate.)

Maximum 2000 words regardless of fiction/poetry. Songs / films maximum 5 mins

Closing date 21st June 2019

Songs can be traditional or original, and in any language, provided you send us an English translation so we can tell if it’s appropriate, and need to be performed by their proposer/writer (unless you have someone who can do it for you), so songwriters/musicians need to be able to attend one of the venues.

Story/Poem writers can be from anywhere but your story must be in English or BSL.

We will only accept non-English works if they are linked to a confirmed venue, so hold fire on those until we’ve tied up that side of things, and they must be accompanied by an English translation. Deaf writers can submit a video, blind writers can submit audio files.

No horror/erotica/gratuitous or sexual violence. We mean it, don’t send it.

CLOSING DATE
23:59
21ST JUNE 2019

via our submittable account only!

call out: Story Cities

A note from our friends at University of Greenwich

 Story Cities – a call for flash fictions
‘The city is redundant: it repeats itself so that something will stick in the mind . . .
Memory is redundant: it repeats signs so that the city can begin to exist’
– Marco Polo to Kublai Khan in Italo Calvino’s Invisible Cities

In Calvino’s masterful work, Marco Polo explores images of distant cities where time, space, objects and individuals are presented in visions. Each description is filled with varying degrees of enchantment, absurdity, impossibility and allure.
The weaving of these accounts questions what is real and unreal; recollections of disparate lands invoke the realisation that perhaps all reveal a single place so that:
‘the more one was lost in unfamiliar quarters of distant cities, the more one understood the other cities he had crossed to arrive there’ (Calvino).
The city is a place where populations meet and strangers pass one another. Where stories are created, told, remembered and discarded. One city connects us to the memory or spirit of another; repeating rituals and behaviours which provide spectacle for the tourist
and uniformity for the global citizen. As we move within the city we operate within the systems that transport us, the signs that guide us, the encounters that confront us and the thoughts which carry us.

Brief – call for submissions
This brief invites submissions for new short works of fiction in any genre that address the theme of the city. It asks you to explore the journeys we take; the situations we encounter and interact with; the dialogues and connections we make – in order to highlight universally shared experiences and understandings of the city and / or imagine them
differently.

Working under one (per story) of the following themes:
the Market, Square, Café, Hotel, Park, Station and Port, Main Street, Side Street, Crossroads, On the train, On the bus / tram – writers are asked to create narratives that speak of / to / through the city.

Story Cities is a collaborative research project initiated by lecturers at the University of Greenwich, London
Rosamund Davies, Senior Lecturer in Media and Creative Writing and
Kam Rehal, Senior Lecturer in Graphic and Digital Design. It explores ways in which
stories might respond to, reference, reflect and reimagine the city. Selected works will be published in a physical book that readers can carry into cities – to experience the city through stories. Acting as guides, companions and tools for reflection, we hope that the stories can encourage the reader to experience the city differently.

You are invited to participate in this project by submitting new short works of fiction in any genre that address the theme of the city.

Guidance
There are a set of guidelines that we ask contributors to work with:
1. All contributors must be aged 18 and over
2. Each story can be between 1–500 words in length (no longer), excluding title
3. Up to 3 stories may be submitted by each contributor
4. Names of specific places must not be used – nor should characters be given names. Your story should be written so that it works in any city
5. All submissions must be works of fiction and the author’s own work, unpublished and in English. If this work is under consideration elsewhere you must inform us immediately if it is accepted
6. All work must be submitted with author’s name and a contact email – please do not supply any additional contact details at this stage
7. All work must be submitted by the named author and he/she must hold rights to the material
8. All contributors must sign and complete the consent form and submit this with
their work(s)*
9. There will be no monetary reward for inclusion in the publication but a copy of the book will be presented to each contributor. Copyright will be retained by the author, with licence for exclusive publication for a to-be-agreed period not exceeding one year.
Once we have received and considered all submissions we will edit an initial selection of stories for publication.

If you have any questions please contact:
Kam Rehal and Rosamund Davies at the University of Greenwich on: StoryCities@gre.ac.uk
+44(0)20 8331 9013

SUBMIT TO StoryCities@gre.ac.uk
Deadline for submissions: 16/09/2018

*email the submissions address to get the form

 

call out for stories and poems for Peace anthology

Call out for stories and poems for an anthology celebrating the centenary of the end of WWI. Publication planned for Nov 2018.

Provisional Title An Outbreak of Peace.

Two free copies of the anthology, and royalties @ 8% divided between all the contributors. e-book royalties @25% of net divided between all contributors.

Open to everyone – unpublished and in English please.
Stories: around 2000 words but anything between 1000 and 2500 accepted.
Poems up to 1000 words.

How you respond to this theme is up to you, and it doesn’t need to be specific to WWI, but we find nothing to celebrate in war, and want a good balance for the book between appropriate commemoration of the dead, relief that it’s over and hope for the future.

Submit via Submittable only, please

Closing date 31st March 2018

submit

Dusk Important update for writers (and others)

Ok! Writers! Pay attention! (Not a writer? Scoot down to the end, there’s info for you there!)

We are widening the call out for Solstice Shorts Dusk. You can now offer us previously published work (for performance only). This means we won’t consider previously published work for the book, but will consider it for performance at one of the following places on 21st December as it gets dark:

Ellon (nr Aberdeen)
Inverness
Carlisle
Lancaster
Rossendale
Holyhead (Anglesey)
Birmingham
Nottingham
Greenwich
Bristol
Warkleigh (near Barnstaple)
Redruth

SUBMIT HERE deadline 5th November but you’d make us deliriously happy if you sent something SOONER.

Musicians we are after songs for the peformances too, same submission link

Everyone else!! If you think this is a lovely idea and want to get behind it, PLEASE go to our crowd fund (TODAY, it expires tomorrow!) we have lot of lovely items, hand-crafted and otherwise on offer, and you’ve missed your chance at the cake already! We still have quite a way to go!

 

CALL OUT Stories Poems and Songs for Solstice Shorts 2017 DUSK

This year’s Solstice Shorts Festival (21st December) is running at (Astronomical) DUSK once the sun has gone down but there’s still some light, until it’s good and gone.  On 21st December Dusk starts in the UK in the far NE (Shetland) at 16:53 and finishes in the far South West (Cornwall) at 18:21, taking between 40 and 50 minutes depending where you are. We want the performances to match this exactly, and to have a live link up (Facebook, Youtube…I’m going on a course!) – so that Cornwall wouldn’t start reading until Shetland had almost finished (supposing we can get someone in Shetland interested) and all the other performances will overlap, so that somewhere in the ether we are all reading/singing together, like a murmuration of starlings… with (probably) one or two each of songs, stories and poems at each venue.
So that’s between 20 and 26 stories/poems/songs in total to be chosen.

We now have several sites confirmed, and we will be celebrating the end of the shortest day of the year in:
ELLON (near ABERDEEN), INVERNESS, CARLISLE, LANCASTER, ROSSENDALE, ANGLESEY, BIRMINGHAM, NOTTINGHAM, GREENWICH
almost definitely BARNSTAPLE, REDRUTH
possibly STOKE, HARTLEPOOL,
We are talking to people in BRISTOL, and still looking for someone in SHETLAND or ORKNEY and it would be great if someone in EAST ANGLIA would offer. Much more information at https://arachnepress.com/solstice-shorts/dusk-solstice-shorts-2017/
All of this is subject to our getting our funding application approved. We are crowd funding now (closes 2nd October), and have just had a very positive meeting with the Arts Council and have started the funding applicationfor that immediately (this will take at least 8 weeks for a decision to come through).


Story & Poetry
Submissions will be long-listed anonymously by up to 5 of the organisers, and then shortlisted using where people are geographically, to help balance the material across sites. SO DO NOT PUT YOUR NAME ON YOUR ACTUAL STORY/POEM/SONG, only on the form/ cover letter. If your name is visible we will not consider your work.

WRITERS AND MUSICIANS The CALL OUT– DEADLINE 5/11/17 UK ONLY

Please Note – We would be VERY grateful if you could submit early – we need some confirmed writers to be able to fill in the arts council application WELL, and as we are now planning to try to get the anthology out in a pre-publication version for the event, we will have to move at the speed of light, and that means we will longlist as things come in.

Submissions from writers and musicians of short pieces on the theme of DUSK. You can interpret that how you like, but if we don’t recognise a connection your work won’t be chosen.- Plus a covering letter, saying who you are, what you’ve written/had published/performed/ recorded before,  and MOST importantly, where you are.
This will be a UK only call out this time because of the structure of what we have planned.
For absolute clarity, these are works suitable for performance, story, poem or song, and please no death or dementia stories we’ve read SO many of those (and been offended by inaccuracy in the dementia ones) that no matter how wonderful, it’s a case of ‘not another one!’
Songs: Traditional or original please! (We aren’t interested in covers of work still in copyright)  And… Relevant to Dusk.
Between 3 and 5 minutes for preference, absolute maximum 10 minutes.
We would prefer the musicians among you to be able to perform at your most local venue yourselves (wherever that ultimately is).
Musicians: we aren’t a recording company so we can’t offer anything on those lines, but if anyone knows someone who can, put us in touch. We will publish original lyrics alongside the poems and stories, and we have a cunning plan for audio books which if it comes off will need some occasional music so there may be future opportunities.

Stories: No more than 1500 words please, we are tight for time. No minimum.
Poems: We like a narrative, but hate the rhythms that often go with them. (Haiwatha- aargh!) Surprise us. You can go long with this, but don’t exceed 1000 words. No minimum.
Successful stories & poems will be performed by actors, and will go forward to next year’s Dusk anthology (provisional publication date 21st June, for the Summer Solstice), for which 2 copies of the book plus royalties will be paid. (option to take royalty in books, with this many contributors it will be a very small royalty unless the book really takes off.)

All Entries in English (or BSL for a story/poem) or Welsh/Gaelic/Kernewek (with a translation as well please) and your own unaided original and UNPUBLISHED work.

FORMATS
Word/ PDF
We welcome stories/ poems from Deaf writers. If you want to submit in BSL you can send us a video. AVI, MP4, WMA, MOV.
Musicians and blind writers. You can submit using audio files. MP3 or WAV.


submit